下面为大家整理一篇优秀的essay代写范文- Painting art，供大家参考学习，这篇论文讨论了《绘画的艺术》。约翰内斯·维米尔是是荷兰一名非常著名的风俗画家。提到维米尔的作品，人们自然而然地想到沉默的女人和静谧的氛围。在他的名画《绘画的艺术》中，充分描绘了画家正在对模特写生的场景。维米尔以黑、红两色作为前景物品的色调，而褐黄色则是中景墙壁的色调，两者对比，产生了强烈的光效果，人物在明暗与光影效果中，显得十分自然，使朴实的画面带有华美的气息。
When it comes to vermeer's work, people naturally think of silent women and quiet atmosphere. Linking vermeer to words like subversive and destructive is unthinkable for most vermeer lovers. Lawrence? Whistler is very few noticed that vermeer works one of critics who did not quiet moments, he combed the vermeer's age background: thirty years' war with Spain lasted long; A brutal religious struggle between the protestant united provinces and the Catholic south of Flanders; Entanglement and constant friction between anglo-dutch and franco-dutch; Vermeer's life was greatly affected by the explosion of the deffort Arsenal in 1654, in which he lost his mentor and close friend fabrice. For these reasons, whistler suggested that the peace in vermeer's paintings was deliberate and created.
Whistler's interpretation of the often overlooked details of the paintings is that the roaring lion carved on the back of the chair represents an invasion of violence. The old maps recorded changes in national borders. Retired or drunk soldiers are typical of a country Mired in war. And vermeer's studio, as a space beyond the background of The Times, without war and utopia, USES the power of painting to shut out the world in the storm.
Whistler's view of vermeer struck a blow to most of those who viewed vermeer's work with a certain prejudice. However, it is not hard to find that "violence" is an important factor in the formation of his painting space in combination with vermeer's living conditions. Through the government documents and court records that have been preserved, mitch daniels. Martin reduction vermeer's life, his life state and in the quiet, elegant bourgeois life picture serious discrepancy, thus we are more convinced for vermeer painting is a safe, peaceful and pastoral.
The art of painting has become a real work about vermeer's heart because of its long time of creation and the advertising nature of its self-introduction. The picture depicts the painter drawing his life in front of the model. Its performance techniques are excellent. With black, red two color as foreground objects is tonal, while brown yellow is the color of middle wall, both comparisons, the intense light effects, rippling indoor a symmetrical astigmatism, characters in light with the light and shadow, appear very natural. Painters are good at using lemon yellow, group green, white and ripe brown colors, so that the simple picture with a colorful atmosphere, which was very rare in oil paintings at that time.
Vermeer is used to setting the visual vanishing point of the work to the part that the viewer wishes to pay attention to. In the art of painting, it is placed near the hand of the model. The models were dressed in costumes, crowned heads and carrying books and horns. It was not until 1950 that the true meaning of the costume was discovered by a French art critic. The key to this is Caesar? In his "the icon to learn," the book was published in the 16th century, was translated into Dutch in 1644, and quickly become a symbol of the painter hand a dictionary, it is mainly used to guide the painter draw historical figures. One describe history goddess paragraphs "she wore a crown, holding a small horn and a book, crown symbol of honor and immortality, horn symbol of reputation, books represent the historical records", then, after the painting completed in three hundred, the identity of the woman in the picture has been confirmed that she is the goddess, European history, the understanding of the "art" is further extended to history field.
Like vermeer's other works, there are a few oddities in the art of painting, which is an important starting point for us to understand the work.
About the painter's clothes. Malick? Wenk after textual research is put forward, which are early clothes, but in 1620 began to popular, and in 1660, which is about the birth of "art" peak, at this point it is not as part of their daily life style, but as to attend important occasions dress and rage. So why do artists in paintings wear such grand clothes to create?
The artist's method did not conform to the painting habits of his contemporaries. Trained vermeer and other northern painters used brown pigments to paint light and basic elements before painting, and then layer them with color. The initial black and white stage was called background color, and this method was well used by the artists with accurate modeling and excellent painting skills at that time. The painter in the painting is like a child in a digital oil painting. From top to bottom, he first shapes and then colors, which can be said to be a poor imitation of Italian painting. In addition, vermeer's usual color palette and drawer cabinets did not appear.
The chandelier on the artist's head was not attached to the roof; it was floating in the air. Lamp double-headed eagle on the top of the symbol representing the habsburg dynasty, the Catholic as faith Spain dynasty around 1581 rule, the Netherlands in the Westphalia contract was signed in 1648 after officially announced the end of the rule. Why does it appear in this form?
The map on the wall, like the chandelier, belongs to an earlier period. The original map is still in existence today. After comparison, vermeer reproduced the map with great precision. "The art of painting" was even used as an image document to prove that the original map was born four years before the relevant academic circle recognized it. The original version of this map was created by fritz kreis. West painted, this is a revised version of his son Nicholas in the art of painting. It describes in detail the division of 17 provinces of the Netherlands into seven protestant federations and ten southern Catholic provinces.
