本篇paper代写- Gadamer's hermeneutic aesthetics讨论了伽达默尔的解释学美学。迦达默尔解释学美学作为20世纪西方美学的重要组成部分，在非理性浪潮的洪流中，以其对美与真的统一作为美学思想的主线，从其美学思想的核心，怀疑精神和新理性精神出发，建立了独树一帜的解释学美学思想。迦达默尔的解释学美学思想捍卫了美与真理，艺术与认识的本真关联，捍卫了亚理士多德摹仿论的艺术价值。本篇paper代写由51due代写平台整理，供大家参考阅读。
Western aesthetics in the development of the western aesthetics in the 20th century on the picture, can be seen as the most part a, aesthetics in this period compared with the ancient greeks and German classical aesthetics, numerous schools, schools of thought contend. Throughout the development philosophy of the 20th century, we can surprise found that almost all major western philosophy in the 20th century is subversive and boarded the stage of thought of rational, corresponding to this is that almost all major western aesthetics in the 20th century schools also is hostile questioning of Hegel rationalism aesthetics and origin. So we can say that the rise of irrationality is a basic characteristic of western philosophy and aesthetics in the 20th century. In these numerous and dazzling ideas, and da's hermeneutic aesthetics is starting from the analysis of aesthetic experience, explore "meaning - understand" framework, has brought the new development in the field of aesthetics, reveals a rich and colorful space to aesthetics, great in the history of aesthetics.
"Hermeneutic aesthetics", as the name implies, is also the aesthetic thought of hermeneutics. Therefore, the question of meaning is always the starting point for gadamer to explore beauty and art. Canaan reached in his aesthetic thoughts of beauty, and truth of unity, he thought to be out of the woods formalism understanding of beauty, only to corroborate beauty itself inherent truth elements, and the understanding of the art itself contains the value. The core of gadamer's aesthetic thought is his spirit of doubt and new rationality. His "spirit of doubt" makes his hermeneutic aesthetics show the basic characteristics of 20th century aesthetics. The new rational spirit of caleb's aesthetic thoughts in a flash, his rationality is limited rational, this new rationality is a kind of rational realize themselves boundaries, and is a kind of self limited rationality, the emergence of his new rational spirit of twentieth century regrets the irrational trend of dark gloomy added some bright color.
The representative of western classical aesthetics is Kant, whose famous aesthetic view is that "beauty is a form of consonance." He believes in the activity, nothing can be known that people are only interested in the form of aesthetic object, and the aesthetic pleasure is a kind of no utilitarian, freedom and detached. Caleb's thought that Kant's aesthetics has never been beyond the standpoint of natural beauty and interest, always stay in the understanding of the formalization of beauty and a priori, this understanding allows for work purpose, function, content and meaning as a aesthetic factors by stripping away, while those factors is the main basis of connotation of the works to achieve its truthfulness makes. Caleb's thought that beauty lies not in the perceptual forms of purposiveness, nor is any irrational impulse, the subjectivity of the subject's beauty is the existence of truth, more accurately, is the manifestation of the truth in the world, in the chord is the truth of the life world. To understand only the formalism of beauty is to fall into an absurd predicament. To illustrate beauty and truth, art and understanding of the true relationship, caleb's, will be about the Aristotle's theory of imitation absorption in, think all art is a kind of copy, by imitating art show this in truth. Therefore, caleb's put forward the basic idea of his aesthetic thoughts, "art is understanding and experience of works of art is the sharing of this knowledge", at the same time, Michael's, and accepted his good friend heidegger's truth, don't think any truth is completely without crumbling, exist manifest itself cannot take in everything in a glance, the truth is not granted an open, clear and understandable.
In Plato and Hegel's aesthetics, beauty is being true to understand of the world, but in Plato, the beauty of the world have priority to individual, the feeling of the beautiful things in the state of the so-called fans crazy to recall the beauty itself, recall the concept of eternal world; In Hegel's there, on a thing of beauty, concept revealed itself, and hide themselves at the same time, people on beautiful things can understand, that is the truth of the world, but also a part of the world the truth. In the aesthetic thought of Plato and Hegel, and he saw the vital points: first, both affirmed the existence of beauty, and that the root cause lies in idea, and then link beauty and truth; Secondly, both believe that the specific things of beauty have beauty, but cannot represent the whole of beauty. These two points are actually the core of gadamer's aesthetic thought.
Caleb's believe that beauty exists, and return it is true, believe that people can get a real aesthetic experience, and the aesthetic experience as a mediation of real life, as a real life promise, "in reality of disorder, in all its imperfections, evil, error, extreme and fatalistic chaos, the truth is not far away and unattainable for us, but to be able to meet". Beauty is the bridge from falsehood to truth and from reality to ideal. Only in the aesthetic world can a real world be perfectly presented to you and me.
