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Paper代写:Denisov's concerto

2019-09-20 17:19:50 | 日記
本篇paper代写- Denisov's concerto讨论了杰尼索夫的协奏曲创作。迪生·杰尼索夫是20世纪中叶以后苏俄最负盛名的作曲家,也是俄罗斯现代音乐“三杰”之一。杰尼索夫不仅是俄罗斯最先采用十二音技法创作的作曲家之一,同时他还采用各种实验性手段创作了一系列作品,作品所涉猎的体裁也十分广泛。杰尼索夫的协奏曲不仅仅是一首首个人风格鲜明的作品,同时也记录下了杰尼索夫在先锋音乐领域积极探索、勇于创新的心路历程。本篇paper代写由51due代写平台整理,供大家参考阅读。

The genre of denisov music is extensive. His works include ballets, symphonies, cantata, concerto, oratorio, opera, chamber music, and a large number of film scores, vocals and instrumental solos. Since the early 1970s, the concerto genre has become an important part of denisov's music creation. In the new grove dictionary of music and musicians in the collection of works, in addition to the department is considered a chamber music concerts in 1963 "the flute, oboe, piano, percussion concerto" and has the concerto in the form of the "Happy End" variations on a theme by Haydn, the viola, harpsichord, and chamber music of string music and for solo instrument and orchestra, outside of the Patty tower, etc by andrei denisov really works as concerto in the name of a total of 15 units. For the basic information of these 15 concertos, this article will be classified and elaborated from the following points.

From these works produced by s and related situation can be seen that although andrei denisov concerto quite adept at this style, but in addition to these two years 1977 and 1986 are in the same year two concertos, the rest of creation will be one to two years apart. It also reflects the composer of serious and careful attitude, each a concerto is over after a certain time of thinking and try the product of concentrated reflects his in the corresponding period idea and the technique progress and change. Perhaps he will continue to produce more concertos if he died in 1996 because of the damage and health of his car.

Throughout the history of music in the west, the concerto has a long history. 20th century onwards, solo concerto may still maintained a strong momentum of writing, at the same time, the more ancient the form of concerto grosso and multiple concerto again aroused the interest of some composers, modern music vocabulary and organic combination of traditional music genre been the composer's creation concept.

Can be seen from the chart, andrei denisov after every 67 about centralized creation will change the type of the concerto, so there will be a solo concerto alternating with multiple concerto with the phenomenon in the creation of his more than 20 years of music career.

1977 was a very unique year. This year he wrote the "violin concerto" for keegan and premiered in milan, Italy, the following year. The film received good response was affirmed andrei denisov on solo concerto composing techniques for years attempt and exploration, can be considered to be of the same type his works the summary of the technical and creative thinking. After such a climax, denisov began to change the way the concerto was written, and his eyes gradually shifted to the creation of multiple concertos. Therefore, the "four saxophone and percussion concerto", which was born in the same year, will undoubtedly become the watershed of denisov's solo concerto creation. From the title, although the work is responsible for the main message is four sacks, on the number of instruments have multiple concerto architecture, but in fact this 4 put the sacks are by the same musicians played, so the work from the auditory and has to the saxophone wind instruments are popular in solo and group of 6 kinds of percussion kanadeai.

Twice in 1986 and 1993, andrei denisov and adjusted his concerto type of artistic direction, highlight every time he wrote to the genre in ideas, techniques, instruments and music vocabulary and profound thinking on the bold attempt.

As one of the leading Russian contemporary music works, andrei denisov in the creation of the concerto in other modern composing techniques such as twelve-tone technique, differential, and is the result of modern music elements of jazz, etc. Have a try. For example, the dramatic conflict of the four movements of flute concerto and the development of motivation are accomplished through the twelve-tone sequence. The development of piano concerto in the final movement presents the composer's idea of the creation of jazz elements in the dominant position. In addition, denisov has repeatedly cited the famous music motifs and themes in his concerto creation. In the cello concerto, BACH's signature motivation is an important part of the whole melodramatic tone. This theme is greatly emphasized in the middle part of the movement. The motivational note itself is not the basis of the pitch organization in the composition, but as a pillar of pitch, or even a four-tone cluster. And as the second movement of the violin concerto, cites a schubert song morning greetings, its introduction methods reminiscent of the belgae "violin concerto" at the end of the movement in the way. The first appearance of schubert's music was punctuated by a violinist, turbulent short sentence, and then the quotation began to deform, gradually succumbing to the main material of the movement. The reference is played on the C major, but when repeated, it is pulled to the music of D major schubert, which illuminates the concerto in a special light. "Morning image" symbolizes the beginning, light, harmony and inner peace of the new life. The fourth movement of the violin concerto, as in the violin concerto, is also played by schubert's music, the theme variation of the bA major. This concerto in the finale of reference materials in the first part movement gradually appear to complete presentation - and then divided, fostered by the ministry of sound and deformation gradually -- reappearance of the theme of the complete regression is similar to the return of the stability and peace.

To sum up, the creation of the concerto through andrei denisov from fame to 33 years of end of life time, so the study of the concerto no doubt can be a understanding and the understanding andrei denisov an important point of music creation and music language. His concerto is not only a personal style of work, after also recorded the adheres to his own artistic ideal musician active exploration and innovation in the field of avant-garde music journey. As a for Russia made an important contribution to the development of modern music composer, his concerto composing various types of clever, and actively explore all the possibilities of tonal on writing, especially pay attention to the subtle details of process and the pursuit of sound dramatic colour of impressionism. The creative ideas of denisov concerto in the concept of timbre writing and music organization technique have positive guidance and reference significance for our modern music creation today.

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