"Order of III" 'yeahyeahyeahyeahyeahit's ovdk!

Ovdk is back for a brand new release after 6 years of silence. "Order of III" is the third release of Ryuta k. project on MiMi Records. This new release in an intense headphone listening album. Must listen!!!



BRIEF DESCRIPTION: Order of III is an hard sound that crosses styles characterized by aesthetic freedom, without feeling the need to identify with any particular feature and subsisting without the usual places.

Perfect for some intense headphone listening, late nights, an album for those who seek a more unusual experience.



DESIGN: Fernando Ferreira







EDITION : Mi209
ARTIST : Ovdk
TÍTLE : Order of III
TYPE : Album
TIME : 61'55"'
GENRE : Ambient

TRACKLIST :


01. No more reason to stay [ DOWNLOAD ]
02. DSMIII [ DOWNLOAD ]
03. Disgust night fire [ DOWNLOAD ]
04. SludgySelf Found in a Vacancy [ DOWNLOAD ]
05. Hanamura_Seiichi [ DOWNLOAD ]
06. Wolfgang_Blankenburg [ DOWNLOAD ]
07. Went to Besbalik [ DOWNLOAD ]

へといかける中途段階であった。

＊注　それはニューフロンティアを求める志向性と重なるのではないだろうか？
２０１９年のロサンゼルスのランドスケープとサウンドスケープ
をおもいかいしてみよ。まさに４ｔh　worldといった趣ではなかったろうか？
しかしそれは極限であり彼岸にたどりつくことはない。存在論的に決定している
のだ。ソフトウェアの最新のアップデートが最新の音楽を提供するとは
限らないのと同義であるようにおもわれる。
＊注　Pagan,Wiccan,NeovolK,表現主義は形式へといかける中途段階であった。



VA)Artist---song list:
1.Makryham--Raymond Roussel:Dysphoria
2.Bunk Data--From Foucault's pleasure
3.Kol sonzlgn--Neue Panopticon
4.sara ayers-La Tache politique actuelle
5.Ergo phizmiz-Mystery of Hadness
6.Henry Gwiazda-TheOtherwilderness
7.Ryuta.k-Truth got broken since May 68
(Toward pan-tonal world music)
1to7 ;48.8 minutes

Omer Marie Gabriel Monnet

Jean Omer Marie Gabriel Monnet (French pronunciation: ​[ʒɑ̃ mɔnɛ]; 9 November 1888 – 16 March 1979) was a French political economist and diplomat. He is regarded by many as a chief architect of European unity[1] and is regarded as one of the founding fathers of the European Union. Never elected to public office, Monnet worked behind the scenes of American and European governments as a well-connected pragmatic internationalist.[2] The 1980–1981 academic year at the College of Europe was named in his honour.Monnet was born in Cognac, Charente, into a family of cognac merchants. At the age of sixteen, he abandoned his university entrance examinations part way through and moved to London, where he spent some years in the City of London with Mr. Chaplin, the agent of his father's company. Subsequently, he traveled widely – to Scandinavia, Russia, Egypt, Canada, and the United States – for the family business.Monnet believed that the only path to an Allied victory lay in the merging of France and Britain's war efforts and he reflected on a concept that would co-ordinate war resources. In 1914, young Monnet was allowed to meet French Premier René Viviani on this issue. The French government agreed in principle upon his plans. During the first years of the war, Monnet did not have much success promoting and pressing internationally for a better organization of the allied economic cooperation. However, finally, stronger combines like the Wheat Executive (end of 1916) and the Allied Maritime Transport Council (end of 1917) were set into work and had a big share[citation needed] in winning the war.
At the Paris Peace Conference, Monnet was an assistant to the French minister of commerce and industry, Etienne Clémentel, who proposed a "new economic order" based on European cooperation. The scheme was officially rejected by the Allies in April 1919.[3]
Due to his contributions to the war efforts, Monnet, at the age of thirty-one, was named Deputy Secretary General of the League of Nations upon its creation in 1919, by French premier Georges Clemenceau and British statesman Arthur Balfour.
Soon disillusioned with the League because of its laborious unanimous decision-making processes, Monnet resigned in 1923 in order to devote himself to managing the family business, which was experiencing difficulties. He returned to international politics and, as an international financier, he proved to be instrumental in the economic recovery of several Central and Eastern European nations, helping to stabilise the Polish zloty in 1927, and the Romanian leu in 1928. In 1929, his experience in international finance led him to found and co-manage the Bancamerica-Blair, a bank in San Francisco. From 1934 to 1936, at the invitation of Chiang Kai-shek, Monnet lived in China, assisting with the reorganization of the Chinese railway network.Following World War II France was in severe need of reconstruction. To rebuild, France was completely dependent on coal from Germany's main remaining coal-mining areas, the Ruhr area and the Saar area. (The German coal fields in Upper Silesia had been handed over for "Polish administration" by the Allies in 1945, see Oder-Neisse line.)
In 1945 Monnet proposed the Monnet Plan, also known as the theory of l’engrenage, not to be confused with Schuman plan, to take control of the remaining coal-producing German areas and redirect the production away from German industry and into French industry instead, permanently weakening Germany and raising the French economy considerably above its pre-war levels. The plan was adopted by Charles de Gaulle in early 1946.[1]
In 1946 Monnet successfully negotiated the Blum–Byrnes agreement with the United States. The U.S. forgave France $2.8 billion in debts (mostly World War I loans), and gave an additional low-interest loan of $650 million. In turn France allowed American films in its cinemas.[5]
In 1947 France, with U.S. support, removed the Saar from Germany and turned it into the Saar protectorate, nominally politically independent and under complete French economic control. The area returned to German political administration in 1957 (economic reunification would take many years longer), but France retained the right to mine from its coal mines until 1981 (see The Europeanization of the Saarland).
The Ruhr Agreement was imposed on the Germans as a condition for permitting them to establish the Federal Republic of Germany[6] (see also the International Authority for the Ruhr (IAR)). The IAR controlled production levels, pricing, and to where the output was to be sold, thus ensuring that France received a large portion of the Ruhr coal production at low prices.
With the 1951 German agreement to join the European Coal and Steel Community (the "Schuman Plan") the ongoing Allied dismantling of German industry was finally stopped and some of the restrictions placed on German industrial output were lifted (see The British foreign ministers' 1949 letter to Schuman).
With the entry into force of the ECSC in 1952 the last civilian production limitations placed on German industry were lifted, and the role of the IAR was taken over by the ECSC[7] (see The industrial plans for Germany).
In 1955, Monnet founded the Action Committee for the United States of Europe in order to revive European construction following the failure of the European Defense Community (EDC). It brought political parties and European trade unions together to become a driving force behind the initiatives which laid the foundation for the European Union as it eventually emerged: first the European Economic Community (EEC) (1958) (known commonly as the "Common Market"), which was established by the Treaty of Rome of 1957; later the European Community (1967) with its corresponding bodies, the European Commission and the European Council of Ministers, British membership in the Community (1973), the European Council (1974), the European Monetary System (1979), and the European Parliament (1979). This process reflected Monnet's belief in a gradualist approach for constructing European unity.
On 6 December 1963, Monnet was presented with the Presidential Medal of Freedom, with Special Distinction, by President Lyndon Johnson. After retiring to his home in Houjarray, Bazoches-sur-Guyonne, Monnet wrote his memoirs.
He died in 1979 at the age of 90. In 1988, by order of the president François Mitterrand, Jean Monnet's remains were transferred to the Panthéon of Paris.

