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Assignment代写:Digital Graphic Design

2018-01-06 15:54:58 | 日記
下面为大家整理一篇优秀的assignment代写范文- Digital Graphic Design,供大家参考学习,这篇论文讨论了数字化平面设计。平面设计的目的,就是要进行视觉信息传播,而其途径目前来说,运用数字制作、传播已趋向主流,无论是整体的排版、大批量的印刷还是,目前最流行的互联网交流,都离不开数字技术。数字化技术的先进性已经成为推动平面设计发展的动力。

Due to the progress of science and technology, the category of graphic design has been greatly expanded, graphic design has been a simple text, graphics, color and other content to the digital design and processing development, tending to multi-platform, High-tech, digital. In a sense, the digital technology has become the key, in the continuous enrichment of graphic designer design means, but also continuously improve the level of graphic design. In the formation of rich graphic design works at the same time, making the field of continuous development and progress.

The advancement of digital technology has become the driving force for the development of graphic design. In the highly competitive information age, the rapid and accurate dissemination of information has become a key factor in the market success of enterprises. The purpose of graphic design is to carry out visual information dissemination, and its approach at present, the use of digital production, dissemination has tended to mainstream, whether it is the overall layout, mass printing or the latest popular Internet communication, are inseparable from digital technology.

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Digital graphic designers are not only committed to composition, text and graphics, color expression, but also need to understand the computer technology, digital printing, digital publishing, such as a wide range of digital related technology. In the new era, digital graphic designers have changed. First, the computer has become their inspiration, the completion of the design of the basic tools, digital technology has played an important role in enriching the graphic design techniques and types. Second, advances in technology have expanded the scope of graphic design, and digital designers have more ways and means to convey information. The immediacy of digital printing technology facilitates the steps of graphic designer proofing, making the sample production fast and diverse. Secondly, in the development of science and technology at the same time, the exploration of other disciplines and research has gradually increased. The enrichment of psychology, aesthetics, communication, computer science and other disciplines has injected a strong impetus to digital graphic designers, which has influenced the exploration and research of digital graphic designers beyond visual elements, and greatly enhanced their insight and business level.

In the development of graphic design, the popularization of printing technology such as letterpress, gravure, flat plate and leaky plate greatly promoted the spread of graphic design and promoted the prosperity and development of graphic design. However, no significant changes have been made, but the development of graphic design has been limited, often seem monotonous, boring, in the sense of sensory and information transmission, interactive performance, such as not too many ways. Human society has entered a focus on human "perceptual age", graphic design in such an atmosphere has made full progress and promotion.

In the context of modern design, designers pay close attention to the research results of interdisciplinary subjects such as psychology, physics, biology and aesthetics. In the graphic design of the introduction of sensory psychological experience, the use of digital computers continue to achieve this goal. Graphic design becomes "not so plane", designers focus on perceptual creative expression and rational information transmission. Digital design enriches the meaning and connotation of graphic design, realizes the leap from two-dimensional space to multidimensional space, and promotes the artistic expression and appeal of graphic design works.

In short, digital design is a computer-aided graphic design work. The combination of these two technologies has been progressing in the exploration, design and digital technology has been well applied in the middle of 20th century. This progress until 1980 launched a flexible design for designers to distribute and archive the 3.5-inch floppy disk, the application of digital designs has been a qualitative leap. Earlier digital graphic design is simple and accurate, such as poker design, is a digital program generated efficient, accurate graphic design. Graphic design works are often the work of digital computers, graphic designers can use computer software to record their inspiration and complete their design, mouse or graphics input board is used for graphic design, digital cameras, printers and scanners can be connected to the computer, bring designers multi-functional and creative inspiration. The impact of the digital revolution is far-reaching, compared with the use of brush design, smearing, "cut and paste" is much easier, the application contains tools that make it easy for graphic designers to try more design style, gimmick.