Western aesthetics in the 20th century, with the rational spirit to irrational spirit, modern form in the main body of the dominant subject-object dichotomy mode of epistemology has caved in, from rational to irrational subject, such a kind of spirit is not accidental, doubt and denial of reason, is the most fundamental reason is that the bourgeoisie in the enlightenment in the 20th century proposed "rational social ideal kingdom". Through complicated thoughts in the 20th century, and the philosophical foundation of the 20th century, summarized as against the dogmatism of scepticism, he said: "in my opinion, the most mysterious of the 20th century, it is the basis of the most powerful of all the dogmatism of dogmatism, including science of skepticism". Since gadamer here regards skepticism as the philosophical basis of the 20th century, it is clear that it should be included in his hermeneutic aesthetics.
Caleb's age, lives sweeps across the whole world through two wars, a lot of learning to think that the root of the social problems of the 20th century is that lost the rationality of this age, who has lost his judgment. How to restore a tradition of radical rationalism is, in gadamer's view, the preoccupation of the 20th century. We do not speak in the name of reason. Claiming to speak in the name of reason is a contradiction in itself. Therefore, idealization lies in the understanding of the limits of one's own views, and only by knowing this can a more accurate view be reached, thus developing forever. "Reason lies in not blindly treating reason as an act of truth, but in criticizing it. Rational action is always a kind of enlightenment, rather than being absolutely by setting the teaching of the new rationalism, is not think you know about all things better than others more - reason is always understood as often for themselves and their own conditions to explain myself." All in all, the new rationality is a rational realize themselves boundaries, and is a kind of limited rational itself, it's not blindly to any views as truth, it always stay awake and conditioned the limitation of any point of view. New rational spirit is a kind of rational spirit, it first ruled out let will, emotions, instincts, etc. The possibility of mind ability become the dominant principle, but it is not so back to the transcendental category, back to the dichotomy of subject-object, back to the subject of object of objectification, but back to the language, to return to dialogue, so the new rational in the final analysis is a kind of rational know their boundaries, and is a kind of rational self-discipline, is a kind of different from the modern rational dogmatism. With the help of this new rational spirit, gadamer hopes to restore the society to a rational communicative state and step by step to everyone's freedom.
Gadamer's hermeneutic aesthetics defends the true relation between beauty and truth, art and knowledge, and the artistic value of Aristotle's imitation. Western aesthetics in the 20th century era of rational thoroughly doubt, amid widespread the suspicions of beauty, as well as to the era of doubt in the nature of beauty, and he's not only adhere to the existence of beauty in art, also tries to restore is the beauty of Kant's aesthetics interruption and true, on the basis of the theory of imitation unified the modern art and traditional art, this is Michael's, aesthetics make the important contribution to western aesthetics in the 20th century. Although gadamer's aesthetics came into being in the middle of the 20th century, it exerted a profound influence on the later part of the 20th century and even the present aesthetic spirit with its unique aesthetic spirit.
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Western aesthetics in the development of the western aesthetics in the 20th century on the picture, can be seen as the most part a, aesthetics in this period compared with the ancient greeks and German classical aesthetics, numerous schools, schools of thought contend. Throughout the development philosophy of the 20th century, we can surprise found that almost all major western philosophy in the 20th century is subversive and boarded the stage of thought of rational, corresponding to this is that almost all major western aesthetics in the 20th century schools also is hostile questioning of Hegel rationalism aesthetics and origin. So we can say that the rise of irrationality is a basic characteristic of western philosophy and aesthetics in the 20th century. In these numerous and dazzling ideas, and da's hermeneutic aesthetics is starting from the analysis of aesthetic experience, explore "meaning - understand" framework, has brought the new development in the field of aesthetics, reveals a rich and colorful space to aesthetics, great in the history of aesthetics.
"Hermeneutic aesthetics", as the name implies, is also the aesthetic thought of hermeneutics. Therefore, the question of meaning is always the starting point for gadamer to explore beauty and art. Canaan reached in his aesthetic thoughts of beauty, and truth of unity, he thought to be out of the woods formalism understanding of beauty, only to corroborate beauty itself inherent truth elements, and the understanding of the art itself contains the value. The core of gadamer's aesthetic thought is his spirit of doubt and new rationality. His "spirit of doubt" makes his hermeneutic aesthetics show the basic characteristics of 20th century aesthetics. The new rational spirit of caleb's aesthetic thoughts in a flash, his rationality is limited rational, this new rationality is a kind of rational realize themselves boundaries, and is a kind of self limited rationality, the emergence of his new rational spirit of twentieth century regrets the irrational trend of dark gloomy added some bright color.
