本篇英国essay代写范文-Industrialization of the piano manufacturing business讲了第四大道（现在的公园大道）的新工厂由亨利•斯坦威威开幕，表明了19世纪中期的工业化。亨利小时候从伦敦展览会回来之后，公司的主要集中在于工厂扩建和新仓库的建设。西奥多•斯坦威进行技术改进，1868年至1885年间获得了四十一项专利。本篇英国essay代写由51due英国代写平台整理，供大家参考阅读。
The industrialization of the piano manufacturing business in the 19th century
There was the desire for bigger sound and for virtuoso playing, so the industry had to develop. The opening of the new factory on Fourth Avenue (now Park Avenue) by Henry Steinways signaled industrialization in the middle of 19th century. After Henry, Jr.'s return from the London Exhibition, the major concentration of the firm was the
expansion of the factory and the construction of new warerooms. Theodore Steinway worked on technical refinements and between 1868 and 1885 he was granted forty one patents.
The evolution of the "factory" model of songwriting from the 19th century to the present
The songwriting practice was found within Aldon Music, then the Brill Building and Motown. Teams of writers were employed to produce a constant supply of songs with certain themes and components for a rapidly expanding team of performers. There is "vertical integration" and has the clear division of labor, so it is called as a "factory" model of songwriting. Later, the "factory" model was eventually achieved through Aldon's establishment of Dimension Records in 1962 and Leiber and Stoller's formation of Red Bird in 1964 with control over every aspect of the creative process and getting writing royalties from record companies.
The commercialization of sound recording in the late 19th and early 20th centuries
It is influenced by the ideology of industrial production, business, technology and mechanization. Music is made after considering how much money it can make and the potential of making money with centralized and managed structure of production .
The evolution of copyright law from 1790 to 1909
The Copyright Act of 1790 was the first federal copyright act, influenced by British Statute of Anne, confirming a term of "fourteen years since the time of recording ", with a right of renewal. It has been updated several times.
Nathan Burbank, the attorney and Victor Herbert, the composer took part in a lot of hearing. Their efforts leads to the copyright act of 1909. It gave the exclusive rights to the owners of copyright to perform for profit.
The conflict between ASCAP and radio broadcasters from the 1920s through the 1950s
In 1922, Witmarks brother, as publishers and founding members of ASCAP, failed to get fees for radio broadcaster performance by negotiation.
In 1928, ASCAP sent a formal warning about the copyright but was ignored by the hotel, which still made KWKC’s broadcast available to audience. There was a lot of litigations and appeals among ASCAP and radio broadcasters with ASCAP as final winners at the courtroom .
1923 to 1924, lobby of radio broadcasters and contingent of composers still fighted against each other.
In 1933, ASCAP accused radio broadcasters makes the sheet and record music sales decrease.
In 1940s, radio broadcasters established their own music organization to compete against ASCAP with ASCAP surrendering.
The role of gender stereotypes in marketing musical instruments
The instruments of boys are marketed as noisy, such as the trumpets and drums.Girls’ instruments are usually piano and lutes, which are quiet,and stringed instruments . Those instruments of boys usually appeared with vigorous dancers and girls’ instruments are suitable for accompanying song. The gender division of boys and girls is active instrumentals for boys and passive for girls.
The rise and fall of Black Swan Records
Black Swan Records was founded by a black man Harry Herbert Pace in 1911. It aims to connect production and consumption, and political economy and music economy. Its rise began by a national tour organized by Pace in 1921 when a lot of great master appeared and they were welcomed and continued by the issuing of a public financial statement. It falls in 1923 and 1924 as the major white companies began to compete in terms of services and prices.
The impact of piracy on the recording industry from 1950 to 2000
Due to the protection for recordings, copyright reform, and law enforcement, Americans formed a new concept that copyright is a beneficial and necessary for investment and introduced a new and expansive concept of ownership. It is a safeguard for capital investment and an impetus to economic growth, and good for the health development of the sound recording industry.
lawsuit
Bridgeport Music v. Dimension Films
Four plaintiffs: Bridgeport Music, Inc., Westbound Records, Inc., Southfield Music, Inc., and Nine Records, Inc.
Defendant: No Limit Films.
The reason is the copyright infringement claims of sound track of the movie I Got
the Hook Up of No Limit Films.
