本篇paper代写- Film type讨论了电影的类型。从创作角度而言,类型指的是一种创作方法,一种以影片叙事成分的构建相似性为基础的创作方法。但在电影产业的大语境中,类型却是一种营销定位。好莱坞从一开始便把电影当作产品,而且还是作为电影产业或电影工业建筑材料的工业产品。类型是影片最短的说明书,它界定了影片故事情节线的走向,让观众提前做好观影的心理准备,从而使其观影体验达到物超所值的最大化效果。本篇paper代写由51due代写平台整理,供大家参考阅读。
Watching a movie when I was a kid, will be the preferred "feature", especially "battle feature film", and try to avoid use left pocket money on other such as documentaries, musical or XiQuPian "types" in the film. When children recommend each other or gossip about movies, they can't help asking, is it a feature film? How about war? Though young and shallow knowledge, the world is unlearned, humanitarian did not pass, but the "audience" as a self-taught, for viewing the choice of "type", there will be a kind of instinct and natural preference, although he don't know what was called a "type" fashion.
Thus it can be seen that the generation of the type is completely derived from the preferences and choices of the audience. In western film theory, the word "type" transplant "style" of literature, but when introduced to China accidentally be we mistakenly translated into "type", it is this mistranslation completely cut off its affinity and literary style. In fact, before a film genre really became a genre, there was a specific reference in English for its survival, which was what we call genre or genre.
From the perspective of creation, genre refers to a method of creation, which is based on the similarity of the construction of narrative elements in films. But in the big context of film industry, genre is a marketing positioning. Hollywood has been using film as a product from the beginning, and as an industrial product of the film industry or the building materials of the film industry. However, film is also a kind of spiritual product, which does not have the commodity property that industrial products can be copied indefinitely. The biggest challenge Hollywood's early marketers had to face was how to endow non-replicable spiritual products with replicable industrial properties. So, industry experience and instinct audience preferences and natural selection, Hollywood's marketing elite found and a variety of types and type, and then establish the type of conventional and creation to reversed transmission, makes no copy of spiritual product has the industrial product attributes can be copied. It is this cognitive, making the "type" become an important part of the movie, become an important concept, one must fully understand as magnificent building materials in one hundred, Hollywood makes it really made the film a xiong industry or industries around the world. So much so that there is a consensus in the mainstream film industry around the world that any creation that deviates from the genre is a desperate venture to "defy the investors". This is entirely due to the type of audience positioning function. Audiences will probably choose to watch or not watch the movie just because it belongs to a certain type. Whether investors, author or publisher, it must have got the message, with an open mind, because is the shortest manual film type, it defines the story plots, let the audience psychological preparation ahead of the screenings, making it experience to maximize the value of the effect.
In the history of film's hundred years of evolution, the genre was also created step by step. Some people think that the father of modern science fiction films is merier's 1902 "a trip to the moon". For this reason, the film is considered to be the beginning of the modern genre of science fiction. More popular genre about 15 species: action, adventure, animation, comedy, crime, documentary, the family, fantasy, horror, drama and dance, science fiction, suspense, war, and the west. The type name itself has a definite positioning effect on the audience. It is because of the positioning effect of these "master types" that various sub-types or mixed types are created.
Most of them are as old as the film industry itself, and some are later. For example, the animation genre began in the late 1920s, while the science fiction genre began to take shape in the early 1950s. And science fiction was originally just a subgenre of horror and fantasy mixed together. The two types of horror and fantasy are relatively old, dating from 1902 to 1910. As a sub-genre of science fiction mixed with both, it was not until about 1985 that the main genre was truly achieved. According to the industry wisdom of Hollywood, a sub-genre must continue for about 35 years before it can be solidified into a mainstream audience. It will take at least 12 years to achieve subtype status. Everything else is just a movie fad or genre, probably just a flash in the pan.
Comedy, for example, is the largest and most expensive genre in the world today, but it has evolved from a subgenre called farce. The reason why farce got into movies this time is because of the success of juggling. Farce became very popular as early as the 1910s. After world war ii, the genre was 35 years old. Farce as a film genre disappeared in 1960. Now that it is dead, it is at best a subgenre of comedy in its place under the main genre. Similarly, a combination of martial arts and spy types get type status until 2000, although as early as the first spy piece type 007 film, "Dr" in 007 was established in 1963, after the release of Wuxia films became popular in Hong Kong around 1966. The genre of crime films used to be called gangster films, which were a combination of gangster films and police films. Its name has been elevated to the genre of crime movies because the concept is more broadly defined. Gangsters and the police pills were appeared in the early 1930s, but not last, because of the long s interval and its the creation of the generation of the total, however, failed to develop deeply the main types of mainstream audiences and been replaced with the concept of crime drama.
