留学生作业代写：In the Heart of the Country

下面为大家整理一篇优秀的essay代写范文- In the Heart of the Country，供大家参考学习，这篇论文讨论了小说《内陆深处》。《内陆深处》是南非作家约翰·马克斯韦尔·库切创作的长篇小说，小说讲述了南非殖民时期一个偏远农庄的家庭生活，充斥着女主人公玛格达作为殖民者的女儿的内心痛苦与焦灼，散发出浓烈的创伤气息，从普通家庭生活折射了南非殖民者与被殖民的生活以及殖民后裔与殖民者之间不可协调的矛盾。

The writer Coetzee's in the Herat of the country focused on the family life of a remote farm in the South African colonial era, filled with the intense trauma and anguish of the heroine Magda's daughter, The ordinary family life reflects the irreconcilable contradictions between the South African colonists and the colonized lives and the colonial and colonial descendants. This article mainly uses the theory of trauma, from the colonial trauma, family trauma, to analyze the heroine Magda's traumatic experience.

Nobel laureate Coetzee, a South African writer, published a series of novels about the life of South African colonialism, most of which focused on the works of "shame" and "Waiting for barbarians", with relatively few studies on the country in the Herat. The novel in the Herat of the country tells the story of the white woman Magda and his father and the black slaves, the heroine is a long enduring loneliness of the old maid Magda, she could not face her father and the maid had a relationship, so take the extreme way to revenge her father, Murdered his own father. But for two black slaves she had a complex feeling, both to approach and not to know how to approach, and the contradictions between the colonists and the colonists could not be reconciled eventually led to become slaves Hendry play and oppression of the object. Finally, in constant confusion and pain, Maggie became almost insane. The study of the Herat of the country focuses on the analysis of the feminist perspective, with few interpretations of Magda's trauma. This article is now on the protagonist Magda's trauma to read in the Herat of the country's traumatic theme.

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In the novel, Magda lived in an incomplete family, and her mother died during childbirth due to her father's oppression, thus creating a state of absence in the family, which was a big shadow for Magda. "She is a gentle lady, blond, and she is a stone-hearted brawny woman with a dark complexion." She ruined all my maternal motherhood, left me with this furry shell, and the words of death chattered like peas. I stood in the empty kitchen, hating him. "The loss of a mother in childhood has greatly affected Magda's heart." In addition, Magda's father's indifference to her and the relationship between her father and the black slave Anna also inflicted great harm and excitement on her. She felt that all of her life is forgotten and dust-laden, father and his relationship with the stranger, this kind of no communication between the father and daughter of the relationship makes Magda long in a lonely depressive state, "H-shaped mansion, I spent my whole life ...." And my trail was just moving from one room to another, loomed a few servants, walking around the Cheng's father and his always-faced widow-like daughter. "No, we can't talk, we must sit in silence, chew the food, consume time, and our eyes, his black eyes, skim over for four weeks." Moreover, the father's relationship with Anna out of his own lust further stimulated Magda. When Magda tried to communicate with his father, his grumpy father even fought against Magda, "The big hand running down my arm and gripping my elbow." I was forced to stoop, and I bumped my forehead against the door frame. "Magda endured violence not only in the physical but also in the spirit," was beaten not by flesh but by humiliation. I became violent because of the humiliation. " This series of family traumas eventually angered Magda, who took an astonishing approach to ending the trauma of the injury by murdering her father. Judith Herman in "trauma and recovery" that the conflict between the denial of terrorist events and loud speech is the dialectics of psychological trauma. On the one hand, the creators tried to suppress traumatic memories, denying the existence of traumatic events, and they needed an outlet to release pent-up emotion. Magda's Act of killing the father was a manifestation of repression caused by the release of the trauma.

