┏━━━━━━━━━━━━━━━━┓
┃ 『THE BEATLES ANTHOLOGY ２』 ┃
┗━━━━━━━━━━━━━━━━┛
1996(平成八)年3月18日(mon) ＪＰ Released
1996(平成八)年3月18日(mon) ＵＫ Released
1996(平成八)年3月19日(tue) ＵＳ Released
◇Disc one (ＣＤ１)
◎ＬＰ Ａ-side (Ｒecord Ｄisc １)
01."Real Love" John Lennon
1979(昭和54)年07月XX日(???) The Dakota, New York City, New York US 3:54
‡1995(平成七)年02月XX日(???) Hogg Hill Mill, Icklesham, UK[citation needed]
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https://music.amazon.co.jp/albums/B01DJHE4YS
https://music.amazon.co.jp/albums/B07FTBJ8VJ
https://en.wikipedia.org/wiki/Anthology_2
https://music.amazon.co.jp/albums/B00H77Z0I6
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┏━━━━━━━━━━━━━━━━━━━┓
┃ ＴＨＥ ＢＥＡＴＬＥＳ of １９６３ ┃(tue)19 February
┗━━━━━━━━━━━━━━━━━━━┛
Concert: Cavern Club, Liverpool
The Beatles' third-to-last Cavern show ever. The Pathfinders, Freddie Starr and the Midnighters, and Lee Curtis and the All-Stars (including drummer Pete Best) also played that night.
"It was a day that would prove pivotal for four young Liverpudlian musicians called John, Paul, George and Ringo. They began it as a buzz band from northwest England, local heroes with one Top 20 hit (Love Me Do) under their belt, and their debut album, Please Please Me, completed in a mere 13 hours at Abbey Road Studios eight days earlier. That evening, they would perform yet another set at the Cavern, a useful last-minute warm-up for their support slot on Helen Shapiro's tour, due to open in Mansfield the following Saturday. Things were undoubtedly moving for the Beatles. But the fuse had yet to be lit that would rocket them, within six months, to national fame and, a year later, to global superstardom.
Michael Ward, the photographer driving from London that February morning to shadow the band around their native city streets, wasn't to know it at the time, but by nightfall he would be watching history being made. Before that, though, there was an assignment to be completed. Britain was at the time two months into the harshest winter the country had seen since 1740, and the frozen Fab Four were reluctant subjects for Ward's lens. The images he took that day have now been collected in a boxed set, A Day in the Life, but most of them have languished, unseen, since the day Ward took them. He is modest about the results - "I just happened to be there," he says, 45 years on - but his gritty photographs are true to documentary style of the time.
The photographs also provide (and forgive the pun) a freeze-frame of a band still - just - insouciant and unharassed enough to stroll around a city in full public view. By the autumn of that year, such everyday activities would be impossible. And that very evening, news came in that would set in motion the momentum that would lead to Beatlemania, The Ed Sullivan Show, Sgt Pepper, Abbey Road and, ultimately, the bullets speeding from Mark Chapman's gun. The Cavern crowd was informed that the Beatles' second single, Please Please Me, was No. 1 in the coming Friday's NME chart. Under the arcane chart procedures used at the time, the band found themselves sharing the top slot with a Frank Ifield song that gloried in the evocative and petomaniacal name A Wayward Wind.
From then on, the Beatles were on their own. They had woken that morning as aspiring pop idols. They went to bed that night as stars.
Tuesday, February 19, 1963
"I'd never heard of them, and they weren't remotely interested in me." The photographer Michael Ward had been commissioned by Honey magazine to take pictures of a Liverpool pop group called the Beatles. "I met them in a pub and then we went around the town together." Ward tried several locations as backdrops: the stone steps of the Pier Head and the balustrades of the Victoria Monument. "Paul was very helpful, but John Lennon would insist on ruining a picture. Of course, he thought it was extremely funny. John just wanted to get it over with. He's chatting to the girls while the other three are looking straight at me."
Walking through the city
"I was trying to make them laugh and look at the camera - or past the camera. It wasn't easy because they were all chatting among themselves, and the fans had started to come along." At this stage, though, the fans were a long way from the screaming hordes of just a few months later. By mid-afternoon, the band had had enough of the freezing weather (Britain was still in the grip of one of the century's worst winters). "They got fed up, and the final shot, on the zebra crossing, was ruined because Paul disappeared behind Ringo. They couldn't be bothered to do it again, and nor could I." But the idea would reappear on the cover of Abbey Road.
Brian Epstein's office
The band took refuge in their manager's office, where a map on the wall was covered with pins showing their first full British tour, due to begin on the following Saturday.