Because of the improvement of performance, emotion is easier to express. In terms of product packaging design, good functional and excellent design emotional expression is what we pursue. With digital design, we have the ability to display richer colors and more details, but the most important aspect of graphic design is communication with audiences. Graphic designers must be in the audience's perspective to design, the emotional needs fully integrated into the graphic design, to meet the practical needs, so that the design works with "feelings." Let the design become the bearer of emotion, promote human-computer interaction, to bring more people can get pleasure and moving design.

The designer should realize that he is not a pure artist, should be good at understanding the fundamental changes and great challenges brought about by the progress of science and technology, and adapt to the change, make their design into a new world, this kind of consciousness to the plane design to a higher level of development plays a very important role in promoting. Digital technology directly promotes the great change of visual arts, and the design begins to transform from the position of passive adaptation to the role of active participation. The digitalization of the design makes the visual culture further into all levels of contemporary life and becomes an important factor to promote the digital revolution and social and cultural development.

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留学生论文的阅读技巧

2018-01-06 15:54:41 | 日記
留学生写作一篇英文论文需要花很长的时间,这是因为论文写作的准备工作需要做得充分。而在论文写作的准备工作中,阅读论文是少不了的,所以如何在浩如烟海的论文中找到自己需要的资料,就是其中的关键。下面就给大家分享一下留学生论文的阅读技巧。

一、选准阅读目标

初次接触一篇论文,阅读标题和摘要将会告诉你作者在干什么。花些时间琢磨标题,并且在看正文之前,设想如何做些实验(写成list),实验后会有什么结论,根据这些数据如何得到结论,从而可发现参考论文关键点给你的启发。

二、初步感知

广度阅读的目的是简历对文献框架的了解。开始只阅读文献的引言部分,主体阅读正文的结论部分,结尾部分判定文献的可信性,从作者的知名度,文献发刊物的声誉、文献发表的时间、是否过期等;浏览参考文献,看一下文献是否广泛,自己是否读过这些文献等。

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三、深度阅读

当决定深度阅读的时候,说明这篇文献不仅是有用的,而且自己已经对这篇文献的基本框架,表达的观点基本上明朗了,深度阅读则进一步的分析和考证,所以要带着疑问去阅读,如文章中的假定是否合理,方法是否可以研究或被解释等等。

四、动笔墨读书

记笔记能够帮助阅读者理解自己从文章当中读到什么,并为将来的研究节省工作量,将文献的观点、框架、方法以及一些经典的句子摘录下来,以便指导自己的日后研究。通过笔记,新的观点才能突出,并学会构建自己的实例。

五、整体回顾

认真读完文献并做好笔记,有了了解之后,要能说出这篇文献的主要论点是什么,从文献中学到什么。为了将来的参考,要坚持写文献读后总结。对自己阅读文献产生的反应将使自己情绪融入的对文献的争论中。

以上就是为大家整理的留学生论文阅读技巧,希望您能够从浩如烟海的论文资料库中寻觅到你需要的东西,并且从中学习到很多对你写论文有帮助的方法。

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Paper代写:Tagore's poems

2018-01-06 15:54:23 | 日記
下面为大家整理一篇优秀的paper代写范文- Tagore's poems,供大家参考学习,这篇论文讨论了泰戈尔诗歌。 泰戈尔是印度近代首位享誉世界的文豪、圣哲,诗歌是其全部作品的浓墨重彩。在诗歌中,泰戈尔将自然之美视为人类的思想映现、本质外化,从而承接并光大了东方古代美学中泛神论观点。借助审美来创造、完善、极致,既是近代东方文化的吁求、主旨,又是印度近代文明的基本特点、重要表征。

Rabindranath is the first famous literary writer and Sage in modern India, and the poem is the emphasis of all its works. In his more than 60 years of creative life, Tagore's early poems are mainly "story poems" and many patriotic poems. For the first 20 years of 20th century, Tagore is the richest, most important period, the period of his Evans Fountain, "Spark", "beads", wrote a large number of poems, such as renowned's poetry, "Ji Tan kali", "Bird Set", "Crescent Collection", "The Gardener set" and so on. Hit, who won the Nobel Prize for Literature, became the first Oriental writer to receive the prize in 1913, when "Kali" was published in Britain. Tagore's later period is mainly some political lyrics, but the ideological is stronger, the realm is higher, affectionate, passionate, more rich affinity, cosmopolitan. Tagore's works in China also has a profound impact, 1956 Zhou Enlai praised: "Tagore is the world's literature to make outstanding contributions to the gifted poet ..."

