『イエロー・サブマリン ?ソングトラック?』
‡1999(平成11)年09月13日(月)
https://en.wikipedia.org/wiki/Yellow_Submarine_Songtrack
動画◆ビートルズのラストアルバム『アビーロード』の次の作品があった！？[リバプールに住みたい！] https://youtu.be/QcEqJviRY0E
1969(昭和44)年09月08日(月) ロンドン･アップル本社ビル
◎ジョン、ポール、ジョージの３人の会話録音。リンゴは腸の検査で入院中
◎次回作の担当はジョン提案:ジョン４曲、ポール４曲、ジョージ４曲
◎ｿﾝｸﾞﾗｲﾀｰﾁｰﾑ:ﾚﾉﾝﾏｯｶｰﾄﾆｰの解消を提案＋別々の名義にする提案
◎ポールのｼﾞｮｰｼﾞ批判:『アビーロード』を作るまで､ｼﾞｮｰｼﾞの曲はたいして良くないと思ってた
◎ジョンのポールの楽曲批判:♪MAXWELL'S SILCER HUNMMER♪バンドの誰一人として良い曲だと思っていない。メリーホプキンなんかの別の外部のパフォーマーに提供すべきだった
◎ポールはお気に入りだ。口喧嘩！
‡1969(昭和44)年09月13日(土) ジョン、トロントでのイベントに参加
1969(昭和44)年09月20日(土) ジョン、ザ･ビートルズ脱退をメンバーに伝える
┏━━━━━━━━━━━━━━━━━━━┓
┃ 『ＹＥＳＴＥＲＤＡＹ イエスタデイ』 ┃
┗━━━━━━━━━━━━━━━━━━━┛
2019(令和元)年05月04日(sat) Tribeca Film Festival
2019(令和元)年06月21日(fri) ＵＫ local premiere, Gorleston Palace cinema
2019(令和元)年06月28日(fri) ＵＫ Released ※wikiＵＳ
2019(令和元)年10月11日(fri) ＪＰ Released
‡2019(令和元)年09月13日(fri) Initial release schedule
2020(令和二)年04月08日(wed) 先行デジタル配信
2020(令和二)年04月22日(wed) \3,990＋TAX BLU-RAY＋DVD
2020(令和二)年04月22日(wed) \3,990＋TAX BLU-RAY＋4K Ultra HD
昨日まで、世界中の誰もが
知っていたビートルズ。
今日、僕以外の誰も知らない─―。
あらすじ･･･“イエスタデイ＜昨日＞”まで、地球上の誰もがザ・ビートルズを知っていた。しかし今日、彼らの名曲を覚えているのは世界で一人、ジャックだけ・・・ジャックは突然、信じられない不思議な世界に身を置くこととなってしまった！ジャックは、イギリスの小さな海辺の町に住む、悩めるシンガーソングライター。幼なじみで親友のエリーから献身的に支えられているもののまったく売れず、音楽で有名になりたいという夢に限界を感じていた。そんな時、世界規模で瞬間的な停電が起こり、彼は交通事故に遭う。昏睡状態から目を覚ますと、この世には史上最も有名なバンド、ザ・ビートルズが存在していなかったことになっていることに気づくが・・・。
｢もしも自分以外の誰もザ・ビートルズを知らない世界になってしまったとしたら！？」
ダニー・ボイル監督 × 脚本家リチャード・カーティス最新作
amazon･･･売れないシンガーソングライターのジャックが音楽で有名になるという夢をあきらめた日、12秒 間、世界規模で謎の大停電が発生──。真っ暗闇の中、交通事故に遭ったジャックが昏睡状態から目を覚ますと…あのビートルズが世の中に存在していない世界に！ 彼らを知っているのはジャックひとりだけ!? ジャックがビートルズの曲を歌うとライブは大盛況。そしてエド・シーランのツアーのオープニングアクトを任され、ついにメジャーデビューのオファーが舞い込んでくる。思いがけず夢を叶えたかに見えたジャックだったが──。
┏━━━━━━━━━━━━━━━━━━━━━━━━━┓
┃ 『YESTERDAY ORIGINAL MOTION PICTURE SOUNDTRACK』 ┃
┗━━━━━━━━━━━━━━━━━━━━━━━━━┛
2019(令和元)年06月21日(fri) ORIGINAL released
2019(令和元)年10月02日(wed) ＪＰ Released
レーベル Polydor
発売元 ユニバーサル ミュージック合同会社
発売国 日本
********************************** https://yesterdaymovie.jp
https://www.universal-music.co.jp/yesterdaymovie/about-movie/
https://www.universal-music.co.jp/yesterdaymovie/products/uicy-15834/
https://en.wikipedia.org/wiki/Yesterday_(2019_film)
字https://www.amazon.co.jp/dp/B084WR9GWP
吹https://www.amazon.co.jp/dp/B086868X52
https://www.nbcuni.co.jp/movie/sp/yesterdaymovie/
https://eigakan.org/theaterpage/schedule.php?t=2TdVNAb5#area06
************************************************************
(Synced) The Beatles - Live At The Baltimore Civic Center https://youtu.be/_mPdeKJvzJc
‡September 13rd, 1964 Baltimore, USA Rather damaged 8mm print if you ask me. Terribly dirty, but you can actually see what song they're playing thanks to the picture being slightly clear. Synced with audio from the Philadelphia Convention Hall on September 2nd.