Rehearsing
Later in the afternoon, the Beatles walked over to the Cavern to set up their instruments and rehearse for the evening's performance. "They seemed slightly surprised by their success. I think they were amazed at their own talent: they enjoyed doing this, putting it together. It was as if they'd suddenly realised they produced songs that people liked, and weren't sure how to handle it. They were very tight-knit, depending on each other collectively. There's a picture of John and Paul playing to each other, swapping chord structures. They weren't proficient musicians at all: they were groping, listening. It was marvellous."
Performance
Before the band took the stage, it was announced that Please Please Me had just made it to No 1 in the charts. Ward realised he didn't have a flash with him. He made do with the stage lights and a slow shutter speed. He photographed the band from among the audience, then managed to manoeuvre himself onto the tiny stage. "I was shooting from the front, but, after a while, it got a bit boring, and it was so full, I was having terrible trouble keeping the camera steady. So, I thought I'd get behind them and try to shoot through their legs at the audience. There was no screaming - not like they started to get later on. You could clearly hear the band, even on the quieter numbers. I was quite surprised by the strength of their melodies. But I was such a jazz man and, to me, there was no rhythm, no syncopation - it was just a solid beat, and that killed it for me." The group, who had yet to earn ￡100 for a performance, would play at the Cavern only twice more after this."
Source: (sun)03 February 2008『Sunday Times』
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┃ ＴＨＥ ＢＥＡＴＬＥＳ of １９６３ ┃(sun)03 March
┗━━━━━━━━━━━━━━━━━━━┛
Concert: Gaumont Cinema, Piccadilly, Hanley, Staffordshire
The last date of the Helen Shapiro tour.
"Derek Adams, a former journalist on The Sentinel, Stoke, and the Derby Evening Telegraph, has a special reason to remember Beatlemania from the Swinging Sixties. Here he recalls the night in 1964 when he shared a fish and chip supper with the Fab Four ....and the prediction he made about their futures. Were you part of Beatlemania in the Swinging Sixties, the Bygones section of the Derby Evening Telegraph recently asked. Part of them! I actually shared a fish and chips supper with the four lads in 1964 [sic] and recall John Lennon making chip sandwiches, Paul McCartney pouring tomato sauce over everything he ate, George Harrison drinking his hot tea direct from a saucer and Ringo Starr mistakenly shaking sugar on his chips instead of salt. The Fab Four had earlier appeared for a one night two-house gig at the Gaumont Cinema, Hanley, Stoke-on-Trent, and as a junior reporter with the Stoke-on-Trent Evening Sentinel (a sister paper of the Derby Evening Telegraph for whom I later worked) I was sent along to review the whole programme for the paper's Out and About section. Helen Shapiro was billed as the star of the show. The Beatles were the third act down on the official programme. I had certainly heard of Helen Shapiro. The name The Beatles was somewhat vague to me. I watched both 'houses' from the wings adjoining the stage at the Gaumont and recall The Beatles larking around and pushing each other before they actually appeared before the screaming hordes that had solidly packed the venue. When they finished their act they were all bathed in perspiration and both John and Paul dunked their heads beneath the dressing room's cold water tap. We chatted in the dressing room for about three-quarters-of-an-hour, which included the official interval, while girls screamed at the dressing room window from the outside pavement below us. Ringo actually chucked a glass of water through the open dressing room window to the delight of the screamers. Following the second 'house' I was just about to leave the Gaumont at 11.30pm when John Lennon said to me: "Hey Wack, where can we get some fish and chips at this time of night and without the fans leering and screaming at us?" I knew of a fish and chip shop in an area known as Etruria, near Hanley, where you could sit at tables in the back of the shop. It also served bread and butter and tea. It was arranged that The Beatles follow my car in their Transit van and that we all dine together. I too had not eaten throughout that eventful evening. The meal lasted about an hour amid much laughter and joking and the occasional chip being rescued from someone's cup of tea. The overnight digs for The Beatles was with a theatrical landlady who lived at 6 Adventure Place, Hanley. The property is still there today. When the bill arrived for the meal there was much arguing among The Beatles on who would foot the bill. John said he had paid for a meal for all of them the night before and Paul and George said something similar about other evenings. Ringo eventually coughed up. We eventually said our good nights and off trundled The Beatles in their van. I returned to my lonely bed-sitter in an area known as Basford.
Oh yes, that review ...
My piece that appeared in the Out and About section of the Evening Sentinel read along these lines: "A pleasant boy band typical of many others of this time but who could just make the very competitive pop scene if only they could make another hit record".
'Tis true, I tell you!"