These problems show the "disenchantment" of the allegory function of traditional painting symbols in painting art. Alpas noticed the Dutch word "description" in the label on the top right corner of the map. He sees it as a pun, a metaphor for Dutch "descriptive" aesthetics. He also thinks the word is the essence of the art of painting: in the Netherlands it loyalty to a visual image of the retina reflect, it refused to Italian art symbols and traditional narrative, it through accurate portrayal of details to convey knowledge, it attempts to challenge the stylized visual in painting and try to change the status. Al pass to believe that the concept of history has experienced a great turning point in the 17th century, into a concise, based on the fact, no interpretation of science, he believes that "art" is more evidence of the shift: vermeer dignified models and magnificent with it map to express to new historical celebration.
The art of painting is indeed a challenge to symbolic inertia. From the viewer's point of view, we look over the artist's shoulder and see not cleo, but a young Dutch girl in a beautiful dress. This alone is enough to prove the purpose of the demystification of the art of painting. From this point of view, alpas is right, and vermeer does reconstruct his acceptance of history in a Dutch way. Al pass, however, found no vermeer poured in his personal power, whether the traditional allegory and symbol "obvious exclusion", or the expression of the history of innovation, or use ordinary girl next door instead of Caesar? Vermeer, the founder of ripa's iconography, attributes all this to the artist's choice as a reflection of his self-consciousness.
Re-examine the map in the painting, therefore, we should pay attention to the real may not be realistic description of al pass stress, but that seems to be natural is deliberately crack - that on the vision increased the aesthetic feeling of space and light shadow maps of crack is in the north and south of the Netherlands - a crack identification on line, the map is not as we imagine, is meticulous facsimile of the objective world, it will remind vermeer has his cognition of history and aesthetic concept map into the west, into the painting indoor seemingly truthfully depict things. Vermeer is not completely rejected the connotation of image study symbols, but rather through redeploying them, by mentioned above a few unusual "doubt", for the meaning with new personalized drawing symbols. Therefore, painting becomes an image form which is different from the objective existence and reconstructed by subjective perspective.
At this point, we seem to be able to find vermeer self-perception of painter identity and tradition, is committed to improve the social status of the painter, vermeer is accurately depicts the things in the studio, but he has a greater ambition, his goal is not to copy the nature, but to create a new natural -- second nature in a studio in a space about the social and historical rather than imitate.
51due留学教育原创版权郑重声明：原创essay代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。主要业务有essay代写、assignment代写、paper代写、作业代写服务。
51due为留学生提供最好的essay代写服务，亲们可以进入主页了解和获取更多essay代写范文 提供代写服务，详情可以咨询我们的客服QQ：800020041。
When it comes to vermeer's work, people naturally think of silent women and quiet atmosphere. Linking vermeer to words like subversive and destructive is unthinkable for most vermeer lovers. Lawrence? Whistler is very few noticed that vermeer works one of critics who did not quiet moments, he combed the vermeer's age background: thirty years' war with Spain lasted long; A brutal religious struggle between the protestant united provinces and the Catholic south of Flanders; Entanglement and constant friction between anglo-dutch and franco-dutch; Vermeer's life was greatly affected by the explosion of the deffort Arsenal in 1654, in which he lost his mentor and close friend fabrice. For these reasons, whistler suggested that the peace in vermeer's paintings was deliberate and created.
Whistler's interpretation of the often overlooked details of the paintings is that the roaring lion carved on the back of the chair represents an invasion of violence. The old maps recorded changes in national borders. Retired or drunk soldiers are typical of a country Mired in war. And vermeer's studio, as a space beyond the background of The Times, without war and utopia, USES the power of painting to shut out the world in the storm.
Whistler's view of vermeer struck a blow to most of those who viewed vermeer's work with a certain prejudice. However, it is not hard to find that "violence" is an important factor in the formation of his painting space in combination with vermeer's living conditions. Through the government documents and court records that have been preserved, mitch daniels. Martin reduction vermeer's life, his life state and in the quiet, elegant bourgeois life picture serious discrepancy, thus we are more convinced for vermeer painting is a safe, peaceful and pastoral.
The art of painting has become a real work about vermeer's heart because of its long time of creation and the advertising nature of its self-introduction. The picture depicts the painter drawing his life in front of the model. Its performance techniques are excellent. With black, red two color as foreground objects is tonal, while brown yellow is the color of middle wall, both comparisons, the intense light effects, rippling indoor a symmetrical astigmatism, characters in light with the light and shadow, appear very natural. Painters are good at using lemon yellow, group green, white and ripe brown colors, so that the simple picture with a colorful atmosphere, which was very rare in oil paintings at that time.