00:00 Intro
00:08 Twist And Shout
00:38 You Can't Do That
┏━━━━━━━━━━━━━┓
┃ THE BEATLES INTERVIEW ┃ ＤＭ's Beatles site
┗━━━━━━━━━━━━━┛by Ｄmitry Ｍurashev
┌─――――――――――┐
①｜John Lennon Interview ｜No.29
└─――――――――――┘
‡1964(昭和39)年09月13日(sun) September 13
Interviewed as part of an on-going series of American interviews by Larry Kane
Q: "John, occasionally we see magazine articles, like last night, one that had your name as 'Jack Lennon' and all these irregularities. What do you think of this when you look at them?"
John: "Well, I just think the people are stupid, you know, if they're not gonna bother to take enough time to do a job and find out what our names are... and try and get the facts right, you know. They must be a bit soft."
Q: "There are alot of people who have albums out with your music on it, like this 'Chipmunk' album, and the 'Boston Pops.' Do you find this a credit to you, or an abortion of your songs."
John: "No, we enjoy it! We always try to get a copy of these people that do our songs. The thing about the 'Chipmunks' and the 'Boston...' they do it so differently from us and from each other - it's very interesting. and also we, Paul and I, get alot of money when they make these so it's very good for us, you know."
Q: "There is a cut in it for you when they do record these songs."
John: "Yeah, 'cuz we compose them, you know, so we get the... a good lot of money."
Q: "John, when you were in New York, what did you like best about it?"
John: "I just like cities, you see, and preferably big ones. That's why I liked it. and we met some good people like Bob Dylan and Joan Baez, you know, and I enjoy meeting people I admire."
Q: "Do you like to play better indoors or outdoors?"
John: "Indoors. I don't like playing outdoors. You can't hear and you get blown to pieces."
Q: "Like last night."
John: "Oh! That was dreadful!"
Q: "John, any particular reason that you chose the songs that you did for the current concerts?"
John: "We took a sort of aggregate of the most popular ones in the States over the last couple of months."
Q: "Your early songs and your latest songs."
John: "Yeah. We missed-out alot of the earlier ones, like uhh... I can't think of any, but I'm sure we missed some out."
Q: "There's so many rumors going around and one of the jobs I like to do is either to confirm them or dispel them. There's a big rumor in alot of magazines and papers that you're coming back (to America) in January."
John: "Well, I don't know... might be true. I haven't a clue. Nobody's told me if we are, you know."