‡Source: (sat)19 February 2000, Derby Evening Telegraph,
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http://www.multiplusbooks.com/630303.html
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┏━━━━━━━━━━━━━━━━━━━┓
┃ ビートルズ詳解 The Beatles’Corpus ┃
┗━━━━━━━━━━━━━━━━━━━┛
①1961(昭和36)年02月19日(日) ライヴ演奏：カスバ･コーヒー･クラブ／リヴァプール
②1962(昭和37)年02月19日(月) ライヴ演奏：キャバーン･クラブ (昼) ／リヴァプール
③1963(昭和38)年02月19日(火) 写真撮影：リヴァプール市街
④1963(昭和38)年02月19日(火) リハーサル：キャバーン･クラブ (昼)／リヴァプール
⑤1963(昭和38)年02月19日(火) ライヴ演奏：キャバーン･クラブ (夜)／リヴァプール
････････････････････････････････････････････････････････････
①1961(昭和36)年02月19日(日) ライヴ演奏：カスバ･コーヒー･クラブ／リヴァプール
ビートルズは1960(昭和35)年から1962(昭和37)年の間に、カスバに３７回出演しているヨ(=^◇^=)
1960(昭和35)年12月17日･31日
1961(昭和36)年01月15日･29日
‡1961(昭和36)年02月12日･19日･26日
1961(昭和36)年03月05日･12日･19日･26日
1961(昭和36)年08月06日･03日･27日
1961(昭和36)年09月10日･24日
1961(昭和36)年10月22日
1961(昭和36)年11月19日･24日
1961(昭和36)年12月03日･17日
1962(昭和37)年01月07日･14日･21日･28日
1962(昭和37)年02月04日･11日･18日･25日
1962(昭和37)年03月04日･11日･18日･25日
1962(昭和37)年04月01日･07日･08日
1962(昭和37)年06月24日
③1963(昭和38)年02月19日(火) 写真撮影：リヴァプール市街
撮影場所：リヴァプール市街 ～ NEMS ～ エプスタインのオフィス
撮影時期：1963(昭和38)年02月19日(火)の昼
撮影者 ：マイケル･ウォード (Michael Ward)
④1963(昭和38)年02月19日(火) リハーサル：キャバーン･クラブ (昼)／リヴァプール
撮影場所：キャバーン･クラブ (Cavern Club)
撮影時期：1963(昭和38)年02月19日(火)の夕方
撮影者 ：マイケル･ウォード (Michael Ward)
⑤1963(昭和38)年02月19日(火) ライヴ演奏：キャバーン･クラブ (夜)／リヴァプール
1963(昭和38)年の2月までは、ビートルズがキャバーン･クラブ (Cavern Club) に出演するのはまったく珍しいことではなかった。しかしながらこの頃までに彼らの名声は相当に高まり、彼らを見たいとする需要は高かった。そんな状況であったが故に、この夜のショーのためにクラブへの入場を並んで待つ人々の行列はイベント開催日の2日前に始まった。その期待の大きさの原因の1つは、これがビートルズの2週間ぶりのキャバーン出演だったことがあげられる。もう一つの理由は『Please Please Me』シングルの売れ行きに関する話題の盛り上がりであった。ニュー･ミュージカル･エクスプレス (New Musical Express) とディスク誌 (Disc magazine) のシングルチャートでそれが1位になったというニュースが、キャバーンのDJのボブ･ウーラー (Bob Wooler) によってステージからアナウンスされた。ウーラーはブライアン･エプスタイン (Brian Epstein) からビートルズ宛てにキャバーン･クラブに送られた電報を読み上げた。彼が『Please Please Me』成功のニュースをアナウンスした時、なぜか観衆は静まり返った。ビートルズがもはや彼らだけの秘密でなくなったことを本当に実感させられたのである。この夜のキャバーンの他の出演者は、リー･カーチス＆ザ･オール･スターズ (Lee Curtis & The All Stars)、ザ･パスファインダーズ (The Pathfinders)、そしてフレディ･スター＆ザ･ミッドナイターズ (Freddie Starr & The Midnighters) であった。ビートルズがステージに立っている間、観客の中にはオール･スターズのドラマー、ピート･ベスト (Pete Best) がいた。彼もビートルズも互いに避け合うことに苦痛を感じていたが、この夜がビートルズがピート･ベストを見る最後の機会となった。
写真◆撮影者 ：マイケル･ウォード (Michael Ward)
これはビートルズの123回目のイブニングショーで、ランチタイムショーを加えると278回目のキャバーン出演だった。この出演の後、ビートルズは車でロンドンに旅立っていった。ビートルズのキャバーン･クラブへの正確な出演回数は判っていないが、1961年2月9日から1963年8月3日までの期間に、少なくともランチタイムショーで155回、イブニングショーで125回の演奏を行っている。
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①https://gejirin.com/beatles/history/1961/0history_index-1961.html