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01. ubiquitous fluid 14:30 ￡0.99
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by OVDK

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La Fura dels Baus ]

1979
La Fura started as a street theater group acting in different towns and cities around Catalonia. This first phase lasted 5 years and was a time when the group was experimenting with many of the aesthetic features that would later form their distinct theatrical language.

1984
Accions (Actions) had its debut in Barcelona, as part of the Cicle de Teatre Obert. Accions, which was performed 118 times in different cities, already clearly showed the key features of the Furan language: interaction with the audience, the use of unusual spaces and the adaptation of the show to the characteristics of each space. This performance catapulted La Fura into the international theater scene, where they were hailed as a cult group.

1985
Just one year after the debut of Accions, the company presented Suz/O/Suz, the second installment of the Trilogy. With this show La Fura crossed borders and set off on an international tour comprised of more than 290 performances, the longest of the group’s history even today. Suz/O/Suz provides La Fura with a look and feel to their shows that is now clearly identifiable.

1988
The Trilogy is completed by Tier Mon, perhaps the darkest and most pessimistic of La Fura’s shows to date. While Suz/O/Suz reflected on man in the abstract through ritualization, Tier Mon deals with power and domination mechanisms based on the control of food, energy and religious faith.

1990
With the Trilogy complete, La Fura opened themselves up to the search for a more complex and sophisticated scenic language. Their starting point was the idea that Chaos is the primordial source for creation, and in Noun they embraced technologically advanced scenic resources, in contrast to the production values they had employed up until that point.

1992
Inquiry has always been a constant feature in the work of La Fura dels Baus, ever since the beginning. When the Olympic Games were scheduled for Barcelona in 1992, the company received the commission to conceive and develop a performance for the opening ceremonies. Mediterráneo, mar olímpico was the result, and it brought La Fura dels Baus to an audience of billions of people throughout the world. From that moment, the group begins to explore the possibilities of performances designed for a mass audience.

1994
The temptation to develop a show about manipulation resulted in MTM, probably the most “political” work La Fura has created. In MTM the Furan language, now perfectly consolidated, was combined with a staging where video and mirror play lead to different readings of what is “true”. The major innovations of MTM are in its use of textual language, a first for La Fura.

1996
In this year La Fura began a new working method: various projects were developed at the same time under the direction of different members of the group. This change in the company’s internal protocols brought about the development of Pepsíclope in 1996, a macro-performance designed to present a commercial product; Manes, a Furan language performance continuing along the lines of Tier Mon and MTM, and La Atlántida, the group’s first staging of an opera.

1997
The first taste of opera with La Atlántida, enriched by the collaboration with Jaume Plensa, was continued with The Martyrdom of Saint Sebastian. The work by Debussy, laden with symbols and alternate readings, fit perfectly with the group’s aesthetic and reaffirmed their relationship to opera.
In 1997 La Fura also developed Symbiosis, a traveling large-scale performance that visited several European cities to celebrate the launch of a new car model.

1998
F@ust 3.0 and Ombra (Shadow) were the two performances that La Fura premiered in 1998. The first, F@ust 3.0, was significant for two reasons in particular: it was the first time the group approached the myth of Faust and, in addition, the first that used an Italianate theater as a setting. The idea of Faust, so close to modern art and modern man, will be a theme that La Fura will return to in the future.
Ombra, the second of the works by La Fura this year, revolved around the figure of the poet Federico García Lorca and brought the group’s work to a more intimist formula, but without giving up the strength that characterized their work.

1999
In the year that marked the end of the century and the dawn of a new millennium, La Fura presented three performances, each with a very different format and intentions. Furamòbil (Furamobile), the first of the three, returned to the very Furan concept of demanding audience participation, as the show/machine was set in motion by the spectators/participants.
La condenación de Fausto (The Damnation of Faust), the staging of the opera by Berlioz, was the company’s second look at the Faustian myth and was extraordinarily successful when it debuted in the Salzburg Festival. This show, developed in collaboration with Jaume Plensa, signaled La Fura’s arrival to the mature phase of its relationship with the opera.
For La Fura the century drew to a close, literally, with a macro-performance, L’home del mil·leni (Millennium Man), which took place in the center of Barcelona to celebrate the new year, the new century and the new millennium.