Q: "Everyone asks what you like... What's your pet peeve? What is the thing that you dislike the most in the world?"
John: "Having things thrown at us on-stage. Jellybeans and rubbish and that."
Q: "This is your pet peeve in your whole life."
John: "Yeah, 'cuz it hurts."
Q: (laughs)
John: (giggles) "You can't carry on singing and laughing with things hitting you."
Q: "How many other instruments do you play if you play any?"
John: "A bit of piano, and a bit of mouth organ."
Q: "Have you played the organ... umm... mouth organ on any of your songs?"
John: "Well, all the... yeah. There's quite a few we did with mouth organ. I played it on the early hits - 'Please Please Me,' 'From Me To You,' 'Love Me Do,' 'Little Child' from the LP, 'I Should Have Known Better' on the film - I stuck mouth organ on that."
Q: "When you're over here, do you miss England? Do you ever get a little homesick even though you're achieving great success over here, and you're having some good times?"
John: "Oh yeah. You get homesick, alright. Every other day (laughs) only!"
Q: "What about the gifts? I notice more and more you've been getting more and more gifts from fans. What was the most unusual gift you've ever received? I know there's so many - Is there one that sticks out in your mind?"
John: (laughs) "I once received a bra..."
Q: (laughs) "You did?"
John: "...with 'I Love John' embroidered on it. I thought it was pretty original. I didn't keep it, mind you - It didn't fit."
Q: "How did you like Key West?"
John: (jokingly) "It was alright for a swamp. (laughs) No, it wasn't bad, you know."
Q: "When you're out there, you do alot of lead (vocal) on most of the songs. Have you ever had a point during your concerts where you ever had a loss, a mental-block in your head as to what to do next?"
John: "Yeah. I'm the one that often gets it - suddenly go blank and I don't know what I'm singing or playing or anything, you know. I just forget, and all the rest sort of tell me what's happening."
Q: "You mentioned these jellybeans and everything. Does it hamper your work... besides making you frightened of the fact that it might hit your eye or something... does it hamper your work?"
John: "Yeah. You can't play if they keep hitting you, you know. You keep stopping 'cuz it's natural - you sort of duck, you know, and you stop playing. But it's been quite good - it's stopped now. So I suppose we should stop talking about it."
Q: "Here's a question alot of people will think it kind of ridiculous to ask entertainers this, but I'm going to because alot of people are interested in your opinion. So much of these world conflicts going on - everybody's fighting each other. What would be your personal solution to stopping war? What way or method?"
John: "I don't think there is one, you know. Not if everybody was all rich and happy, and each country had all they wanted, they'd still want the next bit. I don't think there'll ever be any solution... only, just, you know, a sort of power block where everybody's got the same weapons."
Q: "There was a big rumor out around the country - as you know there's so many rumors - about Ringo having a throat operation. and this was cleared up last night with this 'tonsil' bit."
John: "Yeah, he's having his tonsils out when we get back to Britain, then go after the British tour."
Q: "Has there ever been one rumor that's particularly peeved you?"
John: "Umm, me leaving the group... and my wife being pregnant."
Q: "You mean, having a baby next month?"
John: "Yeah."
Q: "There's been alot of criticism by Americans of the fact that there's so many groups that are coming out that have no originality, from England, that are all trying to copy you. Now we know there's a handful that are really doing very well over here, as well as you..."
John: "Yeah."
Q: "...Does it ever bother you that certain groups will copy you completely whatever you do?"
John: "No, because everybody knows, you know. Only the dumbest people don't know that they're copying us, you know. So it's just a laugh when you see a big imitation of you going 'round. They never really make it. They might have a hit, but nobody's fooled for long."
Q: "Does anybody ever ask you for advice - another group, let's say?"
John: "Younger groups, you know, that are just sort of forming. But there's no advice you can give really. Just keep playing and hope for the best."