②https://gejirin.com/beatles/history/1962/0history_index-1962.html
③https://gejirin.com/beatles/history/1963/19630219-1_Photos_WalkingLiverpool.html
④https://gejirin.com/beatles/history/1963/19630219-2_Rehearsal_Cavern.html
⑤https://gejirin.com/beatles/history/1963/19630219-3_live_Cavern.html
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┏━━━━━━━━━━━━━━━━━━━━┓┌─―――――┐
┃ ＴＨＥ ＢＥＡＴＬＥＳ ＨＩＳＴＯＲＹ ┃｜ February 19｜050
┃ ザ･ビートルズの今日の出来事 ┃｜ ２月１９日 ｜
┗━━━━━━━━━━━━━━━━━━━━┛└─―――――┘
1960(昭和35)年02月19日(金) スチュワート・サトクリフがベースとして加入したものの、ドラマーが不在ということもあり、春ごろまで目立った活動はない。バンド名を「クオリーメン（The Quarrymen）」から、スチュの発案で「ビータルズ（The Beatals）」に改名した。
1963(昭和38)年02月19日(火) 久々にキャバーン・クラブに出演。ビートルズ目当てに2日前から並んだファンもいた。ピート・ベスト在籍のリー・カーティス・アンド・オールスターズが共演で、ビートルズのメンバーとピートが顔を合わせたのは、この日が最後である。
1964(昭和39)年02月19日(水) マイアミ・ビーチで休日を過ごす。
********** http://www.thebeatles.co.jp/contents/index2.htm
http://www.beatlelinks.net/forums/showthread.php?t=16917
http://beatlesdiary.web.fc2.com/day/002/021.html
https://blogs.yahoo.co.jp/fab4city/15658411.html
http://www.beatlesagain.com/bhistory.html
楽曲資料https://beatlesdata.info
歌詞充実http://tsugu.cside.com/index.html
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┃ 『ＴＨＥ ＢＥＡＴＬＥＳ (アニメ ザ･ビートルズ)』Ｓeason １ ┃２６ animated color episodes
┗━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━┛in ３０ minute format
‡Ep.22 1966(昭和41)年2月19日(sat) No.43 ｢♪Komm Gib Mir Deine Hand♪｣
Sing-a-Longs ♪Bad Boy♪
‡Ep.22 1966(昭和41)年2月19日(sat) No.44 ｢♪She Loves You♪｣
Sing-a-Longs ♪Tell Me Why♪
Directed By･･････Ray Leach / Snav Sniekus (aka Jim Hiltz)
Voice Cast･･･････Paul Frees...John Lennon.......伊武雅刀
Voice Cast･･･････Paul Frees...George Harrison...田中秀幸
Voice Cast･･･Lance Percival...Paul McCartney....小幡研二
Voice Cast･･･Lance Percival...Ringo☆Starr......曽我部和恭
Created By･･･Al Brodax ＆ Sylban Buck
Songs By･････THE BEATLES
映像◆アニメ ザ･ビートルズ１４ https://youtu.be/NEZ1KeMOvQs
きょうの歌 ♪I Want to Hold Your Hand (抱きしめたい)♪ ♪Bad Boy♪
**************************** http://beatlescartoon.jp/
http://en.wikipedia.org/wiki/The_Beatles_(TV_series)
http://web.archive.org/web/20091028135843/http://geocities.com/garn13/beatles.html
http://www.geocities.jp/thebeatlescometogether/gallery/photograph/animation.html
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┏━━━━━━━━━━━━━━━━━━━━━━━┓
┃ Performances at The Casbah 1950s １９６１ ┃
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(sun)12 February 1961 The Casbah Club West Derby, Liverpool
Photographer: Phillips (?)
