下面为大家整理一篇优秀的paper代写范文- Pop art,供大家参考学习,这篇论文讨论了波普艺术。“波普”是20世纪60年代最流行的一种设计风格,一方面指大众享有的文化,另一方面还具有反叛正统的意义。它也代表当时工业设计追求形式上的异化及娱乐化的表现主义倾向,反映了战后成长起来的青年一代的社会与文化价值观,以及力图表现自我、追求标新立异的心理。波普设计十分强调灵活性与可消费性,其产品的寿命应是短暂的,以适应多变的社会、文化条件。
"Pop" was one of the most popular design styles in the 1960s, and it was closely related to the culture, art, thought and design of the 1960s. "Pop", on the one hand, refers to the culture enjoyed by the masses, and on the other hand, it has the meaning of rebellion. It represents in the 1960 s in the form of the industrial design the pursuit of alienation and the entertainment tendency of expressionism, reflects of the younger generation grew up after the war, social and cultural values, and tries to express yourself, the pursuit of novelty psychology. Therefore, the pop style is mainly reflected in the life supplies or activities related to all young people, such as outlandish furniture, miniskirts, pop concerts and so on. In terms of design, pop style is not a simple, consistent style, but a mix of styles.
Popper's design emphasizes flexibility and consumability, that is, the lifespan of a product should be short, to adapt to changing social and cultural conditions, just like a popular song from one to another. In 1964, British designer mudosh designed a "disposable" children's chair. It was made of cardboard. At the same time, paper earrings, bracelets and even paper clothing are all the rage. In the same design, clark designed a series of fast-moving consumer products, including clocks, cups, gloves and trinkets. Clark USES the commonwealth's rice flag pattern on all products, regardless of its function. These designs focus on surface patterns and emphasize a sense of temporary and humor. The series became a symbol of the London rock band in the mid-1960s and sold in some stores. By the late 1960 s, the British pop design towards the extreme formalism, such as Jones a table was designed in 1969, its modelling is an extremely lifelike statue of half-naked women on his knees with glass desktop.
Pop design movement in essence is a modernism design movement, its purpose is to oppose since 1920, developed for the center with the German Bauhaus tradition of modernism design. The ideological roots of the movement are American popular culture. British teenagers were inspired by American popular culture. They believe that American consumer culture is in line with its own appetite, and that mass culture is the best way to counter the international design style that is favored by mainstream design. Therefore, the British designer adapted to the British youth's psychological needs and launched the campaign. The cult of ignorance and the constant emergence of new products in the American popular culture were a great temptation for the British, who were in a state of post-war scarcity. British designers pay attention to this demand, design on the mainstream of the international style, design rational and reduce human traits of new products, new plane, thus created a "pop" design movement.
The "pop" design movement was actually influenced by artistic creation. The pop art movement first appeared in independent organizations, including artists, critics and architects. The first British organization with a "pop" color was formed in the mid-1950s, with members including Hamilton and others. They met at the institute of modern art in London to study the key elements of America's mass culture. Hamilton in 1956 using the special contents of mass culture, such as the American film star Marilyn Monroe, TV, pop posters, a portrait of American furniture, bodybuilder, living room, tennis racket, such as pictures, spelling a synthetic works "exactly is what makes today's homes so different, so appealing". Through this collage, Hamilton makes the most of the connotation of American popular culture, which has a great influence on young artists and designers in Britain. After the 1960 s, there was a new batch of "pop" artists, they formed a second independent organization, mainly some aspects of American popular culture, such as comic books, science fiction, advertising and other more combination of visual impact content, reflects the features of the mass culture, namely "pop".
Since the late 1960s, there have been a number of phenomena in the British "pop" design movement, which has made its style characteristics changeable, and it is very difficult to determine its uniform style. Therefore, it can be said that the British "pop" design has various and varied characteristics. But it also has a unifying basis, which is the reaction to orthodox modernism and internationalist design. In this view and position, all the designers who belong to this movement are basically the same. "Pop" design movement is a kind of the design of the formalism trend, its background and postwar increasingly into the western "affluent society", youth consumer market, counter position, especially to modernism and internationalism design antipathy has a close relationship. Also because of the movement is the basic exploration in the circle of formalism, and no more deep ideological basis, therefore, changing its form, but also failed to become a unified design movement.