2000
Using a hallowed classic text, Macbeth, as its starting point, La Fura developed ØBS, a Furan language performance characterized not only by its adaptation of a well-known play, but also for its exploration of certain resources, such as 3D images and the preparation of the project via videoconferencing.
The other big project for La Fura dels Baus in 2000 was DQ. Don Quixote in Barcelona, a newly created opera, with music by José Luis Turina and libretto by Justo Navarro, which debuted in Barcelona’s Teatro del Liceo and recreated a futuristic plot centered on the figure of the ingenious knight from La Mancha. The scenic design was created by Enric Miralles and Benedetta Tagliabue.

2001
Once again La Fura takes on three new projects in a single year.
La navaja en el ojo (Knife in the Eye), a macro-performance that took place in Valencia’s Ciudad de las Artes y las Ciencias to celebrate that city’s First Biennial, was seen by an audience of more than 30,000 people and recreated the seven deadly sins using highly sophisticated scenic elements.
Fausto 5.0 (Faust 5.0), the last part of La Fura’s Faustian trilogy, is the first film created entirely by the group, in collaboration with Isidro Ortiz. The film, which won the Melies Award for best fantastical European film, was a hit with critics and audiences alike.
Las Troyanas (The Trojan Women), Euripides’s classic that has been making us reflect -for thousands of years- on war and its consequences, was La Fura’s final project for 2009, in collaboration with the legendary Irene Papas.

2002
A particularly fruitful year for the company. Four projects were debuted, along four very different lines.
Sobre los acantilados de mármol (On the Marble Cliffs), an opera based on the novel of the same name by Ernst Jünger debuted on the 8th of March, and was performed 12 times at the Nationaltheater of Mannheim, with music by Giorgio Battistelli, texts by Giorgio Van Staten and staging by La Fura dels Baus.
Two months later, at the Teatro Guerra de Lorca of Murcia was the premiere of XXX, a work based on the Marquis de Sade’s Philosophy in the Bedroom, which toured Europe and the Americas extensively. XXX revisited concepts such as sexuality, pornography and violence as seen through La Fura’s particular vision.
In June, the macro-performance The Divine Comedy, an adaptation of the classic by Dante Aligheri created especially for the Classico Italia was seen in Florence’s Piazza Pitti by an audience of thousands.
And, lastly, barely 20 days later, at the Teatro Massimo in Palermo, La Fura dels Baus debuted their particular staging of Hector Berlioz’s Symphonie Fantastique. This important musical piece had never before been adapted to the stage.

2003
The major project for this year was the staging of The Magic Flute, once more in collaboration with Jaume Plensa, one of the most relevant visual artists on the contemporary scene. This version by La Fura dels Baus of one of the most well-known and celebrated operas of all time, explores the subconscious based on the abundant symbolism contained in the work, which has been the subject of reflection and study ever since it was first performed in 1791.

2004
The search for new surroundings in which to perform that could be adapted to fit their aesthetic and artistic trajectory lead La Fura dels Baus to acquire an old cargo ship on which to construct the Naumon project. The boat, outfitted as a stage and a hub for performances, offered different scenic possibilities and sparked a series of performances, in different formats, centered around the idea of a journey, of an itinerant scenic setting.

2005
A piece designed for the traditional Italianate theater, Metamorphosis, received unanimous praise from critics. This performance, based on Franz Kafka’s most emblematic text, offered a reflection on loneliness and otherness, the recognition of the other, the different.
That same year, for the celebration of the Mediterranean Games in Almeria, La Fura was commissioned to design the opening ceremonies. The result was Al-mariyat Bayyana, a macro-performance that re-examined the host city’s history from a recreation of its major moments.

2007
The company’s activities have been diversified to the maximum. In this year they designed the opening ceremony for the World Track Cycling Championship using a large-scale performance that symbolized the sport’s dynamics and the union of countries coming together in competition; they debuted Imperium, a Furan language performance that is still currently touring; they performed the macro-performance Cutty Sark Shanghai-London in various Spanish cities; and, lastly, they participated in the project La hija del cielo (Daughter of Heaven), the first opera entirely from the Canary Islands, in subject and development. Also in 2007, The Rhine Gold premiered in Valencia, the first of the four operas that compose The Ring of the Nibelung by Richard Wagner.

2008
La Fura dels Baus participated in Adeu a la tele (Goodbye TV) (an exhibition on the end of analog television and the switchover to DTV) and La ciudad inventada (The Invented City) (a program of performances in Logroño designed as urban interventions). In addition, two more installments of the tetralogy The Ring of the Nibelung, Siegfried and The Valkyrie, have their debut, as well as Boris Godunov, a daring reflection on the problem of terrorism, its limits and the manipulation it generates.

2009
The year begins with the staging of Le grand macabre, an opera by Ligeti, which took place at the Opera Theater of Brussels using a set shaped as a large human figure.



2010
La Fura lands on the only continent that was missing to perform. In Africa, La Fura made the artistic direction of the opening of the Harare International Festival of the Arts (HIFA) in Zimbabwe. The large scale show The Experience is chosen for the opening of the Perth International Festival of Arts, Up - Cosmic Flowers closes IX South American Games in the context of Medellin CULTURE FIT and Global Rheingold opens the cultural capital of Duisburg with a show inside and outside the barge Naumon. Tannhauser's opera is premiered at La Scalla di Milano, Le Grand Macabre opens the Adelaide International Festival of Arts and Carmina Burana is performing in an international tour. The Fura language starts his tour with A Taste of Titus Andronicus, a show of small format which marks the beginning of this particular language. On stage opens Window of the City, the only permanent show at the Universal Exhibition in Shanghai.