The aesthetic standpoint, standard and logic of Tagore's poetry reveal the Oriental spirit. In poetry, Tagore regards the beauty of nature as the reflection and essence of human thought, thus undertaking and everbright the pantheism viewpoint in Oriental ancient aesthetics. It is not only the appeal and the purport of modern oriental culture, but also the basic features and important representations of the modern Indian civilization to develop, create and realize sublime, perfect and perfection with the aid of aesthetics. In a word, Tagore will discard the ancient Indian culture and Western culture, thus forming the Oriental aesthetic thought with modern national culture characteristics in poetry.

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Tagore's theory of aesthetics holds that, as a unique creative behavior, aesthetic activity is a special medium and carrier for human beings to enter into the object nature from their own subjects, individual to group, instantaneous change eternal, and occasional idea sublimation as the universal essence. Tagore said: "In the place where man feels his infinity, where Man becomes holy, man is real, and divinity becomes his own creator." "In Tagore's sight, the anthropological value of literature and art lies in its aesthetic purport to highlight the strength of personality, the brilliance of human nature, the aesthetic creation of the Indian nation should be based on the personality of the target, with the help of aesthetic creativity to deeply activate the entire nation to create potential, to form the transformation of the external nature and perfect social reality

Tagore put beauty as the highest value of life, and the realization of this value is the creation of art as the logical starting point, through the efforts of people, the final generation and have "with the ' God ' combination, and Vatican unity" religious feelings, complex. The poet's belief in beauty is firm, consistent and persistent. "Intoxicated in the singing, I forget myself, you are my master, but I call you a friend." The poet is extremely joyful, extremely satisfies in the esthetic process, is difficult to say, "in the place which the language stops, my heart song begins." "The poet will be the pursuit of beauty, attachment, belief completely" upgrade "as a kind of worship, sustenance, the end-result," like a group of homesick birds, day and night to fly to their mountain nest, in my bow to you, let all my life, to go back to its permanent home.

Tagore always concerned about the country, the future of the nation, the fate, this depth and domestic and foreign imperialism against feudalism trend of the times, historical trend. In his life, he created a large number of political lyrics which were strongly called for by patriotism, nationalism and humanitarianism, which were known as patriotic poems, and all vividly reflected the Indian people's aspiration for national independence and free liberation. His later poems are beyond the future and destiny of one country and one nation, and they look forward to the global national independence and the Liberation of the world, reflecting the precious lofty thought realm and the grand world feelings. Tegor advocated Oriental spirit and Oriental civilization, which was deeply related to his nationalism and patriotism principle of anti-colonialism and anti-western central doctrine. Tagore has long lived in India, as a British colony, and witnessed and understood the plight of colonial servitude, the tragedy of the miserable. So, he is deeply sympathetic to the difficulties China has suffered since 1840. As early as 1881, Tagore, Ruoguan, wrote about the "death of trade", denouncing the British colonists for their opium in China. In the summer of 1916, Tagore criticized Japan's acceptance of not humanitarianism but Western nationalism, exposing Japan's foreign aggression, which was attacked by the daily newspaper, and received a cold shoulder during and after the day of his stay, in stark contrast to the courtesy of the day when he arrived.