Q: "I notice that you have this guitar with you, and I notice you strum it quite a bit. Where do you get your ideas for songs? Do you ever get them sitting in a dressing room, or in a hotel room? Is it a planned session, or do you just come across an idea?"
John: "No, I just come across one. I could happen any minute... (strums wildly and yells) Noww-yyo-oumpfff!!! You see... like that!"
Q: (laughs) "Have you written any on this current tour?"
John: "Two."
Q: "You don't have the names or anything like that?"
John: "I know the names, but we don't give them 'cuz people turn out songs with the same name, you know."
Q: "I'm not that familiar with the music business, myself."
John: "Well that's what happens. You think of a name that's original, and you broadcast it, and somebody will make a record with the same name and a different song. and it gets confusing, you know."
Q: "When you first came over to this country in February and I met you briefly in Miami, were you shocked by the reaction? Were you worried about your reaction over here, personally - the crowds and everything else?"
John: "Well, we never expected to... didn't expect to sell records or anything over here. So we were just amazed. (giggles) and we still are, you know."
Q: "Was the American market your main goal after conquering England"
John: "Yeah, well, every British artist used to imagine trying to get... you get the odd hit from Britain, or you get the odd hit from Germany - there's alot of freak records. But nobody ever sort of made it in America, and we were dying to be the first."
Q: "I know there's a record over here of 'I Want To Hold Your Hand' in German, or 'She Loves you,' one or the other."
John: "Both of them."
Q: "Have you done them any other languages"
John: "No, the Germans are the only ones that won't buy you in English. You have to kow-tow to the Germans. But after you've made a couple of records they'll buy anything."
Q: "I know the police have generally done a great job on this current tour, but what do you think personally about some of them trying to get autographs and going out of the line of duty? You know, you've seen so many of them come back in the plane - and to me, this may be a little strong, but it's sort of a bribe. What do you think of this?"
John: "Well, some of the police do sort of - 'You sign this or we won't help you' but most of them are just normal fellas, and you get sort of lousy people in any organization. You get a couple of lousy cops who sort of threaten you or... not threaten you with violence, but sort of 'Unless you sign me eighty of these I'm not gonna look after you.' But they're no worse than any people in any organization. You get bums everywhere."
Q: "This is your first tour that you've actually seen all of America, and up to now you've seen about every section. Off your role as a performer, what do you think of America as a country - the cities and the land and the people?"
John: "I think it's marvelous, you know. I like it, and especially places like New York and Hollywood, you know. I like the big places. and it's amazing to see a place like Los Vegas. Who ever thought of building a place in the middle of a desert, (giggles) you know. Things like that are marvelous."
Q: "Do you ever have any differences on-stage or off-stage?"
John: "Off-stage are the same differences that normal people have or friends have, you know, but they're never violent or they never last long. We always settle our argument, you know."
Q: "Everybody says you're gonna break up. This is another rumor. It's all over."
John: "That's alot of rubbish, you know. It's just rubbish. We've never even thought of it."
Q: "We were reading those fan magazines, and I plan to show you a few more because some of them are unbelievable."
John: "Yeah."
Q: "I don't know who prints them. I know you laughed when you saw the name Jack Lennon on the page the other night, and I laughed too. Has it ever really bugged you that they get your name wrong?"
John: "No. It's always made me laugh when people get my name wrong. Like, there was one DJ today who said, 'This is so-and-so from so-and-so station, talking to John Harrison here,' and I just creased up but I never told him, you know. He found out by himself at the end. But it's just funny, you know. If they can't get your name right, well, (comical voice) God help 'em, that's what I say!"
Q: "You talked about playing in-doors and outdoors. I noticed the other night, even though you had a forty mile an hour, or thirty mile an hour wind in Jacksonville - I don't know if you knew it was that high..."
John: (giggles) "It felt like a hundred mile an hour one to me."
Q: "...you still didn't have any trouble getting out the song. Do you try to acclimate yourself to this, or did it really bother you the other night?"
