本篇paper代写- The current situation of Korean film industry讨论了韩国电影产业现状。2016-2017年,韩国电影遭遇到新世纪以来空前的最粗暴、最沉重的政治压力,韩国电影界多年来努力渴望突破的中国大陆市场瞬间成为泡影,这对于韩国电影的海外发展来说,是多重的破坏性打击。但韩国电影在艰难中前行,不仅创作出《釜山行》、《潘多拉》等有社会批判性、市场竞争力和国际影响力的电影,而且2016年产业收益销售总额达到22730亿韩元,连续三年保持在2万亿韩元的水平,是韩国电影史上的最高纪录。本篇paper代写由51due代写平台整理,供大家参考阅读。
Since the new century, Korean movie multi-channel, multi-form, multiple combination, cross-industry, cross-border multiple investment system, and to establish the system of publicity, distribution, screening, supplement and perfect, especially in recent years of benign adjustment, to ensure that the south Korean film production for years in a row and release quantity presents the different amplitude increase. Since 2006 to 110 for the first time since 1991, the annual production of 100 mark, the south Korean film production in a few years continuous jump, 200 for the first time in 2011, to 2016 the annual output is improved, has reached an all-time high of nearly 373, more than 300 mark. As South Korea, meanwhile, film output and the competitiveness of the overall increase, Korean movie released annual quantity are also gradually increase, the film opened South Korea local volume reached 108 units in 2006, also hit the 100 mark just, amount to 2014 release of more than 200 units, 217 to 2016 as the Korean market its full-year movies amounted to 1520 units, domestic film release quantity has been increased to 302 units, has realized the leap type development again.
It is an important indicator of the development of Korean film statistics industry. In 2016, the Korean film viewing since 200 million for the first time in 2013 the total number of passengers fourth consecutive year increase unceasingly, after viewing accumulated up to 217.02 million passengers, more than 217.29 million people in 2015 fell. In 2016, the Korean movie per capita number of 4.2 times, 4.22 times than 2015 slightly decreased, but the contrast since in 2014 the average American movie 3-4 times per capita, Australia 3-4 times screenings, French movie 3 times or so per capita value, Korean movie viewing per person has reached and 4 years in a row to maintain the highest level of developed countries in the world film.
As the 2016 south Korean film market continues to develop, total annual sales of 1.7432 trillion won, 1.7154 trillion won in 2015 has been increased slightly, the domestic movie box office total of 927.9 billion won, with 53.7% of the market share of more than 46.3% of the foreign movies, foreign film amounted to 815.3 billion won, Korean movie 6 years in a row to keep the domestic market dominance.
2016 south Korean film has experienced the first few months downturn, economy is in the market, almost in the first half of the entire Korean movie all Hollywood movies, until the coming of the summer in July, the second half of the south Korean domestic began to strong against Hollywood movie, "busan line" "spy" "tunnel" the inchon landing operations "lucky" keys "teck whye master weng" "master" "Pandora" and so on a number of annual excellent work together, create a very prominent monolithic box office success. Finally, in 2016 the south Korean market annual ranking among the top 10 list of blockbuster movies, the south Korean film occupied eight seats, especially the busan line scored the final prosecutors gaiden, effectively lift the overall annual competitiveness of Korean movie.
To before the end of August 2017, in the face of beauty and the beast "fast and furious 8 new mummy" spider-man: the return of the hero "Hollywood films such as the strength of the competition," the king "the total help warship island" taxi driver "and so on a number of south Korean film shows strong the competitiveness of the rescue, in the hit film box-office ranking among the top 10 list happeneth half the seats.
From 2016 to 2017, while south Korean film industry growth is slowing, but the busan "the concept of two more than tens of millions of filmmaker" taxi driver "the emergence of the film, not only is the annual market dark horse, and leading role of the overall market is more obvious, and prompted South Korea more than in the history of the cinema must view filmmaker times the number of super hit in further expansion to 15.
According to south Korean media reports, CJ CGV data analysis according to the Korean movie the revitalization of council concluded that CJ entertainment, lotte amusement, SHOWBOX, NEW the four south Korean film company market monopoly of the usual pattern is broken, the four companies in 2011 was as high as 70.3% domestic market share, in all the way subsequently, at 65.2% in 2012, 68.4% in 2013 and 53.1% in 2014, 55.8% in 2015 and 52.6% in 2016, the overall trend gradually weak. At the same time, there appeared a new phenomenon in south Korean films produced by Hollywood capital such as "spy" and "crying".