From his own experience, Coetzee's novels focused on the post-colonial period of apartheid, the change of the colonists ' relations with the colonists, and the trauma of the different groups, and the works in the Herat of the country are no exception. In the novel, Magda, as a descendant of the white colonists, also suffered a heavy postcolonial trauma. Colonial occupation of South Africa, blacks lost land and freedom, long in the oppression of whites, slowly become slaves. The relationship between exploitation and exploitation has left blacks and whites in a state of opposition. Magda said, "I am the heir to this land, and it was my ancestors who discovered this land and built a fence." Motivated by desire, we can only make a response: captive, enclosure, possession. "South Africa has long practised apartheid, and blacks as slaves only serve the white colonists." Since Magda grew up with his helpers, there was a sense of equality in her consciousness, childhood also adds some pleasure to the companionship of the child, "I went to the prairie with the children of the servants, and fed milk to the lambs that had lost the ewe, and climbed over the fence to watch them wash the sheep, and slaughter pigs for Christmas. And when he became an adult, Magda was increasingly feeling the loneliness of apartheid, and her kinship with the Negro was so full of distance that she could only miss the childhood innocence, "how can I endure the loss of the original dream once it has gone?" "Not only that, Magda's master consciousness has increased with the years," I, living among the depressed, depressed people, have never been looked at by another pair of equal eyes, and I have never looked at others with equal eyes. "As descendants of the colonists, Magda was born in South Africa, on the one hand, ignorant of his country, while unable to be accepted by the local people of South Africa, all this makes Magda in the diaspora and isolation," I need someone to talk to, need brothers, sisters, fathers and mothers, I need history and culture, I need hope and inspiration. "In addition, because of the weakening of colonial power, the relationship between the oppressor and the oppressed has changed subtly, and blacks have great vengeance on whites." When Magda's father died, Hendrick began to retaliate against Magda, to seduce her and even to beat Magda in violent ways. Magda, as a descendant of the colonists, had long endured the agony of apartheid, "Why should I pay for the sins of others?" You know how I live on this farm, I stay out of people's social circle, almost outside of human society. As a result, Magda lived a solitary life because of his colonial identity, and was hated by coloured hatred for his father's colonialist history. These are the scars of colonial descent.

Kucheshen in South Africa, growing up in the era of apartheid, the lack of recognition of South African culture and the recognition of the sovereign Kingdom of England, deeply influenced him and his creation. In the Herat of the country, the female protagonist Magda's narration shows the life of the colonists and colonists in the post-colonial period in South Africa, and pays attention to the awkward and painful situation of the descendants of the colonists. As the daughter of a colonial colony, Magda was not given warmth and love in the family and was treated by his father's indifference and physical and mental violence, on the other hand, he suffered from the hatred of the colored. The long traumatic experience not only made Magda do the extreme act of killing the father, but also caused her to lose herself in the conflict between the colonists and the colonists.

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Essay写作指南，赶紧Get！

Essay写作是留学生涯中最磨人的小妖精，它虽然看似简单，但要想写好却没那么容易。对于初到国外留学的同学们来说，首要的任务就是掌握Essay写作，知道该写些什么，如何写好。下面就给大家分享一份Essay写作指南，大家赶紧来学习一下。

Step 1：首先要理解题目

不离题、不偏题、不跑题是Essay的基本前提，留学生首先要确保自己essay所写的内容是要切合主题的，所以必须要认真审题。可以在题目中画出哪些是topic words,哪些是instruction words. 主题词就是essay中主要讨论的内容。Instruction words一般是critically evaluate, using xxx theory, under xxx circumstance之类的指导性话语，并且还要注意，题目中是否要求提出solution或者是否需要阐述如何improve。

Step 2：其次构思文章结构

弄清楚题目后，可以开始写 essay plan，有了plan就能够较有方向性的查找资料。不同的专业和题目的要求会有所不同，但是essay从大方向上来说可分为三个部分，Introduction, body part, conclusion。

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Introduction部分就相当于一个hook的作用，吸引读者的注意，并于接下来要讨论的内容挂钩。这部分内容需要简单明了的介绍所讨论内容的背景，以及本篇文章将针对什么方面讨论什么问题。字数不宜太多。

Body主题部分根据不同的要求有不同的策略。可以根据具体的内容在网上参考范文的分析模型。

一般可分为几种类型

1.讨论正方观点，反方观点

2.分析利与弊

3.讨论目前所面临的问题并提出解决方案

4.分析问题产生的原因或结果

Conclusion结尾的总结需要简要概括在文章中所讨论的内容，结论是什么。并且需要与开头部分有相呼应的地方。这部分内容的字数也不宜写太多，并且最忌讳的是不能在结尾部分提出新的观点和新的解决办法。（第一次写essay的宝宝们要切记哦）Conclusion中所提及的内容必须是基于文章中已有的内容进行总结概括。

Step 3：运用批判性思维（critical thinking）

Critical thinking，这是在西方教育中一个很重要的思考方式，它不是在对与错之间相互驳论，而是如何develop或者evaluate现有的观点和结论成果，而不是人云亦云。需要我们多角度的思考问题。这点在essay中写观点的时候非常受用。