Human beings always have a sense of reverence for nature, magical sense, marvel, technology can never fully "uncover" the mystery of the objective world, profound, and Tagore borrowed the form of poetry, with rich life pen interpretation of this dynamic, generative, harmonious "nature of the magic." For example, the Caged Bird's low shout, the bud's singing, the morning month's confide, the river bank's lament, the Night's Kiss at sunset, the group tree's in the Sky "Peep" and so on. And such as, flowers and fruit such mutual appeal: "How far are you from me, the fruit?" "I am hidden in your heart, flower." It can be seen that in Tagore's poetry, the natural things use their proprietary "Discourse", "speech", "sing" with each other's intimacy, love.

In Tagore's poetry, man and nature share prosperity, blend, interdependence and become one, nature has a "sacred", the whole beauty. For example, "An unknown flower in a strange land," said to the poet: "My lover, we are not out of the same soil?" "In Tagore's view, nature and man follow the same law, abide by the same law, are full of goodwill, all contain order, all poetically inhabit the same land." Tagore said: "The artist is the lover of nature, so he is the slave of nature, is also the master of Nature." What we have found from Tagore's poetry is that human beings, the Earth, the Vatican, and the three are "kinship" and "integrated".

The ontology of life manifested in Tagore's poems advocates that human beings and all non-human beings should be completely equal and noble in the dimensions of life value, regardless of their height or inferiority, and should reject and criticize the anthropocentrism. In Tagore's view, the birds sing is the dawn of the Earth from the "echo", The breeze light dance leaves such as thoughts traction "fragment" ... The poet let the Dew and the lake "dialogue", Clouds and Waves "talk", Fireflies and stars "meet" ... It can be seen that in Tagore's poems, nature and human beings are the same, they are alive and living. The poet's ecological thought has highlighted the human's ecological origin: originates from the nature, and is connected with the natural depth, the nature is the human great Mother, the human and the nature are "the intersubjectivity" relations namely the subject between the complete equality, each other interaction relations. The "three sides" of the life ontology are highly interlinked, organically unified and deeply embedded in the "nature", "art" and "person".

On the issue of life and death, Tagore does not agree with, using other philosophers, writers of the "rebirth" concept or "death" theory, he clearly flashed his "singing sang Sheng also sang death" of the concept of life and death. In poetry, Tagore praises the greatness of life and praises the laughter and smiles. The poet believes that the baby's first cry marks the appearance of new life, this is the mother's greatness and God's greatness. The dynamic process of human life growth and the process of natural generation and change are in accord with each other, completely consistent, the great nature is full of happiness, sunshine, vitality, vitality, this is also the great God, marriage and marriage and animal husbandry, etc. Tagore's strong praise of life, not only limited to human beings, but also include the withered of flowers and trees and stars of Yin Qing and so on. Tagore also chant death, because he deeply recognized and always believe that "the unity of God and Man, eternal harmony." Poets believe that death is not the end of life, but not the deconstruction and negation of life, "it is a positive aspect of life that makes life meaningful and valuable." Tagore believes that the development of life, life is constantly changing, moving, renewing, death is to help life to achieve new, the poet's lifelong belief and favor of the philosophical view that "I live every year, and every year also died."

The religion of Man is a classic literature that focuses on Tagore's religious views. The poet's original religious idea originated from his direct experience and personal feeling. He said: "As I look back on those years, I seem to feel that I have unconsciously gone along the path of the distant ancestors of my Vedic age and have been inspired by the tropical skies reminiscent of the far-away ' shore '. Later, Tagore's religious idea gradually became theoretical and systematic, and the early religious experience was renewed as "the poet's religion", and finally matured and stereotyped into "human religion". Different from the past theology, although also agree with the existence of God, but, Tagore no longer recognize God's absolute status, dominance. In essence, the poet's "God" can be replaced by "A great man, a perfect person, an ideal person, a symbol of beauty and goodness". Tagore's religious thought is pantheism in his poetic works, he does not lead us to the illusory Kingdom of heaven or Afterlife, but focuses on the fertile soil of life, nurturing and cultivating the flowers in the soil. He loved people fondly, fondly love from beggars to the king of all, in order to finally achieve the "Heaven and Earth", "the Vatican I Unity" of the ideal realm.