2011

La Fura remains as one of the most innovative companies in the operatic world: Sonntag aus Licht is premiered and perfromed in different spaces within the Oper Köln, and has 3D scenes. Quartett, by Luca Francesconi, is a world premiere of Teatro alla Scala, where Susanna Malkki becomes the first woman conducting the Milanese orchestra. Iannis Xenakis' Oresteia is performed in the middle of the street, at the Karlsplatz in Vienna. A Taste of Titus Andronicus continues its international tour and is chosen to celebrate the 25 anniversary of the Mercat de les Flors. The shocking large scale shows of the company may be seen in Dubai, Seoul, Reykjavik, Leucate and Portugal among others.

http://www.lafura.com/web/eng/historia.php

2012 上半期best experimental

Buy



You Can’t Dam Those /Ovdk

￥150
iTunes
※モバイル非対応

Mystery of Hadness
Ergo Phizmiz | Format: MP3 Download
From the Album Un Nuit Dystopia/Hommage Michel Foucault
Be the first to review this item | Like (0)
Price: $0.99
Original Release Date: November 29, 2008
Format - Music: MP3
Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player

Nose Points in Different Directions/Ergo Phizmiz

￥1,989
Amazon.co.jp




Overdose Kunst ‎– Incested By Social Machine
Label:
P- pmc056
Format:
RealCD(Ebay)
File, MP3 (Amazon)
DJtune
Country:
New Zealand
Released:
2007
Genre:
Electronic
Style:
Abstract, Experimental
Tracklist▼
1 Cka3ka Ckf3ka (Noiroze) 8:59
2 Ono Sendai 4:22
3 Denial Of Nicholas Luman 16:16
4 Partzan Ze Miya 5:16
5 Mosquito Died Martyr For Dalai Lama

Voiea Lactie /Ovdk

￥150
iTunes
※モバイル非対応

Sara Ayers-04 This Is What I Wanted video1

Sara Ayers-04 This Is What I Wanted

Ovdk vs Sara Ayers - Kyzyl To Samarkand EP
Ryuta.k Sara Ayers - Kyzyl To Samarkand
Label: Dark Wood Recordings
Catalog#: dwr-01
Format: CD, Album
Country: US
Released: 01 Jul 2008


Genre: Classical, Folk, World, & Country
Style: Dark Ambient, Glitch, Post-Modern, Experimental
Notes: Kyzyl To Samarkand is the culmination of a year-long collaboration between Japanese dark ambient experimentalist Ryuta.K and US vocalist-composer Sara Ayers. The music is foreboding, ethereal, plaintive and dense; diaphanous vocals float over surreal beds of field recordings, molten noise and nervous guitars, evoking the sound of an ominous journey on a pan-Asian silk road. Tokyo-Chiba based experimental musician Ryuta.K (oVdk & Bunk Data, Overdose Kunst, Ryu) creates electronic and electro-acoustic sonic textures that he describes as "Post sampling kinetic non-hierarchical nonlinear non-equilibrium forth world muziq!" New York composer Sara Ayers creates haunting soundscapes using her voice: sampled, layered,... +++++++++++++++REVIEW++++++++++++++++++
This is pagan&wiccan music such like Loreena McKennit , rasa,ekova,basque,steve roach,libana,waterboys. But it has also electronic ,glitch,leftfield atmosphere. kyzyl is tuva city,and Samarkand is uzbeks city. you can also see ,itunes,emusic,amie Rating: 5.0/5 (1 vote) Rate It Submitted by: usyukuro Tracklisting: 01 Golden Warrior Prince of Saka 02 Invisible Cities 03 Shirley Collins 04 This Is What I Wanted 05 Kyzyl To Samarkand

金正日が死！！！！！！！！

金正日が死んでこれからいったいどうなるのだろうか？
我々があの国にすんでいたなら少なくとも革命を希求することはできただろう。
だが我々は”自由”というイデオロギーによりその”自由”を担保に
即時的な環境に身を置くように強制されているようだ。我々は必死に見えない敵を
探している。ほら、みつけた、昨日はそれを闇の権力と呼んでみた。たしかに
それも一理あるだろう、我々はグッドフィールソサエティーに住んでいて
その間にギリシャやアイルランドが骨抜きにされているのをきずかない。
おおロスチャイルド。鵜腫黒！だが我々は真の自由を享楽することはないだろう。
それは前イデオロギー的な領域に属しているため。かつての時代では複雑な
イデオロギー分析を発達させる必要があった。ローマキリスト教的遺産の諸価値
への訴えかけなど。当時イデオロギー分析は高級なネズミ捕りになっていた。
理論家たちは新しいイデオロギーを創ることに義務感を覚えていた。
はかないかっさい、喜んですぐに移る好奇心、つかのまの関心。
しかしこんにちこれらの複雑なイデオロギーはほとんど消え失せてしまった。
規制緩和、民営化、生産増、に直面してイデオロギー自体もずっと透明になった。
ハイエクなどの思想家に追随して政治的自由を市場的自由と同一視するようになった
からにはイデオロギーの背後の諸動機は脱コード化や再解釈といった装置を
必要とはしなくなったらしい。現代政治を省略していおう。つまり金持ちが
減税してもらいたがっているということだ。２０１２年となりの国で赤い色がくすみだし
いまやイデオロギーの終焉の時代である。さあみんな喜んで銀行を救済しよう。