Result: No infringement of its sound recording copyright of No Limit Films ,
The award of attorney fees to No Limit Films
Significance: new rule about infringement of sound record is added
Grand Upright Music v. Warner Bros.
Plaintiff: Grand Upright Music
Defendant: Warner Bros
Reason: the copyright infringement claims against rap artists’incorporation of piece of artist’record into rap recording
Result: preliminary injunction against copyright infringement is granted
Significance: This case will be considered by the United States attorney for the prosecution of defendants of similar situation, namely 17 U.S.A 506 and 18 U.S.A 2319.
plaintiffs: composers owns the copyright of a lyric comedy in which a march called "From Maine to Oregon;
Herbert, composers and owners of a comic opera entitled "Sweethearts“
defendant : Vanderbilt hotel
Shanley Compan
Reason: hotel company performed a march called "From Maine to Oregon to entertain guests
Shanley Company contains a song of "Sweethearts“in the performance
Result；injunction against copyright infringement is not granted as the plaintiffs' rights were limited to the separate copyright and copyright for the opera and for the song is separate.
Significance: it solved the problem that whether a copyrighted musical composition played in a restaurant or hotel which did not charge the listeners will infringe the exclusive copyright of owner to perform the work publicly for profit.
Newton v. Diamond
Plaintiff--- James W. Newton
defendant--- Beastie Boys.
reasons : The center of dispute is that Beastie Boys obtained a license to sample the sound recording of Newton, but they did not obtain a license to use Newton's underlying composition( Beastie Boys added a short segment of a musical recording of "Choir” created by James W. Newton into their new musical recording, which is called "sampling).
Result: This is overruled for two reasons: the notes in question lacked sufficient originality to merit copyright; even if the sampled segment of the composition were original, Beastie Boys' use of a brief segment of the sound recording of "Choir" was a de minimis use of the "Choir" composition.
Significance: it raises the difficult and important issue of whether the practice of "sampling," requires a license to use both the performance and the composition of the original recording.
White-Smith v. Apollo
appellee/defendant:Apollo
Plaintiff---: Adam Geibel
reasons : Adam Geibel, composer of two musical compositions, published in the form of sheet music. Apollo is a musical instruments manufacturer of instruments for perforated rolls. It is said that its rolls reproduce the melody of music copyrighted by Geibel.
Result: dismissing the bills of the Plaintiff as the rights of using mechanism for the production of sounds or music is not exclusive to the plaintiffs
Significance: there is rapid development of such instruments and the use of such musical rolls at that time in the United States and abroad. So it is important to confirm the rights of manufacturer of instruments and composer and publisher.
Ephemeral Music: Napster's Congressional Testimony"
It is a testimony of Shawn Fanning, founder of Napster, inc. He talked about where the idea of Napster come from, the technology used in Napster and the potential of peer-to-peer technology. Napster is a real-time system for locating MP3 files with chat rooms and instant messaging. Thus, Napster offers opportunities for people to decide how they use it and get involved in the community. Napster is based on the peer-to-peer technology, which makes the Internet much faster and more efficient.
"The Menace of Mechanical Music"
John Philip Sousa, as an alarmist, comments on the harm to American musical art. He talked about deterioration in American music and musical taste with less and less music of expression of soul states and more and more music-reproducing machines. He criticized the commercial pursuit, decline in domestic music, serious infringement and the ambiguities of law.
"The Phonograph and Its Future"
Edison sketched the solution of certain problems accomplished
by his invention--- The Phonograph in the form of answers and questions and predicted some of the uses to which it
would be put, such as of Phonographic Books and usical-Boxes, Toys, etc.
"Striking the Jolly Roger"
Plaintiffs: Columbia Records Inc. and Louis Armstrong.
Defendant: Paradox Industries
Columbia Records Inc reissued some of Louis
Reasons: Armstrong’s early recordings and found that some of the same records were already being sold by an obscure company called Paradox Industries, under the label "Jolly Roger." Bolletino, owner of Paradox Industries admitted that he had pressed from the original Columbia-owned records but he had violated no law, since copyrights do not cover records. So Columbia based its suit on "invasion of property rights," and Armstrong based his on an "invasion of privacy".