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Paper代写:Lattice Aesthetic Design

2018-01-06 15:54:03 | 日記
下面为大家整理一篇优秀的paper代写范文- Lattice Aesthetic Design,供大家参考学习,这篇论文讨论了格美学设计。随着人类的发展,如今格美学已经运用到人们生活当中,其中最明显的就是服饰。格子面料具有流行时尚的美学特征,可体现男性人体特征的阳刚与帅气。服饰上的格子图案是以几何法则为基础的,垂直的单元格与较大范围的格子的面域的比例间隔,具有一种静态的平衡美。

At present, the plaid shirt pattern on the market is very small for all stripes. Lattice fabric with the aesthetic characteristics of fashion, can reflect the masculine body characteristics of masculinity and handsome. Based on the aesthetic conception of art, this article tends to excavate a perfect plaid man shirt artistry, showing the artistic taste of clothing aesthetics, to add color to people's lives.

Worsted cashmere lattice fabric has fashionable aesthetic characteristics, it needs to undergo a special heat treatment softening process, in order to break through the market on the use of worsted cashmere material to make men's shirts traditional habits. Highlight the personalized design features of the lattice.

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Most of the grid in the market is Scottish lattice and its evolution design. The Scottish grid is more than 1700 years old and has long been used in Scotland, Ireland and England. With the development of modern industrialization, people use the methods and forms of lattice pattern more and more refined and rich, in the relevant associations registered more than 2,500 species, the style tends to diversify, breaking the geographical characteristics and class signs, embodies the classic lattice culture and fashion. Scottish plaid Clothing has been integrated into Chinese life and art culture.

Clothing material and human body structure material is the basis of the aesthetic characteristics of clothing. The formal language of clothing has its own logic format, which is deepened in the process of design, and creates the creativity and respect the demands of life on clothing. Below I discuss how to make a male shirt to explain the aesthetic features of plaid clothing from an aesthetic perspective.

Lattice pattern is based on the geometric law, vertical cells and a larger range of lattice of the proportional spacing, with a static balance of beauty.

Color and lines have a unique sense of beauty, with vitality. Lattice fabric material shape visual elements of repeated changes, warp stripe than weft stripe bright and deep, determine the warp direction of materials, highlighting the aesthetic theme of lattice fabrics. Through the thickness and intensity of the shape of the bar to reflect the changes in the weight of material, highlight the aesthetic characteristics of harmonious balance. The size of the cell repeats itself, and in the visual field, the continuous repetition of the gloss brings about a change in color.

Why choose cashmere plaid fabric for shirts? Lattice fabric is vitality, natural fiber cashmere stripes bright colors, with rich feelings. Shirt selection of dark blue lattice interpretation for stability and solemnity, neutral gray interpretation for comfort, implicit, with mature knowledge of the United States. Cashmere fabric body bone crisp, feel smooth, warm touch, full of elasticity, with a solemn, stable and elegant noble temperament.

Clothing pay attention to people-oriented, men's shirts to meet the male body's neck, chest, shoulder and scapula shape characteristics. In order to achieve a high degree of fitness, must understand the supporting point of the body characteristics of data, so that the work has aesthetic characteristics, in the creation of clothing to create aesthetic effects of clothing. The aesthetics of the neck. Neck is very beautiful irregular cone table body, the male neck neck root and the position of the neckline is about 17°, up and down circumference difference 0.6~1.1cm around, this decided to design the collar type and neck body size, reflecting the appearance of the shape. Shape change design area distance from the front collar to the clavicle direction 3~7cm, can be based on collar width, collar thickness and collar type on the impact of the lapel slack to calculate the design of the best results. The aesthetics of the shoulders. Broad shoulders are one of the hallmarks of healthy men's vigorous body shape, the most obvious shoulder features are shoulder joint and scapula support point, shoulder bones and muscles constitute the front of the human shoulder and shoulder shape curve, is the design of a fit male shirt embodies the clothing aesthetics important parts, determines the shoulder width, shoulder tilt, Shoulder-line design and the predecessor of the garment in the chest of the sleeve long arc shape of the beautiful, accurate. In order to design the fuller of the sleeve is highly integrated and full of clothing shape, the key is to deal with the structure from the plane to the three-dimensional design to reflect the aesthetic clothing, so that the comfort of the dress requirements in line with ergonomic.