To distinguish between types and type, or for reasons of audience positioning, because time type to a type of subdivisions, so to viewers, you can before the movie to exactly for what is going to watch films have a more profound understanding. From the point of view of creators, critics and marketers, there can also be a more accurate audience orientation. In the current popular types of more than 30 times, only those who can consistently enduring impact on the concept of film culture and film type, can be developed into a self-contained independent type.
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Watching a movie when I was a kid, will be the preferred "feature", especially "battle feature film", and try to avoid use left pocket money on other such as documentaries, musical or XiQuPian "types" in the film. When children recommend each other or gossip about movies, they can't help asking, is it a feature film? How about war? Though young and shallow knowledge, the world is unlearned, humanitarian did not pass, but the "audience" as a self-taught, for viewing the choice of "type", there will be a kind of instinct and natural preference, although he don't know what was called a "type" fashion.
Thus it can be seen that the generation of the type is completely derived from the preferences and choices of the audience. In western film theory, the word "type" transplant "style" of literature, but when introduced to China accidentally be we mistakenly translated into "type", it is this mistranslation completely cut off its affinity and literary style. In fact, before a film genre really became a genre, there was a specific reference in English for its survival, which was what we call genre or genre.
From the perspective of creation, genre refers to a method of creation, which is based on the similarity of the construction of narrative elements in films. But in the big context of film industry, genre is a marketing positioning. Hollywood has been using film as a product from the beginning, and as an industrial product of the film industry or the building materials of the film industry. However, film is also a kind of spiritual product, which does not have the commodity property that industrial products can be copied indefinitely. The biggest challenge Hollywood's early marketers had to face was how to endow non-replicable spiritual products with replicable industrial properties. So, industry experience and instinct audience preferences and natural selection, Hollywood's marketing elite found and a variety of types and type, and then establish the type of conventional and creation to reversed transmission, makes no copy of spiritual product has the industrial product attributes can be copied. It is this cognitive, making the "type" become an important part of the movie, become an important concept, one must fully understand as magnificent building materials in one hundred, Hollywood makes it really made the film a xiong industry or industries around the world. So much so that there is a consensus in the mainstream film industry around the world that any creation that deviates from the genre is a desperate venture to "defy the investors". This is entirely due to the type of audience positioning function. Audiences will probably choose to watch or not watch the movie just because it belongs to a certain type. Whether investors, author or publisher, it must have got the message, with an open mind, because is the shortest manual film type, it defines the story plots, let the audience psychological preparation ahead of the screenings, making it experience to maximize the value of the effect.
In the history of film's hundred years of evolution, the genre was also created step by step. Some people think that the father of modern science fiction films is merier's 1902 "a trip to the moon". For this reason, the film is considered to be the beginning of the modern genre of science fiction. More popular genre about 15 species: action, adventure, animation, comedy, crime, documentary, the family, fantasy, horror, drama and dance, science fiction, suspense, war, and the west. The type name itself has a definite positioning effect on the audience. It is because of the positioning effect of these "master types" that various sub-types or mixed types are created.
Most of them are as old as the film industry itself, and some are later. For example, the animation genre began in the late 1920s, while the science fiction genre began to take shape in the early 1950s. And science fiction was originally just a subgenre of horror and fantasy mixed together. The two types of horror and fantasy are relatively old, dating from 1902 to 1910. As a sub-genre of science fiction mixed with both, it was not until about 1985 that the main genre was truly achieved. According to the industry wisdom of Hollywood, a sub-genre must continue for about 35 years before it can be solidified into a mainstream audience. It will take at least 12 years to achieve subtype status. Everything else is just a movie fad or genre, probably just a flash in the pan.
Comedy, for example, is the largest and most expensive genre in the world today, but it has evolved from a subgenre called farce. The reason why farce got into movies this time is because of the success of juggling. Farce became very popular as early as the 1910s. After world war ii, the genre was 35 years old. Farce as a film genre disappeared in 1960. Now that it is dead, it is at best a subgenre of comedy in its place under the main genre. Similarly, a combination of martial arts and spy types get type status until 2000, although as early as the first spy piece type 007 film, "Dr" in 007 was established in 1963, after the release of Wuxia films became popular in Hong Kong around 1966. The genre of crime films used to be called gangster films, which were a combination of gangster films and police films. Its name has been elevated to the genre of crime movies because the concept is more broadly defined. Gangsters and the police pills were appeared in the early 1930s, but not last, because of the long s interval and its the creation of the generation of the total, however, failed to develop deeply the main types of mainstream audiences and been replaced with the concept of crime drama.
To distinguish between types and type, or for reasons of audience positioning, because time type to a type of subdivisions, so to viewers, you can before the movie to exactly for what is going to watch films have a more profound understanding. From the point of view of creators, critics and marketers, there can also be a more accurate audience orientation. In the current popular types of more than 30 times, only those who can consistently enduring impact on the concept of film culture and film type, can be developed into a self-contained independent type.
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