51due留学教育原创版权郑重声明:原创paper代写范文源自编辑创作,未经官方许可,网站谢绝转载。对于侵权行为,未经同意的情况下,51Due有权追究法律责任。主要业务有论文代写、essay代写、assignment代写、paper代写服务。
51due为留学生提供最好的paper代写服务,亲们可以进入主页了解和获取更多,paper代写范文 提供北美作业代写服务,详情可以咨询我们的客服QQ:800020041。
"Pop" was one of the most popular design styles in the 1960s, and it was closely related to the culture, art, thought and design of the 1960s. "Pop", on the one hand, refers to the culture enjoyed by the masses, and on the other hand, it has the meaning of rebellion. It represents in the 1960 s in the form of the industrial design the pursuit of alienation and the entertainment tendency of expressionism, reflects of the younger generation grew up after the war, social and cultural values, and tries to express yourself, the pursuit of novelty psychology. Therefore, the pop style is mainly reflected in the life supplies or activities related to all young people, such as outlandish furniture, miniskirts, pop concerts and so on. In terms of design, pop style is not a simple, consistent style, but a mix of styles.
Popper's design emphasizes flexibility and consumability, that is, the lifespan of a product should be short, to adapt to changing social and cultural conditions, just like a popular song from one to another. In 1964, British designer mudosh designed a "disposable" children's chair. It was made of cardboard. At the same time, paper earrings, bracelets and even paper clothing are all the rage. In the same design, clark designed a series of fast-moving consumer products, including clocks, cups, gloves and trinkets. Clark USES the commonwealth's rice flag pattern on all products, regardless of its function. These designs focus on surface patterns and emphasize a sense of temporary and humor. The series became a symbol of the London rock band in the mid-1960s and sold in some stores. By the late 1960 s, the British pop design towards the extreme formalism, such as Jones a table was designed in 1969, its modelling is an extremely lifelike statue of half-naked women on his knees with glass desktop.
Pop design movement in essence is a modernism design movement, its purpose is to oppose since 1920, developed for the center with the German Bauhaus tradition of modernism design. The ideological roots of the movement are American popular culture. British teenagers were inspired by American popular culture. They believe that American consumer culture is in line with its own appetite, and that mass culture is the best way to counter the international design style that is favored by mainstream design. Therefore, the British designer adapted to the British youth's psychological needs and launched the campaign. The cult of ignorance and the constant emergence of new products in the American popular culture were a great temptation for the British, who were in a state of post-war scarcity. British designers pay attention to this demand, design on the mainstream of the international style, design rational and reduce human traits of new products, new plane, thus created a "pop" design movement.
The "pop" design movement was actually influenced by artistic creation. The pop art movement first appeared in independent organizations, including artists, critics and architects. The first British organization with a "pop" color was formed in the mid-1950s, with members including Hamilton and others. They met at the institute of modern art in London to study the key elements of America's mass culture. Hamilton in 1956 using the special contents of mass culture, such as the American film star Marilyn Monroe, TV, pop posters, a portrait of American furniture, bodybuilder, living room, tennis racket, such as pictures, spelling a synthetic works "exactly is what makes today's homes so different, so appealing". Through this collage, Hamilton makes the most of the connotation of American popular culture, which has a great influence on young artists and designers in Britain. After the 1960 s, there was a new batch of "pop" artists, they formed a second independent organization, mainly some aspects of American popular culture, such as comic books, science fiction, advertising and other more combination of visual impact content, reflects the features of the mass culture, namely "pop".
Since the late 1960s, there have been a number of phenomena in the British "pop" design movement, which has made its style characteristics changeable, and it is very difficult to determine its uniform style. Therefore, it can be said that the British "pop" design has various and varied characteristics. But it also has a unifying basis, which is the reaction to orthodox modernism and internationalist design. In this view and position, all the designers who belong to this movement are basically the same. "Pop" design movement is a kind of the design of the formalism trend, its background and postwar increasingly into the western "affluent society", youth consumer market, counter position, especially to modernism and internationalism design antipathy has a close relationship. Also because of the movement is the basic exploration in the circle of formalism, and no more deep ideological basis, therefore, changing its form, but also failed to become a unified design movement.
51due留学教育原创版权郑重声明:原创paper代写范文源自编辑创作,未经官方许可,网站谢绝转载。对于侵权行为,未经同意的情况下,51Due有权追究法律责任。主要业务有论文代写、essay代写、assignment代写、paper代写服务。
51due为留学生提供最好的paper代写服务,亲们可以进入主页了解和获取更多,paper代写范文 提供北美作业代写服务,详情可以咨询我们的客服QQ:800020041。