本篇paper代写- Freud's psychoanalytic aesthetics讨论了弗洛伊德的精神分析美学。作为精神分析学的重要部分,释梦理论是弗洛伊德揭示无意识心理过程的基本途径之一。弗洛伊德在1900年发表的《梦的解析》一书中对梦的理论作了系统而全面的阐述。认为“梦都是本能欲望的满足”,是在无意识的情况下,热体内的欲望和冲动的表现,弗洛伊德用无意识来解释梦,梦是人的欲望由于在现实生活中得不到满足,便采取一种迂回的方式表现在睡眠的梦中。人在清醒的意识下面,还有一个潜在的心理活动在进行着,梦中呈现的活动就是人的潜在意识和需求,这种观点就是著名的潜意识理论。本篇paper代写由51due代写平台整理,供大家参考阅读。
In the book memories of Da Vinci's childhood, Freud, with his psychoanalytic viewpoint and biographical research method, introduced in detail Da Vinci's love life since childhood, deeply analyzed the historical development process of his sexual psychology, and emphatically explained the psychological origin of his artistic and scientific activities.
Psychological aesthetics originated from Kant's cognitive aesthetics and developed from Freud's psychoanalytic aesthetics. His aesthetic thought can be regarded as the same as Kant's theory in essence. He just put Kant's so-called transcendental judgment category, that is, the transcendental idea about beauty in people's mind, down to the psychological phenomenon dominated by sexual instinct. Freud's psychoanalysis of literary and artistic works, though controversial at that time, has deeply influenced the analysis methods of literary and artistic works in later generations. The "subconscious mind" and "Oedipus complex" put forward by him are still of great significance to today's psychoanalytic theory.
As an important part of psychoanalysis, dream interpretation theory is one of the basic ways for Freud to reveal the unconscious mental process. Freud gave a systematic and comprehensive exposition of the theory of dreams in his book the interpretation of dreams published in 1900. According to Freud, "dreams are all the satisfaction of instinctive desires", which are the expression of desires and impulses in the hot body under the condition of unconsciousness. Freud USES unconsciousness to explain dreams. Dreams are human desires that cannot be satisfied in real life. There is also an underlying mental activity going on under the surface of one's waking consciousness. The activity presented in a dream is one's underlying consciousness and needs, which is known as the theory of the unconscious.
Oedipus complex originally originated from the story of killing his father and loving his mother in ancient Greek mythology, which is an important support for Freud's psychological analysis. Freud believed that Oedipus complex is the eternal theme of aesthetic expression. One's childhood sexual instinct has a decisive influence on one's life. Children are born with certain desires or sexual impulses, and in the period of object selection in sexual development, children begin to seek sexual objects from the outside world, which will first be their parents. And that's not morally permissible, and for most people, it's dealt with successfully before they're fully aware of it. However, there are still some people who did not survive the Oedipus period safely, and this complex has been preserved ever since they grew up, becoming a major part of their inner conflicts.
"Unfinished" is the permanent state of Da Vinci's works of art. Da Vinci's painting speed is surprisingly slow. "the last supper" took three years, the famous painting "Mona Lisa smile" took four years, and in the end, it was also unfinished. Another difference between Da Vinci and other artists of his time was the indifference with which he rejected sexuality in the expression of female beauty. Freud saw these two points and, based on the few diaries of Da Vinci, picked up the scalpel of psychoanalysis to analyze the spiritual world of this genius. When this treatise was published, it caused a public outcry when people thought that psychoanalysis was only used to treat the mentally ill, while Freud used it on such a famous artist. Da Vinci had only dreamed of a "vulture" and Freud had concluded that he had incestuous relations with his mother as a baby... .
We from a few information that can be learned that Da Vinci was born in 1452, is an illegitimate child, mother called catalina, in about five years old, was received father's home life, mother was never seen again, since his childhood is so roughly, also don't know into the studio to study a few years, in 1472, 20 years old painter leonardo Da Vinci in the group member list. It is a pity that we know little about leonardo Da Vinci's childhood story. If we want to analyze him from the subconscious of childhood memory, we may lack a lot of facts. His childhood memories may be the arrival of vultures. According to his memoirs, when he was a baby, a vulture sat on his bed and slapped his mouth with its tail. It was this short description that led Freud to his conclusion about motherhood. In ancient Egyptian hieroglyphics, vultures represented mothers. It was believed that there were no males, only females. Freud believed that the well-read, well-read Da Vinci knew this fable. Thus it is speculated that Da Vinci's fantasy about vultures is related to the mother of childhood memories. Years later, the Mona Lisa's smile revived the memory of Da Vinci as an adult.
"Oedipus plot" is the symbol of Freud's aesthetic thought and literary theory. It points from the fantasy of vulture to Da Vinci's Oedipus complex to explain the maternal image in the work seems reasonable, but the word vulture does not exist. As Freud himself put it: "if we do not prove that leonardo's 'vulture fantasy' is our starting point, and that he is evidence of this type of homosexuality, then there is no reason to discuss the psychological origins of the homosexuality we are studying." Yet it was on this most important theoretical "pillar" that Freud erred: when leonardo wrote about it in his notebook, the bird's name was "nibio", a common Italian word for "kite". Kite, commonly known as the eagle, is a small eagle of the eagle family. Freud kept writing it as the German word for "Geier," meaning vulture. Vulture and kite are quite different in symbolic meaning, so it is not convincing to infer from the meaning of vulture that the mysterious smile of Mona Lisa is the expression of Da Vinci's Oedipus complex.
Leonardo Da Vinci is generally acknowledged as a genius. He is not the untidy and eccentric genius that people think. On the contrary, he is tall and well-proportioned. He loved beautiful things around him, gorgeous clothes, and every piece of elegance in life. Genius is the pursuit of perfection, and leonardo Da Vinci was more dedicated to this pursuit. Da Vinci was not only a painter, his research areas have extended to anatomy, natural science. It was also out of the desire to depict nature more accurately, for the perfection of the painting, that, in the end, the irresistible instinct of research swept him away and led him towards things that had nothing to do with art.
According to Freud, Da Vinci kept his emotions in check, and some of the accounts recorded in Da Vinci's notes were as detailed as those of a pedantic and stingy steward. Among them were daily expenses for students, and a funeral account called katrina. The people in the accounts, who are his sexual objects, repress themselves by over-detailed accounting, turning strong feelings into the unconscious and then on to other things.
Whatever Freud because the vultures and the error of the kite, and for the inference of leonardo Da Vinci is accurate, in this article, we can know, at least in the eyes of Freud's leonardo Da Vinci was a great man, as the growth of the age, his mental content have different levels of floating, originally he to suppress their sexual instinct, and the transfer out to other places and get sublimation, painting is one of them, each one of his works, can see on the status of this period, the original memory, of course, all this is inseparable from childhood. Freud's method of evaluating artists and works of art by psychoanalysis has been carried out throughout his life, which also brings us a new perspective of artistic appreciation. He once discussed the influence of childhood fantasy and daydream on artistic creation in adulthood. Nowadays, there is no lack of themes of homesickness in art works. At the same time, we should pay attention to the abuse of freudian theory in literary criticism. If the appearance of maternal image is far-fetched and it is said to be Oedipus complex, it will certainly appear ridiculous.
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