特にThe Penelopesの2019年の最新作”Pacific Ampifier”について、The Pale Fouontainsを引き合いに褒めてくださったのには感激しましたし、またつい先週までずっとフェイスブックで、私がシェアする(ネオアコ、ギターポップに限らない)60~80年代の音楽のポストにたくさんの「いいね!」を付けてくださっていた(20~30ぐらいの「いいね!」が一気に来ると彼女とすぐわかるぐらい)、大変な音楽への愛情と、メジャーでもインディーでも広く受け入れられる視野と寛容さに改めて感銘を受けていたところでした。
Some say it’s only a waste of time In my way of loving this always works Seems, from two point five meters high, She’s watching each and every act of mine
So tempted I was sleepwalking So kindly in me she’s still talking
Walk away, with nothing left behind ‘Cause in my heart all her footprints still abide And she does, yes she does But no one’s even foreseen what is guilt in love Still I feel she does me good
Some say it’s only a shot in the dark In my way of loving that’s the spine Seems with talking too much of camouflage She’s watching each and every act of mine
So tempted I was daydreaming So carefully a slim chance was leaving
Walk away, with nothing left behind ‘Cause in my heart all her footprints still abide And she does, yes she does But no one’s even foreseen what is guilt in love Still I feel she does me good
For a chain reaction I’ve been driven away With a single fraction Still it hurts so bad
So tempted I was sleepwalking So kindly in me she’s still talking
Walk away, with nothing left behind ‘Cause in my heart all her footprints still abide For she does, yes she does But no one’s even foreseen what is guilt in love Still I feel she does me good