ea020 - OVDK & Bunk Data - Cybernetic Recursion

Endless Ascent is currently operating as a net.label
dedicated to releasing light ambient than dark winter, atmospheric
and space music from around the world .Bunk Data;Nathan Larson
is the co-founders of Endless Ascent label. Ovdk ;Ryuta.k
is dark ambientalist also belongs to our usyukuro label.
we should glimpse ovdk&Bunk Data new stuff from Endless Ascent.
we cant understand meaning of Cybernetic Recursion.
but it seems beyond petty human experience ,we hope it.
These soundscape generally reminds us 3.11(2011) heavy disaster.
At first you must notice it from their tracks name before listning track .
Ambientic tranquility with slightly experimental element and sabtle glitch
contrary made us sinister feeling and anxious because we must fight Aftermath.
Then we must forget about something like Cybernetic Recursion or abstract thought,
Ovdk explains their artwork of brand new release made based on Fukusima radiation map.
Many people will not notice it because it's very small and they made radical
change to radiation leaked map near nuclear power plant ,it seems like
universe,denied.Ovdk denied and hate their work with strong releation
to tunami, EARTHQUAKE , NUCLEAR crisis when we met him and we debated.
This time ovdk&Bunk Data their work seems very sipmle in general but
we like very much.we hope it will not be ovdk(a.k.a Ryu) last musical work.
by usyukuro sound.

大佐

ステート・ストリート（State Street Corporation）は、アメリカ合衆国の大手金融機関。本社はマサチューセッツ州ボストン。 機関投資家向けのサービスに重点を置いている。2003年ドイツシュローダー証券投信投資顧問株式会社は、英国ロンドンを本拠地としてグローバルに資産運用業務を展開するシュローダー・インベストメント・マネージメント・グループの日本法人です。http://www.kabutool.net/tairyo.html
1974年の東京駐在員事務所開設以来、1985年に投資顧問会社設立、1992年には投資信託委託業務を開始し、現在では日本国内でも有数の資産運用会社に成長いたしました。銀行の証券部門を15億ドルで買収し取引総額でJPモルガン・チェースを超えた。 2007年、45億ドルでインベスターズ・バンク・アンド・トラストを買収すると発表。預かり資産は世界2位の14兆1000億ドルとなった。
ファースト・イーグル・インベストメント・マネジメント・エルエルシー
住所 アメリカ合衆国ニューヨーク州ニューヨーク市アベニュー・オブ・ジ・アメリカズ１３４５
スティール・パートナーズ（Steel Partners）は、アメリカ合衆国に本拠地をおくアクティビスト・ヘッジファンドの1つの総称。日本においては「スティール・パートナーズ・ジャパン・ストラテジック・http://jbbs.livedoor.jp/bbs/read.cgi/news/2092/1262585656/603ファンド（オフショア）、エル・ピー」（SPJSF）というケイマン諸島において設立されたリミテッド・パートナーシップを投資のためのビークルとして利用している。SPJSFのゼネラル・パートナーは、SPJS Holdings, L.L.C.。バンク・オブ・ニューヨーク・メロン・コーポレーション（The Bank of New York Mellon Corporation NYSE: BK）は、アメリカ合衆国の金融機関である。ワン・ウォール・ストリート（旧バンク・オブ・ニューヨーク・ビルディング）に本部を置く。http://zakuzaku3939.blog87.fc2.com/
代表は1966年生まれで、ペンシルベニア大学卒のウォーレン・リヒテンシュタイン。
グローバルに資産運用サービスを提供している会社です。
フィデリティの歴史は1946年（昭和21年）、エドワード・C・ジョンソン2世が米国ボストンに資産運用会社を創設したことによってスタートしました。その後、海外進出の足掛かりとして1969年に現地法人を創設、1973年には英国ロンドンにフィデリティ・インターナショナル・リミテッド（現：フィデリティ務へ
Memorandum of Association(会社定款)によれば、新銀行設立の目的は「あらゆる種類の物品ならびに物資の貿易、年金の募集、商品取引の遂行」となっています。
こうした業務内容は、貿易商としてスタートしたジュネーブの銀行が当時行っていたものとしてはごく一般的なものばかりでした。
しかしながらピクテは設立後間もなくして貿易業務から手を引きはじめ、代わりに顧客の財務・資金調達や商取引に関連したコンサルティングやサポート、ならびに顧客が蓄えた富に関するアドバイスや管理といった分野に業務を特化させはじめます。
こうした業務は、投資アドバイスや外為取引として当時からすでに認知されていました。中世の金貿易商や両替商の真の継承者とでも呼ぶべきジュネーブの銀行家たちは、為替の取り扱いにかけてはエキスパートでもありました。
そうした背景もあり、“エキュー”や“ルイドール” ― その当時の欧州の通貨 ― そのものを運搬するコストや危険性を回避するため、当時は銀行それぞれが独自の銀行券を発行することも許されていました。・ワールドワイド・インベストメント）を設立 しました。日本においては1969年に海外初の調査拠点として事務所を開設して以来、一貫して綿密な個別企業調査とそれに基づいた運用を続けてきました。1995年には、証券投資信託委託業務免許を取得し、念願の国内向け投資信託の運用を開始しました。現在では、日本株の調査・運用拠点として、海外顧客の日本株運用、日本の年金基金や機関投資家資金の運用、投資信託の設定・運用を手がけ、 約160社※の金融機関を通じて、日本の投資家の皆様に投資信託をご提供しています。
現在、フィデリティは世界の主要なマーケットにおいて、個人投資家から機関投資家まで幅広いニーズに対応した資産運用サービスを提供しています。
スパークス・アセット・マネジメント株式会社
SPARX Asset Management Co., Ltd.
〒141-0032http://media.yucasee.jp/?hd=11
東京都品川区大崎1-11-2 ゲートシティ大崎イ
“フィデリティ”とは、
キャピタル・グループの歩み
１９３１年（昭和６年） ジョナサン．Ｂ．ラブレスがロサンゼルスにキャピタルの前身となる投資顧問会社Capital Research and Management Companyを設立
１９３３年（昭和８年）
米国において投資信託の運用を開始。同投資信託の運用は現在も継続中であり、その資産規模は北米で最大級を誇る1.0%1百万株一億円
http://diamond.jp/articles/-/4030
１９５６年（昭和３１年） 日本株式への投資を開始日本語では「忠誠、忠実」あるいは「誠実」を意味します。これからもフィデリティは、世界のお客様から「最も信頼される」資産運用会社になることを目標に、「忠実」に、「誠実」に運用を続けてまいります。 　　