Step 4：文献综述（Reference）

Reference可以说也是essay里的重头戏。它决定了你这篇文章的level。Reference的来源可以是网址，报纸，书籍，论文，数据，图片等等。一般运用较学术的reference比较有权威性。例如期刊也分为普通期刊和学术期刊，那么如果能用学术型期刊里的文章将会使你的essay更加academic.如果资料是来源与网络那么尽量不要选择blog，这样不够学术和权威。可以在org,或者ac这类型的网页里找资料比较靠谱。

除了reference的来源之外，格式也是相当重要的。Reference一般采用Harvard system的格式。但是不同的学校，学院，学科以及老师的要求也许都有差别，所以大家一定要紧跟要求，把格式调整好，最常见的还有MLA，APA以及CMS等等。

以上就是关于Essay的写作指南，可能同学们还有疑问，语法问题怎么办？想对大家说的就是，语法问题是需要长时间积累去解决的，无法通过一两次的essay写作得到彻底的改善。在自己对语法上的问题不确定的时候尽量避免写长难句，可以用相对简单的方式表述。

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Paper代写：The Serpentine line of the Hogarth

下面为大家整理一篇优秀的paper代写范文- The Serpentine line of the Hogarth，供大家参考学习，这篇论文讨论了荷加斯的蛇形线。1753年，英国画家威廉・荷加斯所著《美的分析》得以出版，这是欧洲历史上第一部系统的形式美学著作。在这部书中，荷加斯在经验观察的基础上提出了“蛇形线赋予美最大的魅力”这一著名的命题。在荷加斯的视角中，蛇形线不仅仅是一种抽象的的线型，而是渗透在生命和非生命形态中的律动。同时，蛇形线由于曲率的不同，本身又具有美的等级。

1753, British copperplate painter, art theorist William Hogas "Beauty Analysis" was published, this is the history of Europe's first systematic form of aesthetic works. In this book, Hogarth on the basis of empirical observation, put forward the "serpentine line gives beauty the greatest charm" this famous proposition. In Hogarth's perspective, the Serpentine line is not merely an abstract line, but a rhythm that permeates the life and inanimate forms. At the same time, the Serpentine line has a beautiful grade because of its different curvature. Reviewing Hogarth's "Serpentine Line" theory from today's perspective can make its meaning and value more clear, which is conducive to the promotion of theoretical research and its reference in practice.

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After observing, analyzing and comparing various patterns of the form, Hogarth concluded that "The Serpentine line gives beauty the greatest charm". In his view, the line is the most monotonous line because of the difference in length, and the line is always the least in the most graceful form. Curves can vary in curvature and length, and are more decorative than straight lines. The combination of a straight line and a curve will make for more complex and diverse lines, and more beautiful than a simple curve. As to why the Serpentine line is the most beautiful, Hogarth that it is "flexible and vivid, while orbiting in different directions, so that the eyes can be satisfied and guide the eyes to pursue its infinite diversity."

Hogarth's argument is based on the British empirical approach. Empiricism philosophers believe that all people's understanding of the world should start from the perceptual, and through constant observation, experiment to prove, correct it. In contrast to Aristotle's deductive reasoning, the empirical approach often uses inductive method, starting from the study of individual and concrete cases, and concludes the general law. Hogarth on the "Most beautiful" of the "serpentine Line" is also based on a large number of observations, analysis and even practical conclusions. The empirical "inner sensory doctrine" also provides a basis for its research methods. Schofzbelli, a British philosopher, believes that people have a "inner eye" dedicated to feeling beautiful, and that people have a direct sense of beauty. Hatch that since everyone has the common "inner senses", then anyone's feelings and understanding of beauty should be the same. A course in the history of Western aesthetics. Therefore, even without the support of statistics and measurement data, the theory of Hogarth is still logically reasonable.

The research of modern psychology also provides support for Hogarth's "Serpentine Line most beautiful" theory. Gestalt psychology thinks that beauty is an instant view, and perception always tends to grasp the whole impression of the object in an instant. A visual object in which one cannot feel beauty in an instant is likely to have a problem with beauty. Therefore, to make the aesthetic judgment complete, the perceptual object should have a well-organized, simple and easily identifiable structure. Disorderly composition will cause visual confusion, inner uneasiness, beauty of course can not talk about. At the same time, people's perception and preference for moderate stimulation, too simple things also can't arouse people's aesthetic pleasure. Therefore, a perceptual object with aesthetic sense should be whole simple, clear, and rich in detail and interesting. The "Serpentine Line" praised by Hogarth is precisely the characteristic. On the one hand, it has the shape rule, has the whole easy to identify, on the other hand, it has the opposite direction different change. Compared with the single line and curve, it has advantages in diversity, and it is an organic unification of entirety, coordination, richness and interest.