Results:Pirating has been given a big boost by magnetic-tape recording equipment
要想成绩好，英国论文得写好，51due英国论文代写平台为你提供英国留学资讯，专业辅导，还为你提供专业英国essay代写，paper代写，report代写，需要找论文代写的话快来联系我们51due吧。—Ace
The industrialization of the piano manufacturing business in the 19th century
There was the desire for bigger sound and for virtuoso playing, so the industry had to develop. The opening of the new factory on Fourth Avenue (now Park Avenue) by Henry Steinways signaled industrialization in the middle of 19th century. After Henry, Jr.'s return from the London Exhibition, the major concentration of the firm was the
expansion of the factory and the construction of new warerooms. Theodore Steinway worked on technical refinements and between 1868 and 1885 he was granted forty one patents.
The evolution of the "factory" model of songwriting from the 19th century to the present
The songwriting practice was found within Aldon Music, then the Brill Building and Motown. Teams of writers were employed to produce a constant supply of songs with certain themes and components for a rapidly expanding team of performers. There is "vertical integration" and has the clear division of labor, so it is called as a "factory" model of songwriting. Later, the "factory" model was eventually achieved through Aldon's establishment of Dimension Records in 1962 and Leiber and Stoller's formation of Red Bird in 1964 with control over every aspect of the creative process and getting writing royalties from record companies.
The commercialization of sound recording in the late 19th and early 20th centuries
It is influenced by the ideology of industrial production, business, technology and mechanization. Music is made after considering how much money it can make and the potential of making money with centralized and managed structure of production .
The evolution of copyright law from 1790 to 1909
The Copyright Act of 1790 was the first federal copyright act, influenced by British Statute of Anne, confirming a term of "fourteen years since the time of recording ", with a right of renewal. It has been updated several times.
Nathan Burbank, the attorney and Victor Herbert, the composer took part in a lot of hearing. Their efforts leads to the copyright act of 1909. It gave the exclusive rights to the owners of copyright to perform for profit.
The conflict between ASCAP and radio broadcasters from the 1920s through the 1950s
In 1922, Witmarks brother, as publishers and founding members of ASCAP, failed to get fees for radio broadcaster performance by negotiation.
In 1928, ASCAP sent a formal warning about the copyright but was ignored by the hotel, which still made KWKC’s broadcast available to audience. There was a lot of litigations and appeals among ASCAP and radio broadcasters with ASCAP as final winners at the courtroom .
1923 to 1924, lobby of radio broadcasters and contingent of composers still fighted against each other.
In 1933, ASCAP accused radio broadcasters makes the sheet and record music sales decrease.
In 1940s, radio broadcasters established their own music organization to compete against ASCAP with ASCAP surrendering.
The role of gender stereotypes in marketing musical instruments
The instruments of boys are marketed as noisy, such as the trumpets and drums.Girls’ instruments are usually piano and lutes, which are quiet,and stringed instruments . Those instruments of boys usually appeared with vigorous dancers and girls’ instruments are suitable for accompanying song. The gender division of boys and girls is active instrumentals for boys and passive for girls.
The rise and fall of Black Swan Records
Black Swan Records was founded by a black man Harry Herbert Pace in 1911. It aims to connect production and consumption, and political economy and music economy. Its rise began by a national tour organized by Pace in 1921 when a lot of great master appeared and they were welcomed and continued by the issuing of a public financial statement. It falls in 1923 and 1924 as the major white companies began to compete in terms of services and prices.
The impact of piracy on the recording industry from 1950 to 2000
Due to the protection for recordings, copyright reform, and law enforcement, Americans formed a new concept that copyright is a beneficial and necessary for investment and introduced a new and expansive concept of ownership. It is a safeguard for capital investment and an impetus to economic growth, and good for the health development of the sound recording industry.
lawsuit
Bridgeport Music v. Dimension Films
Four plaintiffs: Bridgeport Music, Inc., Westbound Records, Inc., Southfield Music, Inc., and Nine Records, Inc.
Defendant: No Limit Films.
The reason is the copyright infringement claims of sound track of the movie I Got
the Hook Up of No Limit Films.
Result: No infringement of its sound recording copyright of No Limit Films ,
The award of attorney fees to No Limit Films
Significance: new rule about infringement of sound record is added
Grand Upright Music v. Warner Bros.
