下面为大家整理一篇优秀的essay代写范文- Art and marketing，供大家参考学习，这篇论文讨论了艺术与市场。艺术与市场看似是两个不同属性的东西，但是千百年来一直交织在一起。艺术与市场的接触与交集，早在新石器时期工艺品的交易中就已经产生了;在经历了漫长的社会与经济的发展，在逐渐摆脱神权与政权附加的束缚后，艺术的市场化现象越来越普遍，市场化对于文化与艺术的反作用也越来越明显而有力。随着市场经济的发展，市场化又逐渐成为艺术发展的动力。
Art and market seem to be two different attributes, but they have been intertwined for thousands of years. What is art? What is the art market? It is the problem that we study art marketization to want to solve above all. The specific categories of art we come into contact with in our daily life, such as literature, painting, sculpture, architecture, film, music, dance and drama, are all just forms of expression of art. What art actually means is a matter of debate. In fact, if we compare the inner meaning of art and culture, we will find that to a certain extent, art and culture are inseparable. We can say that art originates from culture and culture also includes art.
The contact and intersection between art and market had already appeared in the trade of handicraft in neolithic period. After a long period of social and economic development, and after gradually getting rid of the additional shackles of feudal theocracy and political power, the marketization of art became more and more common, and the reaction of marketization on culture and art became more and more obvious and powerful. With the development of market economy, marketization has gradually become the driving force for the development of art.
The market itself is just a place for Commodity Exchange, which has existed since ancient times. Marketization promotes circulation, which in turn promotes cultural exchange. As a special cultural commodity, art relies heavily on communication. The more cultural collision and communication, the richer and more diverse art works will be.
The market price of contemporary art is not determined by the artistic value of the work, but based on popular speculation and gamble. Prices of some contemporary works have risen rapidly because collectors and investors have manipulated them for profit. Therefore, it can be said that art investment is a speculative tool. Generally speaking, investment refers to the specific economic subject in order to obtain income or capital appreciation in the foreseeable future. Invest for its future value. Collection and investment have flourished the market to a certain extent, but the nature of commercial speculation mixed with it can easily lead to the chaos of the art market and the lack of value standards.
The appearance of collectors is the result of the marketization of art. Collectors take the market as the purchase orientation and have more and more influence on art creators. The art market itself has two attributes. Its cultural and economic attributes determine that it cannot blindly pursue the soaring profit, which is likely to have a negative impact on the creation and consumption of art. We should not only focus on its cultural and artistic value, which is easy to be divorced from the public. After all, economy is an important driving force for the development of modern art.
As for China, along with the tide of reform and opening up, influenced by the rapid development of China's market economy and foreign ideas, the Chinese art market has recovered comprehensively, so it has got the opportunity to develop and gradually become prosperous. But, not be troubled times without collect. For example, during the period of social unrest from 1939 to 1945, there were still three countries in the world that bought a lot of art, namely Switzerland, the United States and Germany, especially New York. Even after 1941, the price of paintings rose steadily. Art preserves value, but cash does not, as Hitler devalued the franc three times in 1940. That's one of the reasons why every capitalist was investing in the art market.
Although the art market was affected by the rare financial tsunami in the following century, the negative influence brought by it led to the unprecedented survival test of all levels of industrial chains in the art market. But the art market has survived both the great depression of 1929 and black Monday in 1987.
Godfrey barker says, "the unique financial advantage of art is that the price is imaginary." It can be said that the price of art is not standardized, and so is culture and art, so should the art market reject standardization?
The reformists in the Renaissance actively advocated that the pursuit of high prices of art was the pursuit of personal happiness, so as to reflect their humanistic thoughts. At that time, the vigorous development of art marketization was not restricted. In China's feudal period, due to the impact of the bud of capitalism on the feudal imperial power, the art market was severely constrained. Therefore, the evaluation of the commercialization and marketization of art needs to be combined with the social background at that time.
Is it necessary to promote the scale, standardization and sustainable development of the art market? Where do standards come from? The art market is difficult to constitute the art industry, and the industry needs to be able to achieve scale, standardization. For the art market, it needs the standard of academic evaluation and cannot be completely market-oriented, which is easy to cause the decline of high art. Also need to have market value and true and false evaluation standard.
It is generally believed that strengthening the control over the commercialization of art, strengthening the management of art collection and investment, and supervising the consumption market of art are effective means to avoid the negative impact of excessive marketization of art and maintain the vitality of art and market. Indeed, the art market is facing adjustment. Only when the healthy art market ecology is developed can the market have a solid foundation. However, it is ultimately market-oriented, and the control of the art market needs to be down-to-earth and gradual.