In fact, Hogarth not only in the abstract "serpentine style" to feel its "greatest charm", but also in all life and inanimate things similar to "serpentine line" of the mood, rhythm found beauty and elegance. He said, "If we do not rely on our imagination, or the use of a certain form, its full diversity can not rely on a continuous line on the paper to show." The Serpentine line can appear as a contour line of the human body, and it appears as a result of similar shapes of bones and muscles. A serpentine line can be a virtual line hidden beneath the surface of things or in the consciousness of people. For example, the most beautiful posture of the human body at rest is always similar to the Serpentine line, and once the form of the body is detached from the Serpentine line, it becomes stiff and laughable at once. Graceful movements are also always marked by the Serpentine line, which is embodied in "when people are gracefully and politely delivering cigarette packs or fans to a woman, reaching out and then taking it back," or when the maid bows to the charm of her body. Small-Step dance also contains a serpentine line: In the dance, people's body gradually rise, and gradually fall back ... Interesting country dance, whose formation and trajectory is the alternation of rules and strings of serpentine lines. There is no serpentine line in the Savage's dance, "only made up of rude jumps, jumps, rotations, or movements, accompanied by spasmodic convulsions and singular postures."

From the perspective of Gestalt psychology, the "isomorphism" between physical phenomena, physiological phenomena and psychological phenomena makes Hogarth in different things and realizes the beauty of the common "serpentine line". Gestalt psychology attributes the basis of all artistic expression to the structure of a force, which exists in all physical and spiritual worlds, such as ascent and descent, domination and obedience, weakness and firmness, harmony and chaos, progress and subordination. The force that acts on people's psychology and pushes people's emotions is "isomorphic" to the universal force acting on the whole universe. Regardless of the specific serpentine lines, or similar postures, dances, or even the lightness of the painting, there is a common form of force that is freely stretched and rotated, and the beauty they evoke is common.

Hogarth that the different curvature of the Serpentine line, the degree of beauty is also different. He drew 7 serpentine lines, assigned 1 to 7 numbers, of which 1 to Line 3 lines were not sufficiently curved to look bland. Lines 5 to Line 7, on the other hand, are too large to bend to make them appear awkward. Only line Line 4 is the right, standard, graceful serpentine line. Hogarth that line Line 2 represents a man's body, line Line 4 is the figure of a woman, since line Line 4 is better than line Line 2, which proves that "women are more graceful than men." From the pure form point of view, Hogarth 1 to Line 3 lines of stimulation, stable more than 5 to Line 7 line is too stimulating, not enough stability. The middle line Line 4 is moderately curved, and it is a good balance between diversity, stimulation and stability. Hogarth the Line 4 line as the most beautiful serpentine line is not unreasonable, but to infer that the shape of the female body than the male body is somewhat biased. Here, he just forgot his summary of the form of the United States "adaptation" principle-local and overall intention to adapt to the form in line with the goal, in order to make things have the overall beauty. Just as horses and horses have different forms because of their different functions, the former is elegant, the latter is strong, and men and women are different in their respective missions in the long process of evolution. Men are the embodiment of power, body nature in the overall trend of the "serpentine Line" at the same time a few more just strong. Women are the symbol of gentleness, posture more like waves generally stretch, showing a mellow state. There is no good or bad between the two. Similarly, Hogarth Toad, Pigs, bears and other animal forms of ugliness, due to their body does not have a serpentine line, and the human body because there are more serpentine line, so more beautiful than other bodies, but also can not afford scrutiny.

"The Serpentine line gives beauty the greatest charm", is the Serpentine line as a form of one. But the form should conform to the needs of content, subject or character. Human sensory organs evolved in the long struggle for survival, and its essential purpose was to make a living response to the environment. Human vision is not the same as the camera can faithfully record the environment of everything, it always selectively perceive the most characteristic part of the environment. It is always easier to capture the structural characteristics of the force in the perceptual object than the expressive form of force. For example, when faced with a beating flame, people will first be attracted by the rhythm of the fire like life, without first focusing on the hue, lightness and purity of the flame color, what shape it is, and what trajectory it beats. Therefore, in the creation of architectural art, in order to show the solemn, stable, sacred and fair of the public buildings such as banking, government and court, the line elements may be more suitable than the serpentine lines. The pillars that support the weight of the building, if they appear in the form of a serpentine line, may only seem grotesque.