The production of plaid men's shirts control of the stripes in the various parts of the body and the division line and the proportion of the combination, the principle is not to destroy the integrity of the cell lattice, the pursuit of perfect compatibility, in the visual effect of the region, even the arc, but also the pursuit of a vision to achieve a The art of the lattice element is displayed through the whole clothing, design from plane to three-dimensional structure, design pattern, single piece of material, combine the process to cut, strictly according to the size of the lattice to compatibility.

Omni-directional technology and the pursuit of Aesthetic Vision Center cell compatibility effect of the concept of the current clothing design and production of the perfect compatibility of the clothing in the grid difficult problems, in the promotion of the art of plaid clothing while also attaching importance to its practicality, thereby enhancing the art of plaid shirts. Design respect for fabric style and human curve aesthetic features, using auto CAD technology to design and adjust the three-time plane structure of the sleeve of the garment body, design the clothing that accords with the stereo effect, embody the aesthetics of the organic combination of the fabrics, the human body and the clothing, so that more plaid clothes embody the man's character and taste, More artistic and stylish features.

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Essay代写:Western modern design

2018-01-06 15:42:34 | 日記
下面为大家整理一篇优秀的essay代写范文- Western modern design,供大家参考学习,这篇论文讨论了西方现代设计。设计领域的“现代主义”只是一个波及面而已。从时间上来讲,它开始于 20 世纪初,直到第二次世界大战结束后的相当一段时间内,在这一时期,德国等欧洲国家以现代主义风格为主,美国和法国则进行了轰轰烈烈的“装饰艺术运动”。在众多设计史研究者的划分中,这一时期的设计大都以“现代主义风格”为主流。

To a certain extent, modern design is the embodiment, reflection and change of the connotation and style of traditional art in the wider carrier. However, the process of change of connotation, style and carrier is closely related to many other factors besides art design, and there are a lot of conditions in the back of each style and trend of thought. Why the design style and design thought of a certain period show such style, which must have some kind of rule restriction. Among the factors that influence the design, the social background, the influence of the art genre related to the design, and the role of the core characters are three extremely important factors.

Pluralism is absolute, unified is idealized. In the growing diversity of today, distinguish between the mainstream and the tributary of the relationship is conducive to our thinking, grasp the essence of the problem while taking into account the non essential issues.

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In fact, the real history is always pluralistic, unified history, only in people's ideals, but not in reality. We should neither emphasize the unified of design thought and style, nor simply revel in the ideal of the smooth realization of pluralistic symbiosis of design thought and style. We should attach more importance to the design thought and style of interactive integration of the trend of design ideas and style of the one-yuan and pluralistic views more is a definition, its real state is "blending" and "understanding", is a mutual influence, mutual dialogue, mutual exchange and integration process. Under the background of more and more close relations among the countries of the world, it is very important to recognize the mainstream and tributary as well as the transformation relationship between the different design ideas and styles. After clearing this idea, we can not lose ourselves in the chaotic world, in many styles, schools, ideological trend to find the most suitable for their own development and perfect, and on this basis to create their own characteristics.