Performances at The Casbah January - March 1961 (Note: all dates are a Sunday)
(sun)15 January 1961
(sun)29 January 1961
(sun)12 February 1961
‡(sun)19 February 1961
(sun)26 February 1961
(sun)05 March 1961
(sun)12 March 1961
(sun)19 March 1961
(sun)26 March 1961 A contemporary photo of "the spider room". See a layout of The Casbah - here
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http://www.beatlesource.com/savage/1961/61.02.12%20casbah/61.02.12casbah.html
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┏━━━━━━━━━━━━━━━━━━━━━━━━━┓
┃ THE BEATLES Live at The Ｃasbah Ｃoffee Ｃlub ┃
┗━━━━━━━━━━━━━━━━━━━━━━━━━┛
‡No.06 1961(昭和36)年 2月19日(sun) The Casbah Coffee Club
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https://en.wikipedia.org/wiki/The_Casbah_Coffee_Club
http://www.petebest.com/casbah-coffee-club.aspx
http://gejirin.com/beatles/history/1926-1959/19590829_live_casbahcoffeeclub1.html
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┏━━━━━━━━━━━━━━━━━━━━┓
┃ Ｗinter １９６３ ＵＫ Tour, Ｐart ２ ┃THE BEATLES SHOW
┗━━━━━━━━━━━━━━━━━━━━┛
‡No.29 07 (tue)19 February 1963 Liverpool, England, The Cavern Club
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https://en.wikipedia.org/wiki/List_of_the_Beatles%27_live_performances
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①┃ The Savage Young Beatles 1950s １９６３ ┃
┗━━━━━━━━━━━━━━━━━━━━━━┛
‡(tue)19 February 1963 The Cavern Club etc., Liverpool
Photographer: Michael Ward
London photographer Michael Ward was hired by Honey magazine to shoot photos of The Beatles (a band he had never heard of). Apparently, he spent much of the day with them conducting threedifferent photo sessions which included what are probably the last photos taken of The Beatles at The Cavern (they would give only two more performances there in April and August 1963).
One source says this is John but it's really hard to tell. Also, it's unclear if this is the afternoon rehearsal or the evening performance.
┌─―――――――――――――――――┐
②｜Morning on the streets of Liverpool ｜
└─―――――――――――――――――┘
‡(tue)19 February 1963 The Cavern Liverpool
Photographer: Michael Ward
Ward was used to taking photos in the streets. This probably led to the location choices for this set of photos.
┌─―――――――――――――――┐
③｜Afternoon rehersal at The Cavern｜
└─―――――――――――――――┘
‡(tue)19 February 1963 The Cavern Liverpool
Photographer: Michael Ward
An afternoon rehearsal before their first performance at The Cavern in two weeks.
┌─――――――――――――――――┐
④｜Evening performance at The Cavern ｜
└─――――――――――――――――┘
‡(tue)19 February 1963 The Cavern Liverpool
Photographer: Michael Ward
This was The Beatles' first performance at The Cavern in two weeks. Also on the bill was Lee Curtis and The All-Stars featuring Pete Best. This was the last time any of The Beatles ever saw Pete in person.
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①http://www.beatlesource.com/savage/1963/63.02.19%20cavern/63.02.19.html
②http://www.beatlesource.com/savage/1963/63.02.19%20cavern/63.02.19a%20morning.html
③http://www.beatlesource.com/savage/1963/63.02.19%20cavern/63.02.19b%20afternoon.html
④http://www.beatlesource.com/savage/1963/63.02.19%20cavern/63.02.19c%20evening.html
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┏━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━┓
┃ 『A HARD DAY'S NIGHT Instrumental Versions of the Motion Picture Score』 ┃
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‡(fri)19 February 1965, ＵＫ album release, United Artists
『A HARD DAY'S NIGHT』orchestral ＬＰ by George Martin
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┛ＴＨＥ ＢＥＡＴＬＥＳ １９６５ Ｒecording Ｓessions ┛Studio 2
┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛┛3:30-6:20pm
┏━━━━━━━━━━━━━━━━━━━┓♪恋のアドバイス♪
┃ ♪You're Going to Lose That Girl♪ ┃takes 2-3
┗━━━━━━━━━━━━━━━━━━━┛■この日のみ■アビイ・ロード第2スタジオにて録音された。コントロールルームのアナウンスミスで第1テイクを「第2テイク」と言ってしまったらしく、唯一完奏できた「第3テイク（実質には第2テイク）」がベストと判断されて、そこにポールのピアノやリンゴのボンゴなどがオーバーダブされた。なお、ジョージはギターソロ以外はなにも演奏していないようである。
Ｎote･･･この曲のレコーディングが行われた前日（1965年2月18日）♪If You've Got Trouble♪そして翌日（1965年2月20日）♪That Means a Lot♪はいわゆる「ボツ」曲が2曲も生まれたセッションとなっている
Producer: George Martin
Engineer: Norman Smith
2nd Engineer: Ken Scott.
The Connaught Hotel, Carlos Place.
‡1965(昭和40)年2月19日(fri)
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https://beatlesdata.info/5/06_youregoingtolosethatgirl.html
https://en.wikipedia.org/wiki/You%27re_Going_to_Lose_That_Girl
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