From the form point of view, the "serpentine line" shows a clear and regular two-way rhythm, and its own completeness. It is more suitable for the overall configuration of art works. such as the Greek classical era of the rest of the sculpture, the body's center of gravity is placed on one foot, the other foot naturally relaxed, the head, torso, lower extremities of the natural transition to the overall attitude of the "S" type. The "S" posture obviously has a more relaxed and graceful character than the standing posture of stiff plate in the antique period. In the masterpiece of the Borrughel painter, "The Snow Hunter", the Hillside and the horizon in the form of diagonal overlapping combination, although the "zigzag" line composition, but with the "serpentine line" of the essence, to form a far-reaching picture of the movement of the law. In the modern architecture design, the overall layout of the "Serpentine Line" of architecture is more beautiful than the "working style", "C type" and circle.

such as the local details of the works of art, "serpentine line", like straight lines, curves, ordinary wave lines, are serving the more important overall configuration, purpose and character. Because perception is always inclined to perceive things as a whole, any part or detail is secondary to the whole, and the "serpentine line" is no longer the "greatest charm" of other lines.

Hogarth's understanding of the "serpentine Line" contains rich connotations from form to content. The charm of the "serpentine line" is embodied in the diversity and unity of form and the inner beauty of the movement. Hogarth "Serpentine Line has the biggest charm" this assertion, in today's artistic creation still has the exuberant vitality, but in the concrete application, it has to obey "the entirety" the rule the restriction.

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Paper代写：European Renaissance Art

下面为大家整理一篇优秀的paper代写范文- European Renaissance Art，供大家参考学习，这篇论文讨论了欧洲文艺复兴时期艺术。欧洲文艺复兴时期诞生了许多经典的艺术作品，它们具有永恒的魅力。毋庸置疑，欧洲文艺复兴时期的艺术是如此的高不可及，具有永恒魅力。艺术与哲学都是时代的精华，艺术作品往往体现着艺术家的哲学理念，而一个时代群体的哲学理念精华又会渗透到艺术家的血液里，成为其艺术创作的心理定势。

Art and philosophy are the essence of the times, artistic works often embody the philosophy of the artist, and the essence of the philosophy of an era group will permeate the blood of the artist and become the psychological set of his artistic creation. So what kind of mental and psychological factors promote the creation of Renaissance artists? In our country, humanism is often put together with the anti-feudal and religious superstition, which makes us feel that its social significance is greater than its cultural significance.

The renaissance of Europe was the birth of many classic works of art, they are timeless charm. When Marx spoke of Greek art, he said: "The difficulty is not in understanding the Greek art and the epic and the certain social development form." The difficulty is how they can still give us artistic enjoyment and, in a way, a normative and high model. "There is no doubt that the art of the Renaissance in Europe is so high that it has eternal charm." Art and philosophy are the essence of the times, artistic works often embody the philosophy of the artist, and the essence of the philosophy of an era group will permeate the blood of the artist and become the psychological set of his artistic creation. So what kind of mental and psychological factors promote the creation of Renaissance artists? Later scholars called it humanism. Humanist thought broke the unified situation of the scholastic philosophy and cleared the way for the later thought progress. But Humanism is also a very broad and mixed concept, in our country often put it and the anti-feudal, anti-religious superstition together, often make us feel that its social and political significance than its cultural significance. The purpose of this paper is to explore the emotional factors and spiritual impetus behind the deep artistic psychology of artists in this period in order to better appreciate, learn and practise "Western" as a foreign painting.

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The relationship between philosophy and art is close, while the discussion of the Renaissance philosophy of the Times is inseparable from Christianity. In everyday language, the term "philosophy" can be extended to the most basic beliefs, concepts and attitudes of individuals or groups, and the term "philosophy" may refer to a purpose, proposition or idea. What about the basic beliefs of the Renaissance people? What is the attitude towards nature? What are their views and ideas about their country, society and people? These are necessary for us to understand the collective subconscious philosophy of the people behind the artists of this period, and we must begin with the Bible and Christianity. The Bible is the main canon of Christianity and the main ideological basis of Western culture. It is an important part of the traditional culture for the Western countries of Christian culture, and it has penetrated into the Western social philosophy, law, education, art and science and so on the influence of people's ideas.

The "truth" here refers to the understanding of the Bible. First of all, the creation of Renaissance works and the development of the times must be inseparable. People continue to pursue the truth, from ignorance to more correct, continuous improvement. The technology that is engaged in also is the unceasing innovation progress, thus brings the civilized progress.