John: "Yeah, you know. We'd never been through a thing like that. We were most sort of awkward with... all our hair was blowing up - we all looked like four Elvis Presleys or something. (giggles) We just felt uncomfortable with all that wind."
Q: "John, thank you very much. It's been nice working with you."
John: "Great working with you, Larry."
Source: 'Not A Second Time' (One Way)
┌─――――――――――――――――――――――――――――――――――┐
②｜ George Harrison Interview for ＢＢＣ Radio program『Scene and Heard』｜No.62
└─――――――――――――――――――――――――――――――――――┘
‡1967(昭和42)年09月13日(wed) September 13
In a conversation that appeared on the ＢＢＣ Radio program `Scene and Heard', George Harrison spoke with Reporter Miranda Ward from the film set of `Magical Mystery Tour'. George talks about the concept of the Beatles new film project, and also shares his interests in Indian culture and spirituality.
George: "The contract we signed with United Artists is for three films, two of which we've done. The third one, the thing is, we can do it any time we want. We havent so far done the film because we didn't want to make a film just to make some money. We wanted to do a film that might mean something to either us or to the people who go to watch it. So the thing is, over the last year or two since 'Help', we've had thousands of ideas but they've all been 'Help' and 'Hard Day's Night' revisited. It's no good. We've got to have something good, how we visualize the film. It's got to be at least the difference between the song 'Help' and 'Sgt Pepper,' as the movie has got to be that progressed too. So we haven't made it until we feel it's right... and I think we should start it 'round about next February. and if we do, we'll probably end up by not having a big production team film it all."
Miranda Ward: "Rather like you're doing this one."
George: "Yeah. This part that we've been doing is mainly just to tie the whole show together, because it's called a Magical Mystery Tour, then this is just a typical coach tour, but anything can happen. You see, that's the difference because it's magic, then we can do anything. So these parts, these sequences, we just had a few ideas. It's mainly just to show the people getting on the coach and a few little things that happen during the course of the coach trip."
Miranda Ward: "How does it feel to be out on the road again as 'The Beatles'?"
George: "Uhh, yes. I dunno. I've never really known what it's been like as The Beatles. (laughs) Because, you see, The Beatles is still something abstract as far as I'm concerned. You know, it's something that other people see us as The Beatles, and I TRY to see us as The Beatles but I can't."
Miranda Ward: "At the beginning, didn't you feel like a Beatle?"
George: "Uhh, I suppose I did, yeah. In fact I do sometimes, you see, when it's in the midst of all this and people are saying 'Beatles this' and 'Beatles that,' then I've got to accept the thing that they think I'm a Beatle. I'm willing to go along with it, you know, if they want me to be a Beatle then I'll be one."
Miranda Ward: "When did you first start becoming interested in Indian culture and religion?"
George: "Probably about two years ago, and uhh... I don't really know exactly when, but when I first noticed that I was interested with the music first of all, I think, and along with that I'd heard stories of people in caves. Yogis, as they're known. People levitating and demateriealizing. (laughs) and doing all sorts of wonderous things. and then, through the music... with meeting Ravi (Shankar), it was great because he's a Braman which is a high sect. and uhh, just all the groovy people are bramans, like the scientists, religious people and musicians, and all those. and then in the end, I'd like to become this myself. I'd just like to have this quality that these people have, which is a spiritual thing. and I think with us having all the material wealth that we need... you know, the average person feels that if they had a car and a telly and a house, and that's where its at. But if you get a car and a telly and a house and even, you know, a lot of money, your life's still empty because it's still all on this gross level. and what we need isn't material, it's spiritual. We need, sort of, some other form of peace and happiness. and so, that's why the Indian people all seem very peaceful and as though they have found something, because they haven't had the material wealth. They've had to look at themselves for some answer, and they've found it inside themselves."
Source: Audio recording of radio interview
******************************************************
①http://www.dmbeatles.com/interviews.php?interview=29
②http://www.dmbeatles.com/interviews.php?interview=62
******************************************************