Plaintiff: Grand Upright Music
Defendant: Warner Bros
Reason: the copyright infringement claims against rap artists’incorporation of piece of artist’record into rap recording
Result: preliminary injunction against copyright infringement is granted
Significance: This case will be considered by the United States attorney for the prosecution of defendants of similar situation, namely 17 U.S.A 506 and 18 U.S.A 2319.
plaintiffs: composers owns the copyright of a lyric comedy in which a march called "From Maine to Oregon;
Herbert, composers and owners of a comic opera entitled "Sweethearts“
defendant : Vanderbilt hotel
Shanley Compan
Reason: hotel company performed a march called "From Maine to Oregon to entertain guests
Shanley Company contains a song of "Sweethearts“in the performance
Result；injunction against copyright infringement is not granted as the plaintiffs' rights were limited to the separate copyright and copyright for the opera and for the song is separate.
Significance: it solved the problem that whether a copyrighted musical composition played in a restaurant or hotel which did not charge the listeners will infringe the exclusive copyright of owner to perform the work publicly for profit.
Newton v. Diamond
Plaintiff--- James W. Newton
defendant--- Beastie Boys.
reasons : The center of dispute is that Beastie Boys obtained a license to sample the sound recording of Newton, but they did not obtain a license to use Newton's underlying composition( Beastie Boys added a short segment of a musical recording of "Choir” created by James W. Newton into their new musical recording, which is called "sampling).
Result: This is overruled for two reasons: the notes in question lacked sufficient originality to merit copyright; even if the sampled segment of the composition were original, Beastie Boys' use of a brief segment of the sound recording of "Choir" was a de minimis use of the "Choir" composition.
Significance: it raises the difficult and important issue of whether the practice of "sampling," requires a license to use both the performance and the composition of the original recording.
White-Smith v. Apollo
appellee/defendant:Apollo
Plaintiff---: Adam Geibel
reasons : Adam Geibel, composer of two musical compositions, published in the form of sheet music. Apollo is a musical instruments manufacturer of instruments for perforated rolls. It is said that its rolls reproduce the melody of music copyrighted by Geibel.
Result: dismissing the bills of the Plaintiff as the rights of using mechanism for the production of sounds or music is not exclusive to the plaintiffs
Significance: there is rapid development of such instruments and the use of such musical rolls at that time in the United States and abroad. So it is important to confirm the rights of manufacturer of instruments and composer and publisher.
Ephemeral Music: Napster's Congressional Testimony"
It is a testimony of Shawn Fanning, founder of Napster, inc. He talked about where the idea of Napster come from, the technology used in Napster and the potential of peer-to-peer technology. Napster is a real-time system for locating MP3 files with chat rooms and instant messaging. Thus, Napster offers opportunities for people to decide how they use it and get involved in the community. Napster is based on the peer-to-peer technology, which makes the Internet much faster and more efficient.
"The Menace of Mechanical Music"
John Philip Sousa, as an alarmist, comments on the harm to American musical art. He talked about deterioration in American music and musical taste with less and less music of expression of soul states and more and more music-reproducing machines. He criticized the commercial pursuit, decline in domestic music, serious infringement and the ambiguities of law.
"The Phonograph and Its Future"
Edison sketched the solution of certain problems accomplished
by his invention--- The Phonograph in the form of answers and questions and predicted some of the uses to which it
would be put, such as of Phonographic Books and usical-Boxes, Toys, etc.
"Striking the Jolly Roger"
Plaintiffs: Columbia Records Inc. and Louis Armstrong.
Defendant: Paradox Industries
Columbia Records Inc reissued some of Louis
Reasons: Armstrong’s early recordings and found that some of the same records were already being sold by an obscure company called Paradox Industries, under the label "Jolly Roger." Bolletino, owner of Paradox Industries admitted that he had pressed from the original Columbia-owned records but he had violated no law, since copyrights do not cover records. So Columbia based its suit on "invasion of property rights," and Armstrong based his on an "invasion of privacy".
Results:Pirating has been given a big boost by magnetic-tape recording equipment
要想成绩好，英国论文得写好，51due英国论文代写平台为你提供英国留学资讯，专业辅导，还为你提供专业英国essay代写，paper代写，report代写，需要找论文代写的话快来联系我们51due吧。—Ace
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