Since the end of the Seventh century, the rulers to limit the rights of the sect, distorted the Bible out of Egypt 20 Chapter 4 "Not to carve their own idols, nor to carve any heaven, earth, and underground water in the image of things." Launched the anti-Idol movement, because of the destruction of the rise of the idol movement, so that the art of painting was banned, art has suddenly declined, the development of painting technology has been curbed. In the early part of the Middle Ages, there were no special painters, peasants or craftsmen, so many paintings were childish and coarse, such as paintings by laymen. In the late Middle Ages, in order to meet the requirements of the bishop and the nobles, the painting of the church murals and aristocratic portraits, there appeared a specialized in short-term painting Craftsman painter, painting technology is constantly progressing, after a period of time, eventually entered the glorious era of the Renaissance. In the six or seven century of the year, the technology of mural painting and fine drawing on parchment paper developed. However, the production of oil on canvas is another quality leap for painting technology. Realistic painting gradually mature, the picture performance more real and natural. If because of the progress of painting techniques to make the effect of the screen more realistic, close to nature, so that the image of God closer to the image of the human, it is defined as affirming human rights, against the theocracy of the idea of humanism, it is clearly not convincing. Let's take a look at what the Bible says, chapter 26 of Genesis, "God says," We will build people according to our image, in our style. " We can infer from this that the Bible says God is just like a man.

In his book, Aesthetics, Hegel begins with the theory that "natural beauty is useless and the artist is the spokesperson of God". Finch described painting as "the grandson of God", in his comparison of painting and poetry, he thought that poetry contained ethical philosophy, while painting studied natural philosophy. If the poem describes the spiritual activity, the painting studies is the spiritual activity reflected in the human dynamics.

The art of European renaissance is a better carrier and medium for us to understand the essence of traditional Western thought and culture, and it should not be regarded as a work produced under the western religious superstition, nor should it be simply regarded as the reflection of spirit on material progress during the change of social system in history. Otherwise we would wear tinted glasses to see these important works of art. Our art creators are also apt to be misled into interpreting the heteronomy of artistic creation.

The medieval art craftsman model is a sketch or engraving set specially designed for the artist to use as a model. Medieval model books include common patterns, such as human bodies and animals, flowers, etc., which are used by painters, sculptors and artisans. Leonardo da Vinci has given posterity such advice: "If the painter to other people's painting as the criterion, they can only draw ordinary works." If he is willing to learn from nature, he can achieve excellent results. It can be seen from the Roman paintings. They are so rife with plagiarism that art is declining, and generation is inferior. It was not satisfied to imitate his teacher, Chimabue, until the Florentine people Giotto out. Giotto was born in a mountainous area, where only animals such as goats were haunted. But naturally he led him to art, and he began to draw on the rocks the dynamics of the goats he was watching, and then to depict all the animals that could be seen in the mountain village, which, after years of study, surpassed not only the contemporary painters, but also all the painters of the last few centuries. But later, people specialize in copying the painting, painting art again decline, and declining. Gombrich in the history of Art: "It was in 13th century that artists sometimes put aside their models to show what they were interested in, and it's hard for us to imagine what that means today." "These two places are all about throwing away the model and showing what?" In a word, interested in nature. As a result, we can see that the Renaissance art works and the artist's attitude towards nature is inseparable.

Humanist background, freedom, equality, dignity, noble person. 　　The term "humanism" is also humanitarian in English, humanism, the meaning of human literature is that the West refers to the social value orientation tends to the human personality concern, emphasizing the maintenance of human dignity, advocating tolerance, against violence, advocating freedom of equality and self-worth embodies a philosophical trend of thought and world view. Humanistic spirit is not only the banner of art, but also the birthmark and social instinct of the birth of science.

Renaissance artists are often thankful for the great nature and humanity of God's creation, and the positive teachings of the Bible's teachings "God Loves the World" and "God Is Love".

The artistic philosophy of the Renaissance is "God" rather than "godless", and the essence of humanism in the Renaissance is the valuable thought of human beings to explore the meaning of life. From the works of the Renaissance, it was clearly marked with a "God", during which the worship of God shifted from the church to nature. So what does an artist think of the connection between nature and God? Leonardo da Vinci has made such a treatise: "There are a number of fools in the Fool, and constantly deceive themselves and deceive people more bullying less." They accuse painters of observing and concentrating on festivals in order to understand the shape of the universe. Let those judges shut up! For this is the way to learn to create the creator of the Beautiful things, to love the great creator. In fact, Love is born with a great understanding of what you love, and if you don't know it, you love less and you don't love it. Leonardo da Vinci thought that painting was the only imitation of all the visible things in nature. In this passage we can see clearly that the artist sees nature as a way to understand and worship the creator, and is awed by the two, and says that painting is a science and a legitimate daughter of nature.