In 2016, the overseas output of Korean films exceeded expectations, and the total overseas revenue of the film industry reached $101.9 million, an increase of 82.1% over 2015. Among them, the output of Korean film works is $43.89 million, an increase of 49.4% compared with 2015, and the first time since 2005 is over $40 million, and the most prominent is "busan bank" and other films.
Delay ShangHao zombie movie directed the busan line "is in South Korea started relatively late zombie type of popular commercial blockbuster", in a film of pushing up South Korea zombie leap type development, the film became popular all over the world, has caued the multinational many parts of the world movie upsurge, as of the end of December 2016, the global overseas box office has accumulated more than $100 million, created the Korean film history unprecedented global blockbuster success.
The development strategy of the film project based on the same script and localized in different countries is an important exploration in the global strategy of CJ entertainment in Korea. South Korean film strange she in Korea since January 22, 2014, not only in the domestic market sales, absorb force 8.65 million moviegoers box of high box office, followed by the end of 2016, the film "strange she has made China, Vietnam, Japan, Indonesia, etc. 8 version, it turned out that the film American version and the Spanish version of cooperation, scheduled to be released in 2018. It can be said that the multi-national remake of the Korean film "strange her" is an important example of the internationalized and localized overseas output of Korean films so far.
2016, the premiere, Venice international film festival in cannes film "miss", won a huge international attention, other than park chan-wook after work to gain attention and cause in the international discussion is more, the film copies sold in 175 countries and regions in the world, more than the previous bong joon-ho's "snow country train" to keep the sales record in 167 countries. Appear at the cannes film festival in 2016, and South Korea's mainstream commercial blockbuster "busan line", it is previously has been focus on independent animation film creation and extending from the director of Seoul station ShangHao first live action movie.
Luo hong zhen's third feature film, "crying", was praised as the "film of the year" at the 69th cannes international film festival. Film tells the story of Hamlet "gokseong" in South Korea, the spate of mysterious killings in the family tragedy, do-won gwak's town, the police are investigating a series of the massacre at the same time, the unthinkable happened in her daughter, too. And this a series of strange and kills are in an unknown attacks in the "Japanese" arrives, the story of the Japanese, the mysterious woman, shaman mage seems normal ability and different backgrounds, but all of the villagers apart and not escape the evil clutches... Film with a complicated plot, terrorist atmosphere rendering, as well as the elusive "ghosts" elements and complex montage create a diverse open ending and massive speculation, and therefore produced a wide range of topics. The film, released in South Korea on May 12, 2016, quickly topped the box office and sparked a heated discussion. Especially open, not sure the end of the treatment, when the director storytelling from buried under a lot of information, is also a director in South Korea under the background of social reality to make a detour and ambiguous expressions.
Then in September 2016, he made his debut at the Venice film festival. "Net" tells the story of a fisherman because the problem of ship, helpless over the boundary between the north and South Korea and drift to the story of South Korea, the fisherman had hard 7 days to go home and the work extremely timeliness and north-south relations with north Korea once again explore the theme of the still gained greater attention in the world. More sensational at the Venice film festival is the spy, directed by south Korean film director Kim zhiyun. Film tells the story of north Korea in the 1920 s, according to period, from Shanghai to the north the national capital ship bombs destroyed the Japanese facilities expressed his group members and between the Japanese police trying to stop them and bloody story, the film from south Korean national actors ho and performed well in the busan line by a global audience, quickly familiar with his starring, also because of its excellent visual effects, gripping narrative suspense and classic spy praised narrative style.
A clear feature of Korean films in 2016 is the revival of disaster movies. In 2012-2013, the wireworm invasion "skyscraper" flu "and so on disaster film raised a hot wave of when disaster movie, since few of similar themes emerged in recent years, until 2016, when the tunnel" Pandora ", even including the busan line zombie disaster movie episodes.