The Hayang is that it can accommodate all the rivers and the contents of the thing, which is the description of the inclusiveness of truth. Similarly, mainstream thinking should be inclusive and tolerant of non-mainstream, because there is a day, Wanchuan are east flow, green Mountains do not retain, the end will go to the ocean, but because there is no absolute mainstream, if the mainstream is not inclusive, its own mainstream status also quickly can not be successfully defended, when the mainstream into a tributary, lonely has just begun. Some people say: "Non-mainstream is not inflow." "I think Non-mainstream is excluded, repressed." Most people are resisting non-mainstream things from the bottom of their hearts, and indeed, they are funny, weird, and even repulsive to the current mainstream. But who dares to say that the current mainstream has never been crowned with such a title in the early days, and Non-mainstream is not as popular as the mainstream confrontation, they are at most the mainstream of the imaginary enemy. Even in a lot of times, Non-mainstream is the mainstream of the embryonic, as if not into the White Swan's ugly duckling, the endless stream will not be worshipped, only in time, when the Times and aesthetic changes, when the new fashion leader appears, all will be changed. Examples of the interaction between mainstream and tributary in the history of design have been discussed in the previous article. All this confirms the interaction between the mainstream and the tributaries. Mainstream and non-mainstream are transformed in relative dynamics and staggered in change. In a certain period of time, mainstream and non-mainstream are transformed, from a philosophical point of view, the main aspects of contradictions and secondary aspects can be mutually transformed, the main aspects of contradictions and secondary aspects of the relationship is the unity of opposites, they are mutually exclusive, and interdependent.

In the broad sense, modernism is a movement that sweeps all aspects of ideology. It is not only confined to the design field, the design field of "Modernism" is only one of its affected surface. In time, it began in the early 20th century, until the end of the Second World War, a considerable period of time, during this period, Germany and other European countries dominated by modernism, the United States and France carried out a vigorous "decorative arts movement." In the division of many design history researchers, the design of this period is mostly in the mainstream of "Modernism style". During the modernist movement, most of the works have good function, beautiful and clear appearance, simple processing technology, strong durability, and attention to detail and the unity of the whole, more in line with the needs of large-scale production. Most of the design works of this period have high rational characteristics, good functional and simple, lightweight and elegant modelling; in color, the modernism design is mainly black and white gray, and emphasizes tonal and unification, this kind of color is related to the inherent color of the material, also relates to the echo relation of product form; Modernism opposes all unnecessary decorations, the pursuit of unity of function and form, which is doomed to the simplicity of the product form; In the application of materials, modernism advocates the attempt of new materials, attaches great importance to the combination of material characteristics and product characteristics, and embodies the characteristics of materials through design. In design thinking, modernism advocates democracy, For the purpose of serving the public.

In this dazzling diversity period, a design style to really occupy the mainstream position is difficult and difficult, if the Italian design style occupy the mainstream, the Scandinavian style of the influence is also very large; if the contemporary German design style is the mainstream, Postwar Japan's design style also has the widespread influence in the world scope, but the function design, the rationalism, the green design and so on all belong to the internal design thought this level concept, is not the external style this level concept.

The design community since 1980, the Italian design style still retains its unique cultural characteristics, Scandinavia is still known for its high humanity, the post-war German design style continued the pre-war modernist style while some improvement, postwar Japan's design style has gone through the road of imitation to innovation. In addition, there are many other tributary styles in the design world. Architectural style, transition High-tech style, deconstruction style, microelectronics style, reducing doctrine style, neo-modernism style and so on are the tributary style of this period.

Although generations of artists and designers have always tried to shake off the shadow of traditional culture and create their own artistic milestones, the influence of traditional culture is everywhere. In the process of modern design, regardless of the architectural design or the product design domain, the traditional culture and the traditional style influence has not been interrupted, whether is the Arts and Crafts movement to the medieval Gothic style esteem, the new art movement to the classical style blending, or the decorative artistic style to Egypt and so on ancient decoration style as well as Africa, The primitive Art of South America for reference, is no exception, postmodernism is also the new art movement designers Goldie works to draw inspiration, its metaphorical and Goldie works in the complex and rich cultural temperament and mysterious religious color coincide, Goldie works undoubtedly become the source of reference for postmodernism designers, is a vivid embodiment of the influence of traditional culture on modern design.

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