A basic aspect of the Renaissance, when thinkers from this aspect of the people back into the natural and historical world, and in this perspective to explain people. In this sense, humanism is one of the basic conditions of the scientific revolution in the 17th century, so it is also a condition of the birth of "scientism" to some extent. Therefore, the author thinks that for the Western people, Christianity and the Bible play an important role in the popularization of ideology and culture, then they have the consciousness of humanism. From here we find that religious beliefs and humanistic culture are of common significance, humanism is the spiritual core of human development history, and the common and essential cultural demand of human development. In today's world integration, it is of great significance for the cultural exchange of all countries and peoples in the world. There are still countless links between humanism and religion as ideologies of two different natures. They support each other, complement each other, influence each other, penetrate each other, and cause you to have me, I have you. That is to say, this kind of humanism contains the factor and nature of religion, this kind of religion also contains the factor and nature of humanism. Wang Guowei, the founder of modern aesthetics in China, once said, "The philosophy of man and the aspiration of art, truth also." Truth is the truth of the world, not of the truth. "I very much agree with his view that the common ideal of philosophy and art is to seek the truth, and that the truth belongs to the whole world, and is not a temporary one."

Let's be clear, religion and belief are two concepts. Religion is the form of man, Faith is "law", "Tao", is truth. Religion is a form in which people are made on the basis of these reasons to facilitate people to pay attention to the practice. The decay of Christianity and Taoism does not represent the decay of Jesus and Laozi. During the Renaissance, people began to question the rights of religion, questioning whether they were the voice of God, and people began to find that the injustice and irrationality of religious rights were against God's will. They have their own way of worshipping God and have a more accurate understanding of the biblical teachings. It is not necessarily necessary to express the worship of God through the Pope and the pontiff. But we can find that the Renaissance artists are religious, and pious, otherwise it is against the will, it is impossible to give a person a sacred eternal power. Artists just want to find people and God, between man and nature an ideal state, advocating humanity, also advocating divinity, advocating human rights to oppose the rights of religion, rather than against God, I think at least in the Renaissance this period is probably still such a state.

The purpose of this paper is to point out that the Renaissance artists are devout believers. This point is of great influence and effect for artists to create such artistic products. Belief and morals have important influence on art, faith has important influence on morality, so the influence of belief on art is very important. Faith is very important to the artist, and it is very important for the performance of "truth, goodness and beauty". Many people like Tibetan Tibetan people, think they are beautiful, even more beautiful than the Tibetan scenery is actually favored their beliefs behind, feel very holy, although the face is black, but the soul of clean. We should also aim for artistic creation. Whatever form, content and subject matter, there should be a noble and holy spiritual quality behind the artwork.

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Essay代写：The Empire consciousness in English novels

下面为大家整理一篇优秀的essay代写范文- The Empire consciousness in English novels，供大家参考学习，这篇论文讨论了英国小说中的帝国意识。作为意识形态的传播手段，英国小说给予整个世界不断的影响。但是作为曾经的殖民宗主国，英国小说中所表现出来的主体意识形态具有很深的帝国殖民特色，各个时期的小说家们的作品中都不断地流露出来这种带有帝国殖民色彩的叙述。

As the king of the former world, the Daying Empire had a large number of colonies, and in these colonial surface showed a strong imperialist ideology. As an ideological means of communication, English novels give the whole world a constant influence. But as a former colonial sovereign, the main ideology in English novels has deep colonial characteristics. The writings of the novelists, represented by Defoe, Dickens and Conrad, are constantly revealing this narrative of imperial colonization. Therefore, only by deeply exploring the essential features of the works created by these writers can we better grasp the profound imperial consciousness and the colonial discourse system.

Since the beginning of the modern English novel in the 18th century, the English novel has always had a strong ideological consciousness. From the father of our familiar modern English novels to the great masters of Dickens in the 19th century and to the Conrad of the early 20th century, their works have a clear sense of empire and have very distinctive characteristics of colonial discourse. They believe that the obligation of the West is to rationally use the resources and the rights conferred by nature to make human civilization continue to develop and progress, so only with this kind of imperial consciousness will benefit mankind, so this formed the British cultural Empire of a special colonial discourse construction chain.

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As the father and founder of modern English novels, Defoe has provided a model for the creation of the English novel, and his masterpiece Robinson Crusoe is the classic text of the wandering novel and the colonial novel. Robinson Crusoe makes the colonial fantasy and imperial consciousness in the early European literature appear in a virtual form.

