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銘盤 「マイ・ファニー・ヴァレンタイン」1964

2013年11月10日 | 音楽

Miles Davis - My Funny Valentine 1964 Milan, Italy
Miles Davis Quintet
Teatro dell'Arte, Milan, Italy
October 11 1964





Miles Davis
My Funny Valentine

Live recorded in New York City, on February 12, 1964.

Miles Davis - tromba;
George Coleman - sax tenore;
Herbie Hancock - piano;
Ron Carter - basso;
Tony Williams - batteria.

"My Funny Valentine" (Richard Rodgers, Lorenz Hart)
"All of You" (Cole Porter)
"Stella by Starlight" (Ned Washington, Victor Young)
"All Blues" (Miles Davis)
"I Thought About You" (Johnny Mercer, Jimmy Van Heusen)


疾走 「FOUR &MORE」のゴリゴリのゴツゴツの静寂版ゆー噂はお伺いしておりました

結局は「FOUR &MORE」よりも気に入ってしまい 愛聴アルバムになりました
おとなしぃのに かましますよぉ
全部静寂なんかとゆーと そーゆーわけでもありませんで

記事にするまでに なんべんみおなんべんも聴いたのですが
書くべきことを ほとんど忘れてしまいました
とにもかくにもエエアルバムです
マイルスアルバムで3本の指内に入るベストアルバムではないでしょうか
バランスが完璧です

観客の方も感極まって叫ぶ箇所があるのですが
あの 気持ち あの感じはたいそうよくわかります

Miles Davis 01 My Funny Valentine

Miles Davis in Concert - All Of You.wmv

Miles Davis in Concert - Stella by Starlight.wmv

Miles Davis 04 All Blues

Miles Davis in Concert - I Thought About You

マイ・ファニー・ヴァレンタイン
クリエーター情報なし
ソニーレコード


マイ・ファニー・ヴァレンタイン
クリエーター情報なし
ソニーレコード



The concert was part of a series of benefits staged at the recently built Philharmonic Hall (now known as the Avery Fisher Hall), co-sponsored by the NAACP, the Congress of Racial Equality and the Student Nonviolent Coordinating Committee. Davis's set that night was ostensibly in support of voter registration in Mississippi and Louisiana, but he also mentioned in a Melody Maker interview that one of the concerts was in memory of John F. Kennedy, who had been assassinated the previous year. Kennedy's death had struck at the hopes of many in the Civil Rights movement, a cause dear to Miles, who had expressed his admiration for the President in 1962: "I like the Kennedy brothers; they're swinging people."
Two albums were assembled from the concert recording. The up-tempo pieces were issued as Four & More, while My Funny Valentine consists of the slow and medium-tempo numbers. Davis biographer Ian Carr notes that the former were "taken too fast and played scrappily", whilst the Funny Valentine pieces "were played with more depth and brilliance than Miles had achieved before." He goes on to laud the album as "one of the very greatest recordings of a live concert … The playing throughout the album is inspired, and Miles in particular reaches tremendous heights. Anyone who wanted to get a vivid idea of the trumpeter's development over the previous eight years or so should compare [earlier recordings of "My Funny Valentine" and "Stella by Starlight"] with the versions on this 1964 live recording."
The hurried nature of the faster pieces that night has been partially attributed to the sheer importance of the event weighing on Davis's young rhythm section, who were playing their biggest date yet. Tensions were only worsened by their anger on finding out they would not be paid for the performance. Pianist Herbie Hancock, twenty-three years old at the time, later described the psychological pressure on the quintet:
"That was my first time playing at the Philharmonic Hall and that was, like, a big deal, because the new Carnegie Hall was the Philharmonic Hall. Just from the prestige standpoint I really wanted to play good ― the whole band really wanted to play good because that was the whole band's first time playing there … although Miles had played at Carnegie Hall before … but it was really a special concert. Only the New York Philharmonic plays there … and I tell you something … it was really funny … when we walked away from that concert, we were all dejected and disappointed. We thought we had really bombed … but then we listened to the record - it sounded fantastic!"


The Complete Live At The Plugged Nickel 1965
クリエーター情報なし
Sony

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2 コメント

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Unknown (imapon)
2013-11-12 20:43:08
この夏、CDを入手しました。
コメントしようと思ったら長くなったので、自分とこの記事にしてTBさせていただきました。
名盤ですね。
返信する
Unknown (よしはら)
2013-11-12 21:08:37
「マ」と「タメ」がヨイですね
じれったいぐらいの後にブォ~とくるでしょ
こーゆーんは どーやって発明されたのか 不思議です
表現とゆーのは こーゆーんをゆーんですな
返信する

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