"Tunnel" is extremely practical significance of film, tells the story of a car salesman lee jung-su menstruation just opened pursues tunnel, tunnel collapse, has experienced the most isolated 35 days. In the process of the rescue of li zhengzhu, many problems in Korean society are exposed. The tunnel won more than 7 million viewers and was ranked fifth in the south Korean box office in 2016. Film with an ordinary little people encountered disaster as the breakthrough point, he was from was difficult to rescue the whole story, the director with a lot of details or objective display or intentional irony between south Korean society, government, the press and the public the many ills, but there is also a flash in human nature.
Another movie that came out in 2016 was Pandora, a former director of the disaster movie "the iron worm invasion." Film around the theme of nuclear leak, tells the story of cracks in the strong earthquake in nuclear power plants, the crisis of radioactive material leakage, plant workers, residents and firefighters together to overcome the crisis story. "Pandora's box" is derived from the ancient Greek myth, in the nuclear power plant, is "Pandora's box" for human existence, the plant will bring people great convenience energy, but on the other hand is a devastating disaster.
Korean movie in addition to some issues directly to the government "social reality" theme of the film, in most disaster films are still on the accused and the irony of universal and extreme social problems, in this kind of disaster movies under the framework of this kind of ironic allusions power will become more powerful, the significance will be more thought-provoking, which is why Korean disaster movies more has the power to social reality, one of the reasons.
South Korea in the day, according to the period of the state of humiliation make south Korean mainstream commercial movie for a long time choose to avoid the subject, and in recent years, south koreans can re-examine this special historical period also make south Korean film industry of the period of the creation of subjects showed strong interest and lasted until 2016. Period in 2016, according to the policy of "comfort women" for the movie "ghost town" of the 75000 south koreans under the raise to complete, has obtained the social scope of audience and the Korean war to a climax. In last year's Asian movie blue book, "we have a detailed analysis of" ghost town "artistic creation, in addition, in 2016 the" spy "" miss" "teck whye master weng" films such as "east column", tells the story of day period according to the different characters of different stories.
One of the most exciting things about the 2016 Korean film scene is the emergence of new directors and virgins. And many other countries of the new director's trajectory, South Korea's young new directors can only obtain film budget is not too high, which makes these directors are often more likely to choose low-cost art films or independent film, actors have enabled the first-line star, in the absence of special effects and the star in the film, the director tend to spend more effort in the screenplay, creativity, the art effect and the humanities connotation of the film, so the movie is also showing more exquisite emotional detail processing and the connotation of the story, the film comes in smaller, often from the small incidents of characters, to impress the audience.
"Our world" is the debut of new female directors allow better, pay attention to the film two isolated primary school girl in school how to become a friend, alienated, misunderstanding deepen eventually return to good story. Film in the perspective of children, viewing from the Angle of their peers and adults around the world, and these are the rules of the world and the projection on their body, with the elementary student's story to discuss common social rules, be judged as 2016 one of the most popular Korean movie. Director with a small entry point to explore the feelings, we recognize that is particularly easy to ignore life state, dramatically with the children group, at the end of the story gives a warm and hopeful ending, the film did not exaggerate the negative emotions and derive the tragedy, but with more diverse living conditions to resolve these problems in children. "Our world" is small, and the director won the green dragon award for best new director.
In 2016, the debut of the audience is the first one, and the two works of "love talk" and "the book of iron originals". "Love" is the first full-length Li Xianzhu as directed by the director, the same as a female director films focus on the "lesbian" crowd, films and many previous description gay groups in describe the heaviness of the love when the blessing, the film shoot a girl of love between the lightness, like normal life love light, hint of sublimation will disappear, and this feeling of light also let a person in the course of life gradually completed the self. The director is jintai melt iron original wonders done 2014 debut, but public debut until 2016, the film in a very calm and silence of the narrative tells the story of family pension to iron source's father, the father offered to and mother divorce, family at a loss to know how to deal with, a heavy snow falls, the whole family trapped in his father in iron original solitary house, in the three days of the coexistence of the relationship between the family members began to subtle changes in. The director portrays the alienation and apathy of the family with a very calm perspective.
Although the 2016 south Korean film has maintained the trend of the development of the industrial growth and the creation, but growth has slowed markedly, the south Korean domestic market close to saturation, the future expansion of the space is very limited, plus the south Korean film in domestic income largely depend on the theater revenue, large overseas earnings ratio to rely on the Asian market, visible south Korean film industry revenue structure and space needs to be further adjusted strategically.
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