Vermeer is used to setting the visual vanishing point of the work to the part that the viewer wishes to pay attention to. In the art of painting, it is placed near the hand of the model. The models were dressed in costumes, crowned heads and carrying books and horns. It was not until 1950 that the true meaning of the costume was discovered by a French art critic. The key to this is Caesar? In his "the icon to learn," the book was published in the 16th century, was translated into Dutch in 1644, and quickly become a symbol of the painter hand a dictionary, it is mainly used to guide the painter draw historical figures. One describe history goddess paragraphs "she wore a crown, holding a small horn and a book, crown symbol of honor and immortality, horn symbol of reputation, books represent the historical records", then, after the painting completed in three hundred, the identity of the woman in the picture has been confirmed that she is the goddess, European history, the understanding of the "art" is further extended to history field.
Like vermeer's other works, there are a few oddities in the art of painting, which is an important starting point for us to understand the work.
About the painter's clothes. Malick? Wenk after textual research is put forward, which are early clothes, but in 1620 began to popular, and in 1660, which is about the birth of "art" peak, at this point it is not as part of their daily life style, but as to attend important occasions dress and rage. So why do artists in paintings wear such grand clothes to create?
The artist's method did not conform to the painting habits of his contemporaries. Trained vermeer and other northern painters used brown pigments to paint light and basic elements before painting, and then layer them with color. The initial black and white stage was called background color, and this method was well used by the artists with accurate modeling and excellent painting skills at that time. The painter in the painting is like a child in a digital oil painting. From top to bottom, he first shapes and then colors, which can be said to be a poor imitation of Italian painting. In addition, vermeer's usual color palette and drawer cabinets did not appear.
The chandelier on the artist's head was not attached to the roof; it was floating in the air. Lamp double-headed eagle on the top of the symbol representing the habsburg dynasty, the Catholic as faith Spain dynasty around 1581 rule, the Netherlands in the Westphalia contract was signed in 1648 after officially announced the end of the rule. Why does it appear in this form?
The map on the wall, like the chandelier, belongs to an earlier period. The original map is still in existence today. After comparison, vermeer reproduced the map with great precision. "The art of painting" was even used as an image document to prove that the original map was born four years before the relevant academic circle recognized it. The original version of this map was created by fritz kreis. West painted, this is a revised version of his son Nicholas in the art of painting. It describes in detail the division of 17 provinces of the Netherlands into seven protestant federations and ten southern Catholic provinces.
These problems show the "disenchantment" of the allegory function of traditional painting symbols in painting art. Alpas noticed the Dutch word "description" in the label on the top right corner of the map. He sees it as a pun, a metaphor for Dutch "descriptive" aesthetics. He also thinks the word is the essence of the art of painting: in the Netherlands it loyalty to a visual image of the retina reflect, it refused to Italian art symbols and traditional narrative, it through accurate portrayal of details to convey knowledge, it attempts to challenge the stylized visual in painting and try to change the status. Al pass to believe that the concept of history has experienced a great turning point in the 17th century, into a concise, based on the fact, no interpretation of science, he believes that "art" is more evidence of the shift: vermeer dignified models and magnificent with it map to express to new historical celebration.
The art of painting is indeed a challenge to symbolic inertia. From the viewer's point of view, we look over the artist's shoulder and see not cleo, but a young Dutch girl in a beautiful dress. This alone is enough to prove the purpose of the demystification of the art of painting. From this point of view, alpas is right, and vermeer does reconstruct his acceptance of history in a Dutch way. Al pass, however, found no vermeer poured in his personal power, whether the traditional allegory and symbol "obvious exclusion", or the expression of the history of innovation, or use ordinary girl next door instead of Caesar? Vermeer, the founder of ripa's iconography, attributes all this to the artist's choice as a reflection of his self-consciousness.
Re-examine the map in the painting, therefore, we should pay attention to the real may not be realistic description of al pass stress, but that seems to be natural is deliberately crack - that on the vision increased the aesthetic feeling of space and light shadow maps of crack is in the north and south of the Netherlands - a crack identification on line, the map is not as we imagine, is meticulous facsimile of the objective world, it will remind vermeer has his cognition of history and aesthetic concept map into the west, into the painting indoor seemingly truthfully depict things. Vermeer is not completely rejected the connotation of image study symbols, but rather through redeploying them, by mentioned above a few unusual "doubt", for the meaning with new personalized drawing symbols. Therefore, painting becomes an image form which is different from the objective existence and reconstructed by subjective perspective.
At this point, we seem to be able to find vermeer self-perception of painter identity and tradition, is committed to improve the social status of the painter, vermeer is accurately depicts the things in the studio, but he has a greater ambition, his goal is not to copy the nature, but to create a new natural -- second nature in a studio in a space about the social and historical rather than imitate.
51due留学教育原创版权郑重声明：原创essay代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。主要业务有essay代写、assignment代写、paper代写、作业代写服务。
51due为留学生提供最好的essay代写服务，亲们可以进入主页了解和获取更多essay代写范文 提供代写服务，详情可以咨询我们的客服QQ：800020041。
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