Bad Timing
Jim O'Rourke
1997
ジムオルーク
バッドタイミング
アコギミニマル系カントリーブルースポップス実験音楽
ギターの和音と音階の組み合わせで1発でジムオルークの音色やとわかります
反復が長め
もたつきそーで もたつかなさそーで
もたついてるよーにも聴こえる微妙感がジムオルーク
も少しポップミュージック寄りやと思ってましたが
とちらかゆーと実験音楽寄りです
突然ポップスに変わるとこも実験ですよね
そもそもこのジャケットがポップスやないもん
山本精一さんより上手やと思います
宅配ゲオに在庫してあるんが嬉しーところネー
「アメリカのトラディショナルなギターの“サウンド自体”に惹かれた。でも、その音楽の主旨を自分の人生に結びつけるのは難しいとわかった」
ジムオルーク
確かにジョンフェイフィっぺーな
"There's Hell in Hello But More in Goodbye" | |
"94 the Long Way" | |
"Bad Timing" | |
"Happy Trails" |
Bad Timing is the first conventional song-craft album by American musician Jim O'Rourke. Although O'Rourke releases experimental music nearly every year, this album marked the beginning of his series on Drag City Records which focuses on standard song structures. It is an instrumental album, consisting largely of Jim O'Rourke's acoustic guitar playing (much in the style of John Fahey), sometimes with additional instrumentation.
The album is named after the 1980 film Bad Timing: A Sensual Obsession, directed by Nicolas Roeg.It is one of a trio of O'Rourke albums, along with Eureka and Insignificance, to be named after Roeg films from the 1980s.
MusicHound Rock: The Essential Album Guide wrote that the album's "four long, shape-shifting instrumentals blend O'Rourke's finger-picking with electronic textures and orchestrations for horns and string that abruptly, mischievously change mood."Tiny Mix Tapes wrote that the album "shows O’Rourke taking his John Fahey worship to a majestic extreme."
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