The representative of western classical aesthetics is Kant, whose famous aesthetic view is that "beauty is a form of consonance." He believes in the activity, nothing can be known that people are only interested in the form of aesthetic object, and the aesthetic pleasure is a kind of no utilitarian, freedom and detached. Caleb's thought that Kant's aesthetics has never been beyond the standpoint of natural beauty and interest, always stay in the understanding of the formalization of beauty and a priori, this understanding allows for work purpose, function, content and meaning as a aesthetic factors by stripping away, while those factors is the main basis of connotation of the works to achieve its truthfulness makes. Caleb's thought that beauty lies not in the perceptual forms of purposiveness, nor is any irrational impulse, the subjectivity of the subject's beauty is the existence of truth, more accurately, is the manifestation of the truth in the world, in the chord is the truth of the life world. To understand only the formalism of beauty is to fall into an absurd predicament. To illustrate beauty and truth, art and understanding of the true relationship, caleb's, will be about the Aristotle's theory of imitation absorption in, think all art is a kind of copy, by imitating art show this in truth. Therefore, caleb's put forward the basic idea of his aesthetic thoughts, "art is understanding and experience of works of art is the sharing of this knowledge", at the same time, Michael's, and accepted his good friend heidegger's truth, don't think any truth is completely without crumbling, exist manifest itself cannot take in everything in a glance, the truth is not granted an open, clear and understandable.
In Plato and Hegel's aesthetics, beauty is being true to understand of the world, but in Plato, the beauty of the world have priority to individual, the feeling of the beautiful things in the state of the so-called fans crazy to recall the beauty itself, recall the concept of eternal world; In Hegel's there, on a thing of beauty, concept revealed itself, and hide themselves at the same time, people on beautiful things can understand, that is the truth of the world, but also a part of the world the truth. In the aesthetic thought of Plato and Hegel, and he saw the vital points: first, both affirmed the existence of beauty, and that the root cause lies in idea, and then link beauty and truth; Secondly, both believe that the specific things of beauty have beauty, but cannot represent the whole of beauty. These two points are actually the core of gadamer's aesthetic thought.
Caleb's believe that beauty exists, and return it is true, believe that people can get a real aesthetic experience, and the aesthetic experience as a mediation of real life, as a real life promise, "in reality of disorder, in all its imperfections, evil, error, extreme and fatalistic chaos, the truth is not far away and unattainable for us, but to be able to meet". Beauty is the bridge from falsehood to truth and from reality to ideal. Only in the aesthetic world can a real world be perfectly presented to you and me.
Western aesthetics in the 20th century, with the rational spirit to irrational spirit, modern form in the main body of the dominant subject-object dichotomy mode of epistemology has caved in, from rational to irrational subject, such a kind of spirit is not accidental, doubt and denial of reason, is the most fundamental reason is that the bourgeoisie in the enlightenment in the 20th century proposed "rational social ideal kingdom". Through complicated thoughts in the 20th century, and the philosophical foundation of the 20th century, summarized as against the dogmatism of scepticism, he said: "in my opinion, the most mysterious of the 20th century, it is the basis of the most powerful of all the dogmatism of dogmatism, including science of skepticism". Since gadamer here regards skepticism as the philosophical basis of the 20th century, it is clear that it should be included in his hermeneutic aesthetics.
Caleb's age, lives sweeps across the whole world through two wars, a lot of learning to think that the root of the social problems of the 20th century is that lost the rationality of this age, who has lost his judgment. How to restore a tradition of radical rationalism is, in gadamer's view, the preoccupation of the 20th century. We do not speak in the name of reason. Claiming to speak in the name of reason is a contradiction in itself. Therefore, idealization lies in the understanding of the limits of one's own views, and only by knowing this can a more accurate view be reached, thus developing forever. "Reason lies in not blindly treating reason as an act of truth, but in criticizing it. Rational action is always a kind of enlightenment, rather than being absolutely by setting the teaching of the new rationalism, is not think you know about all things better than others more - reason is always understood as often for themselves and their own conditions to explain myself." All in all, the new rationality is a rational realize themselves boundaries, and is a kind of limited rational itself, it's not blindly to any views as truth, it always stay awake and conditioned the limitation of any point of view. New rational spirit is a kind of rational spirit, it first ruled out let will, emotions, instincts, etc. The possibility of mind ability become the dominant principle, but it is not so back to the transcendental category, back to the dichotomy of subject-object, back to the subject of object of objectification, but back to the language, to return to dialogue, so the new rational in the final analysis is a kind of rational know their boundaries, and is a kind of rational self-discipline, is a kind of different from the modern rational dogmatism. With the help of this new rational spirit, gadamer hopes to restore the society to a rational communicative state and step by step to everyone's freedom.
Gadamer's hermeneutic aesthetics defends the true relation between beauty and truth, art and knowledge, and the artistic value of Aristotle's imitation. Western aesthetics in the 20th century era of rational thoroughly doubt, amid widespread the suspicions of beauty, as well as to the era of doubt in the nature of beauty, and he's not only adhere to the existence of beauty in art, also tries to restore is the beauty of Kant's aesthetics interruption and true, on the basis of the theory of imitation unified the modern art and traditional art, this is Michael's, aesthetics make the important contribution to western aesthetics in the 20th century. Although gadamer's aesthetics came into being in the middle of the 20th century, it exerted a profound influence on the later part of the 20th century and even the present aesthetic spirit with its unique aesthetic spirit.
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