スティーブ・ジョブズ氏の死去

アップルの前ＣＥＯ、スティーブ・ジョブズ氏の死去に伴い、現ＣＥＯのティム・クック氏をはじめ、ＩＴ業界をはじめさまざまなビジネス界のリーダーが哀悼の意を表した。オバマ米大統領も声明を発表した。

●アップルＣＥＯ　ティム・クック氏

　どんな言葉を使っても、スティーブの死の悲しさをうまく表現することはできない。また、ともに仕事ができたことへの感謝も言葉にし切れない。彼がとても愛した仕事を継続することで、スティーブをしのびたい。

●米国大統領　バラク・オバマ氏

　スティーブ・ジョブズは他人とは異なる考え方をする勇気を持ち、大胆にも世界を変えられると信じ、それを成し遂げる才能があった。彼は創造性というアメリカの精神をまさに体現するような人物だった。(ＡＰ通信)

●マイクロソフトＣＥＯ　ビル・ゲイツ氏

　スティーブと初めて会ったのは、30年近く前だ。それ以来、ともに人生の半分以上にわたって、同僚であり、競争相手であり、友人だった。

　スティーブほど世界に大きなインパクトを与えた人は、ほぼいない。彼の影響はこの先何世代にもわたって残るだろう。

●カリフォルニア州元知事・俳優　アーノルド・シュワルツネッガー氏

　スティーブは日々カリフォルニア・ドリームを生きていた。世界を変え、すべての人に刺激を与えた。

●デルＣＥＯ　マイケル・デル氏

　今日、世界は先見の明のあるリーダーを失い、テクノロジー業界は伝説的人物を失い、そして私は、友人であり起業家仲間である人を失った。彼が残したものは、何世代にもわたって記憶に残るだろう。

●ディズニーＣＥＯ　ボブ・アイガー氏

　スティーブ・ジョブズが残したのは、製品やビジネスだけではない。何百万もの人々に刺激を与え、人生を変え、文化を定義した。スティーブは完璧にクリエイティブで想像力に富んだ「オリジナル」な人だ。あれだけのことを成し遂げたが、彼がまだ何かを始めたばかりのような気がする。

ディズニーは仲間を失い、私は大切な友人を失った。

●ヤフー前ＣＥＯ　キャロル・バーツ氏

　これほど悲しいことはない。彼は特別な人だった。彼はまわりに自分を支持する人を集めたから、あそこまでの地位に達したのはない。ビジョンと目的があったからできたのだ。人を喜ばそうとするのは簡単だが、彼は自分の考え方に忠実だった。

dark dense industrial glitch sounds(Album)

dark dense industrial glitch sounds(Album)


Label&band
Dark winter,TG,makryham,GO,Bunk Data,virunis,
vangelis,usyukuro,Amuzik,OyukiC,aidanbaker,nsk,
Henry Gwiazda,mego,irwin,nyk,dcd,Ryuta.k,megaptera,
novysvet,downinalcove,saraayers,quick,zic,Ergo phizmiz,
samsa,steveroach,benneil,merzbow,alien8,ovdk,etc.....
tag:
album nyk electronic experimental usyukuro electronica
noise ambient chill sound industrial

Mission Control /SomaFM

SomaFM: Playlist Adds: Mission Control
Mission Control

Celebrating NASA and Space Explorers everywhere.

Now: Apollo 15 Historic Mission Audio



Mission Control (Sat Jul 2 16:01:41 2011 through Sat Jul 9 16:13:47 2011)
======================================================================


Top 30 Albums BY SPINS
1. Aether Generator - Coloring Pad Sessions (32)
2. Michael Bross - Subway Meditations (24)
3. Vir Unis - Pulse N Atmo (15)
4. Cti - Library of Sound Edition Four - Point Seven (15)
5. Erik Wollo & Bernhard Wostheinrich - Arcadia Borealis (14)
6. Nemesis - Gigaherz (14)
7. Parallel Worlds - Shade (14)
8. Loscil - Submers (14)
9. Marconi Union - [Distance] (14)
10. Vir Unis - Stand Still Like the Hummingbird (13)
11. Ovdk & Bunk Data - KHOLODNYI SMERCH (Cold Tornado) (12)
12. Grains of Sound - Rays of Life Vol. 2 Under (12)
13. Dean De Benedictis - Salvaging the Past (11)
14. Joel David Palmer - A.M. / P.M. (11)
15. Terre Thaemlitz - Soil (10)
16. Dan Pound - Night Watch (10)
17. Asnazzy - Solar Winds of Mars (10)
18. Loscil - Plume (10)
19. Anomalous Disturbances - the Spirit Molecule (10)
20. Fourcolour - Air Curtain (9)
21. Interstitial - Temporal Arc (9)
22. International Peoples Gang - Em:T International Peoples Gang 3395 (9)
23. Cluster - Qua (9)
24. Control X - to Abort Transmission (9)
25. Ishq - Sonic Incense Vol 1: Orchid (9)
26. Anthony Rother - Elixir of Life (9)
27. Gel-Sol - IZ (8)
28. A Produce - White Sands (8)
29. Blutiger Fluss - Dawn of Mars (8)
30. Dubtribe - Selene Songs (8)