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Art and market seem to be two different attributes, but they have been intertwined for thousands of years. What is art? What is the art market? It is the problem that we study art marketization to want to solve above all. The specific categories of art we come into contact with in our daily life, such as literature, painting, sculpture, architecture, film, music, dance and drama, are all just forms of expression of art. What art actually means is a matter of debate. In fact, if we compare the inner meaning of art and culture, we will find that to a certain extent, art and culture are inseparable. We can say that art originates from culture and culture also includes art.
The contact and intersection between art and market had already appeared in the trade of handicraft in neolithic period. After a long period of social and economic development, and after gradually getting rid of the additional shackles of feudal theocracy and political power, the marketization of art became more and more common, and the reaction of marketization on culture and art became more and more obvious and powerful. With the development of market economy, marketization has gradually become the driving force for the development of art.
The market itself is just a place for Commodity Exchange, which has existed since ancient times. Marketization promotes circulation, which in turn promotes cultural exchange. As a special cultural commodity, art relies heavily on communication. The more cultural collision and communication, the richer and more diverse art works will be.
The market price of contemporary art is not determined by the artistic value of the work, but based on popular speculation and gamble. Prices of some contemporary works have risen rapidly because collectors and investors have manipulated them for profit. Therefore, it can be said that art investment is a speculative tool. Generally speaking, investment refers to the specific economic subject in order to obtain income or capital appreciation in the foreseeable future. Invest for its future value. Collection and investment have flourished the market to a certain extent, but the nature of commercial speculation mixed with it can easily lead to the chaos of the art market and the lack of value standards.
The appearance of collectors is the result of the marketization of art. Collectors take the market as the purchase orientation and have more and more influence on art creators. The art market itself has two attributes. Its cultural and economic attributes determine that it cannot blindly pursue the soaring profit, which is likely to have a negative impact on the creation and consumption of art. We should not only focus on its cultural and artistic value, which is easy to be divorced from the public. After all, economy is an important driving force for the development of modern art.
As for China, along with the tide of reform and opening up, influenced by the rapid development of China's market economy and foreign ideas, the Chinese art market has recovered comprehensively, so it has got the opportunity to develop and gradually become prosperous. But, not be troubled times without collect. For example, during the period of social unrest from 1939 to 1945, there were still three countries in the world that bought a lot of art, namely Switzerland, the United States and Germany, especially New York. Even after 1941, the price of paintings rose steadily. Art preserves value, but cash does not, as Hitler devalued the franc three times in 1940. That's one of the reasons why every capitalist was investing in the art market.
Although the art market was affected by the rare financial tsunami in the following century, the negative influence brought by it led to the unprecedented survival test of all levels of industrial chains in the art market. But the art market has survived both the great depression of 1929 and black Monday in 1987.
Godfrey barker says, "the unique financial advantage of art is that the price is imaginary." It can be said that the price of art is not standardized, and so is culture and art, so should the art market reject standardization?
The reformists in the Renaissance actively advocated that the pursuit of high prices of art was the pursuit of personal happiness, so as to reflect their humanistic thoughts. At that time, the vigorous development of art marketization was not restricted. In China's feudal period, due to the impact of the bud of capitalism on the feudal imperial power, the art market was severely constrained. Therefore, the evaluation of the commercialization and marketization of art needs to be combined with the social background at that time.
Is it necessary to promote the scale, standardization and sustainable development of the art market? Where do standards come from? The art market is difficult to constitute the art industry, and the industry needs to be able to achieve scale, standardization. For the art market, it needs the standard of academic evaluation and cannot be completely market-oriented, which is easy to cause the decline of high art. Also need to have market value and true and false evaluation standard.
It is generally believed that strengthening the control over the commercialization of art, strengthening the management of art collection and investment, and supervising the consumption market of art are effective means to avoid the negative impact of excessive marketization of art and maintain the vitality of art and market. Indeed, the art market is facing adjustment. Only when the healthy art market ecology is developed can the market have a solid foundation. However, it is ultimately market-oriented, and the control of the art market needs to be down-to-earth and gradual.
想要了解更多英国留学资讯或者需要英国代写，请关注51Due论文代写平台，51Due是一家专业的essay代写机构，专业辅导海外留学生的英文论文写作，主要业务有essay代写、paper代写、assignment代写。在这里，51Due致力于为留学生朋友提供高效优质的留学教育辅导服务，为广大留学生提升写作水平，帮助他们达成学业目标。如果您有essay代写需求，可以咨询我们的客服QQ：800020041。
51Due网站原创范文除特殊说明外一切图文著作权归51Due所有；未经51Due官方授权谢绝任何用途转载或刊发于媒体。如发生侵犯著作权现象，51Due保留一切法律追诉权。
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