Asanikki 190930音楽紙芝居no 461(revised)橘樹住香いにしえの海山のみち

Asanikki 190930音楽紙芝居no 461(revised version)

      橘樹住香いにしえの海山のみち

説明This is an essay from Tachibana, Sumikyou, a painter of Yamatoe school, who talks his Japanese art archival spirit from the premodal of Artamira,via Egypt,Greece, India, Percia through Chine, finally settled over Japan,especiall Shosoh In Royal Archival. He talks the influence of domestic geo-and cultural- environment, Japanese people had extending their sense of maleic figure into their art,... especially contrubuting to story-telling world . Sumikyou adds further, the most important for human ingenuity and creativity sense of art is emerging out of very  homage drawing and painting of the ancestor's work. Then they can occasionally have a chance to jump up stage along their free sense of will. Socrates was a masonary technician of stone cutting for the architecture order. He knows the real part of object and mind,that is 'things as itself'. This skill is supporting the authenticity and creativity of the art.

音楽紙芝居no 461橘樹住香Cいにしえの海山のみち

 

This is a part of material of Tachibana talks below exhibition;