Top 30 Albums BY LISTENERS
1. Aether Generator - Coloring Pad Sessions (2430)
2. Michael Bross - Subway Meditations (2081)
3. Marconi Union - [Distance] (1298)
4. Cti - Library of Sound Edition Four - Point Seven (1251)
5. Vir Unis - Stand Still Like the Hummingbird (1238)
6. Ovdk & Bunk Data - KHOLODNYI SMERCH (Cold Tornado) (1200)
7. Nemesis - Gigaherz (1192)
8. Vir Unis - Pulse N Atmo (1127)
9. Loscil - Plume (1105)
10. Parallel Worlds - Shade (1013)
11. Interstitial - Temporal Arc (994)
12. Erik Wollo & Bernhard Wostheinrich - Arcadia Borealis (989)
13. Joel David Palmer - A.M. / P.M. (973)
14. International Peoples Gang - Em:T International Peoples Gang 3395 (952)
15. Loscil - Submers (950)
16. Anthony Rother - Elixir of Life (914)
17. Aether Generator - Coloring Pad Sessions (911)
18. Dean De Benedictis - Salvaging the Past (892)
19. Grains of Sound - Rays of Life Vol. 2 Under (876)
20. Alva Noto and Ryuichi Sakamoto - Vrioon (815)
21. Control X - to Abort Transmission (805)
22. Centrozoon - Blast (Definitive Edition) (799)
23. Terre Thaemlitz - Soil (788)
24. Anomalous Disturbances - the Spirit Molecule (737)
25. Al Gromer Khan - Space Hotel (731)
26. Spice Barons - Future Perfect State (726)
27. Asnazzy - Solar Winds of Mars (721)
28. A Produce - White Sands (682)
29. Dan Pound - Night Watch (678)
30. Fourcolour - Air Curtain (676)


Top 30 Artists BY SPINS
1. Aether Generator (40)
2. Loscil (35)
3. Vir Unis (28)
4. Steve Roach (27)
5. Michael Bross (24)
6. Grains of Sound (21)
7. Dan Pound (20)
8. Dean De Benedictis (19)
9. Ishq (19)
10. Al Gromer Khan (18)
11. Joel David Palmer (16)
12. Fanger & Schonwalder (16)
13. Cti (15)
14. Marconi Union (14)
15. Gas (14)
16. Nemesis (14)
17. Parallel Worlds (14)
18. Centrozoon (14)
19. Erik Wollo & Bernhard Wostheinrich (14)
20. Terre Thaemlitz (14)
21. Ovdk & Bunk Data (14)
22. Markus Guentner (13)
23. A Produce (12)
24. International Peoples Gang (11)
25. Alpha Wave Movement (11)
26. Control X (11)
27. Asnazzy (10)
28. Gel-Sol (10)
29. David Gerard (10)
30. Bass Communion (10)


Top 30 Artists BY LISTENERS
1. Aether Generator (3341)
2. Loscil (3069)
3. Vir Unis (2365)
4. Steve Roach (2159)
5. Michael Bross (2081)
6. Al Gromer Khan (1630)
7. Fanger & Schonwalder (1622)
8. Dan Pound (1592)
9. Dean De Benedictis (1566)
10. Grains of Sound (1563)
11. Ishq (1551)
12. Joel David Palmer (1453)
13. Centrozoon (1405)
14. Ovdk & Bunk Data (1367)
15. Marconi Union (1298)
16. Cti (1251)
17. Nemesis (1192)
18. International Peoples Gang (1078)
19. Alpha Wave Movement (1059)
20. Terre Thaemlitz (1053)
21. Gel-Sol (1025)
22. Parallel Worlds (1013)
23. Interstitial (994)
24. Erik Wollo & Bernhard Wostheinrich (989)
25. Markus Guentner (986)
26. Control X (952)
27. Anesthesia (928)
28. A Produce (925)
29. Gas (922)
30. Anthony Rother (914)


Top 30 Tracks BY SPINS
1. Shuttle 358 - Frame (4)
2. Bco - Acacia 4 (4)
3. Michael Bross - Subway Meditation 10 (4)
4. Michael Bross - Subway Meditation 11 (4)
5. Michael Bross - Subway Meditation 12 (4)
6. Mathon - Hohen Ratien (Emanuele Errante Remix) (3)
7. Alva Noto and Ryuichi Sakamoto - Duoon (3)
8. Marconi Union - Inter (3)
9. Erik Wollo & Bernhard Wostheinrich - Nautilus (3)
10. Ishq - Opal (Opaque Mix) (3)
11. Temporary Temple - Strandlooper (3)
12. Molfar - Touchablur (3)
13. Parallel Worlds - Shade (3)
14. Vir Unis - Sons of Thunder (3)
15. Markus Guentner - Donaunebel (3)
16. Centrozoon - All the Time It Is Using Us (3)
17. Alpha Wave Movement - Dusk Descending (3)
18. Joel David Palmer - Ante Meridiem One (3)
19. Fourcolour - as Rain (3)
20. Soundhacker - Detected (3)
21. Bco - Acacia 3 (3)
22. synth.nl - Indico (3)
23. Ovdk & Bunk Data - Final Goodbye (3)
24. Wodwo - Furze (3)
25. Alpha Wave Movement & Jim Cole - Satari (3)
26. Steve Roach - Morphic (3)
27. Juanne Hanhisuanto - Spring (3)
28. Dan Pound - Taming the Ally (3)
29. International Peoples Gang - Glow (3)
30. Joel David Palmer - Ante Meridiem Five (3)


