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"Girls' Generation" End Time







"Girls' Generation" End Time
”少女時代”終わりの時



Girls' Generation's YoonA recorded 20 million viewers on Weibo... the highest among Korean artists


Girls' Generation's YoonA's live broadcast on Weibo in China recorded the highest number of viewers in the history of Korean artists.
At 8:00 pm (China time) on the 9th of this month, Yuna broadcast live through China's Weibo for 1 hour and 40 minutes to interact with Chinese fans. On this day's broadcast, the number of real-time viewers was about 20 million (19,931,000) and the number of "likes" was about 34 million, once again realizing the high popularity of the Hallyu Goddess.
Yuna's first drama in China, "Bujin Zhao Zilong", was well received, and not only did it exceed the rating of 1%, which is the standard for popular programs in China, but it also reached 100 online views in June this year. It also set a record of breaking 100 million views.
(From K-POP News)






Yoona's popularity is reaching its peak in Asia. She boasts high popularity in the center of K-pop, Japan, China, and South Korea, so it can be said that she has secured top-class popularity and name recognition in Asia.
After all, when she was a girl, she was so popular and famous that even in Indonesia, a remote part of Asia, she was able to fill a big venue.


It's been a long time since Girls' Generation, which Yuna belongs to, stopped making music.


★Girls' Generation's activities are stuck in a deadlock due to a disagreement over her compensation issue.



Such plausible comments can now be seen online.
A group that boasts a glamorous presence disappears from the sunshine, and when it's dark, the humidity starts to build up, and mold starts to grow here and there.


It is easy to imagine the agency's position that it would be easier and more rational to let popular members perform solo activities rather than having all of them do expensive activities, as unnecessary expenses would be eliminated and profits would increase.
Including YoonA and Taeyeon, who are expected to make big profits as solo artists, into Girls' Generation's activities may be nothing but painful for the agency.
"Even though they say they sell their dreams to fans, it's the entertainment agency that wants more profits than that."
"It's completely different from the old days when everyone was new."
"Individual differences have been created in terms of popularity and career." Fans see them as fellow comrades, but the industry insider's point of view is different. It may seem cold, but there is a difference in career advancement between them, just like in companies in the general world.
"To put it simply, you can't talk about the current girlhood without mentioning the issue of wages."
As mentioned above, how to treat Yoona and Taeyeon, who are seen to have raised their wages in solo activities, as members of Girls' Generation should be a thorny issue.
If Girls' Generation boasts the same great power of mobilization in their performances as in the past, it would be a happy scream. The ostensible fee distribution could be evened out and treated individually with different allowances.
However, Girls' Generation doesn't have the momentum of its heyday to attract fans to the Tokyo Dome.
It seems to be at the level of performing arena class performances, and if not doing well, hall class performances several times.
If it's a hall class performance, Taeyeon can handle it by herself. Even Yuna could fill the hall with a fan meeting.
Thinking about it this way, I think it's fair to say that both Yuna and Taeyeon are starting to have wings that rival those of Girls' Generation.

I believe that when "Girls' Generation" was once conceived, girls who could not walk alone, but could do well in a girl group, were selected to reach this point.
Lee Yeon Hee and others probably made their debut as actresses because they could walk on their own.
Having raised stars like Yoona and Taeyeon, "Girls' Generation" may be coming to an end.




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