Top 30 Tracks BY LISTENERS
1. Michael Bross - Subway Meditation 10 (581)
2. Steve Brand, Ishq - Flame of Nuit (535)
3. Fanger & Schonwalder - Zwischenton (526)
4. Arrocata - Canvas (516)
5. Sawako - the Town (513)
6. Gaudi Testa - Space-Mind Continuum (506)
7. Gel-Sol - as Far as Eye Can See (503)
8. Nosaj Thing - 2222 (479)
9. Troum - Pantah (477)
10. Loscil - Rorschach (470)
11. Anesthesia - Titti in Orbit (470)
12. Al Gromer Khan - the Wayfarer (469)
13. Centrozoon - Empire (459)
14. Tetsu Inoue and Taylor Deupree - Remote, Beauty (455)
15. Interstitial - Marco Polo (447)
16. International Peoples Gang - Nine Churchill Drive (447)
17. Ibizarre - the Eye of God (434)
18. Alva Noto and Ryuichi Sakamoto - Uoon I (432)
19. Michael Bross - Subway Meditation 12 (422)
20. Marconi Union - a Temporary Life (414)
21. Anthony Rother - Elixir of Life Part Iv (407)
22. Joel David Palmer - Ante Meridiem Five (401)
23. Between Interval - Early Life Remainings (399)
24. Steve Roach - Medicine of the Moment (398)
25. William Edge - Waiting for Ever (397)
26. Wodwo - Furze (396)
27. Julio Di Benedetto - Thinking of You Surrounded by Light (389)
28. Michel Redolfi - Immersion Totale (370)
29. Shuttle 358 - Frame (362)
30. Dagda - Morrigna (352)


Top Track Adds BY SPINS


Top Album Adds
(No adds this week)

(This data is generated automatically from our logs, and has not been reviewed for accuracy by our staff.)

SomaFM is 20 unique channels of listener-supported, commercial-free, underground/alternative radio broadcasting from San Francisco. All music hand-picked by SomaFM's award-winning DJs and music directors.

Lycopersicon esculentum mill

Song title;Lycopersicon esculentum mill Band;zizek in coma zizek in coma is dark dense band since 2010, formerly members of Dia,Overdose Kunst, Nukey pikes(Now replaced),KolSonzlgn. zizek in coma belongs to net based indie label usyukuro. zizek in coma (Zic) got styles such as heavy,experimental,

25枚はナンバーが刻印された全面メタルプレート・ジャケット仕様

味なテーマを掲げたノイズには大して関心がない（形式主義／実験主義でもないフラストレーションの発露としてのノイズは論外である）が、このような個人の政治的信念に基づいた運動としてのノイズには深く共感する。490枚がリリースされ、うち25枚はナンバーが刻印された全面メタルプレート・ジャケット仕様。黒のビニールに密封されたレコードにインサートシート付属。味なテーマを掲げたノイズには大して関心がない（形式主義／実験主義でもないフラストレーションの発露としてのノイズは論外である）が、このような個人の政治的信念に基づいた運動としてのノイズには深く共感する。490枚がリリースされ、うち25枚はナンバーが刻印された全面メタルプレート・ジャケット仕様。黒のビニールに密封されたレコードにインサートシート付属。味なテーマを掲げたノイズには大して関心がない（形式主義／実験主義でもないフラストレーションの発露としてのノイズは論外である）が、このような個人の政治的信念に基づいた運動としてのノイズには深く共感する。490枚がリリースされ、うち25枚はナンバーが刻印された全面メタルプレート・ジャケット仕様。黒のビニールに密封されたレコードにインサートシート付属。
Genocideo Organによる「社会的カテゴリー：音楽」におけるサウンドを通した状況への闘争。芸術を芸術（形式）へ向かわせるのも一つの方法として支持できる（私のスタンスは基本的にこちらである）が、芸術をこのような政治／状況へと向けて機能させるのにも重要な意義を認めたい。聴くものを圧殺するかのように重苦しい電子音とそこに忍び込まされる音源引用。「The Elders Of Zion」味なテーマを掲げたノイズには大して関心がない（形式主義／実験主義でもないフラストレーションの発露としてのノイズは論外である）が、このような個人の政治的信念に基づいた運動としてのノイズには深く共感する。490枚がリリースされ、うち25枚はナンバーが刻印された全面メタルプレート・ジャケット仕様。黒のビニールに密封されたレコードにインサートシート付属。におけるガラスの破砕音とインダストリアルな駆動音を貫通するアジテーションとしての怒号など、マーシャル・パワーエレクトロニクスの音楽様式としても完成度は高い。断っておくがノイズにおける政治的闘争集団としてのGenocide Organはプロパガンダとして極右思想やエスノセントリズムを掲げているわけではない（もちろん見られることを意識した威嚇的行為でも露悪趣味でもない）。ここにはコントロールされた状況を内部から喰い破る方法論としてノイズを使用し、主体の覚醒を取り戻させる意図が存在する。私はパワーエレクトロニクスであっても、性的かつ悪趣味なテーマを掲げたノイズには大して関心がない（形式主義／実験主義でもないフラストレーションの発露としてのノイズは論外である）が、このような個人の政治的信念に基づいた運動としてのノイズには深く共感する。490枚がリリースされ、うち25枚はナンバーが刻印された全面メタルプレート・ジャケット仕様。味なテーマを掲げたノイズには大して関心がない（形式主義／実験主義でもないフラストレーションの発露としてのノイズは論外である）が、このような個人の政治的信念に基づいた運動としてのノイズには深く共感する。490枚がリリースされ、うち25枚はナンバーが刻印された全面メタルプレート・ジャケット仕様。黒のビニールに密封されたレコードにインサートシート付属。黒のビニールに密封されたレコードにインサートシート付属。