Colonization was rising in the west, and in the whole colonial history, the character Robinson in Defoe's novel had a strong sense of empire. It is this kind of imperial cultural consciousness that has created the first typical colonial rover image represented by Robinson. "These so-called explorers have expanded through trade and brought back such things as gold, slaves and tropical plants, which provide a huge impetus to the development of capitalism," Watts said. And in the late period, with the great development of capitalism, the colonies and international markets on which it depended are still continuing this process, and continue to develop. ”

Robinson built his dream Empire by the actual possession of the land, but the purpose of his empire was not to serve the people, but to gain benefits. So, when Robinson stepped on a desert island, on the island of his thoughts on the reconstruction. On this desert island, Robinson's feeling is very excited, because since then he is the owner of the island, everything here belongs to him, so he does not allow anyone to meddle in his "property." When the natives of the island fight each other, and even left their marks on the ground, it made Robinson feel furious. The reason for his rage was not that the natives were killing each other, but that he thought the island was his own "property" and that someone had been on his turf, which Robinson could not tolerate. This kind of imperial ideology is expressed through the reaction of Robinson, this is the so-called imperialist cultural expansion will.

The imperialist colonial color in the ideological consciousness of Robinson can be reproduced in the novel. After a period of adaptation, Robinson began to the island kingdom carried out a rapid colonization of the island's resources to the endless plundering and development. Later, he rescued his servant, his father, and another white man in Friday, and began to build his empire on the island. This kind of imperialist thought is a kind of colonial rule: "I am very happy now, because my island has finally the residents, they are my kingdom's subjects, for my use, listen to my orders." Everything on this island is mine, my own property, and no one can question that. As a monarch, all the people are surrendering to me, which makes me feel very gratified, as long as I want, they can not hesitate to sacrifice their lives for me. ”

Defoe through the "Robinson Crusoe" to create a dream of everyone is full of adventure characteristics of the park. Not only that, he also invented an imperial heroic character-Robinson. Although living alone on a deserted island for nearly 30 years, this character, through the conscious packaging of Defoe, became a cultural Superman with patriarchal spirit and imperial consciousness. And this kind of exaggeration of the class power of his narrative, showing a very strong nation on the consciousness of the powerful.

As the famous British novel Masters of the 19th century, Dickens's works are the important archives of the Western Culture colonial empire. His novels show a kind of colonialism-rich consciousness of the imperial complex as a member of the Daying Empire. In many of his novels, Dickens described the British colony of Australia, highlighting the arrogance and new imperialist consciousness held by Britain, the world's largest colonial empire.

In order to dominate the world ideologically, the Western society must realize a cultural imperialism, through the indoctrination of the ideological consciousness of the barbarians and the timely removal of those who are in the same clan with them to the cultural colonization of the ideology. Dickens said: "As novelists, as creators of fictional stories, they can use the surrounding territory in accordance with the needs of creation, and this use is only to convey a simple purpose." ”

So according to Dickens, Australia can provide a great wealth for the Western Empire and create a "future" for the citizens of its sovereign State. His novel "Great Expectations" in essence can be said to be full of Imperial colonial consciousness works. The protagonist is a poor family of children, in his childhood, the family died, only a sister and he had each other, when his sister married, he still and his sister live together. At the age of 7, Pip helped a man named Magwitch to flee. Soon, Magwitch ran to Australia, where he made a windfall and became a very rich man. Not only did he have a lot of money in the bank, but he also had several valuable properties. At this time, Magwitch thought of his life-saving benefactor, he would like to cultivate the obsessed to help his little one, to Pip will inherit all his future, which caused the soul in the heart of the turmoil, so that he began to full of fantasy:

"From my origin, I should live an honest and ordinary life, because of the hard work, study, and future marriage with bitty." However, with a cheerful imagination, the idea of stupidity...

Later, out of the colonial need for imperial consciousness, Dickens arranged the Magwitch in his novel and he showed Pip his success in Australia. Through this description, Dickens shows his as the Daying Imperial people's ideological consciousness of the strong imperial colonial color.

In the age of British writer Conrad, White Europeans discriminated against other people of color, which, in the eyes of white people, were of a lower race and served only with whites. In Conrad's mind, there is also the idea of hating the color of the colored: "In North Africa, I met a tall, burly black man, who was very rude to me and was downright heinous." For a long time after that, I have always dreamed of that hateful black ghost, really, hateful extremely. Under the influence of the powerful imperial consciousness, the childhood experience and memory of Conrad are constantly strengthened, which makes him create one terrible nightmare after another. In the novel "Master Jim", Conrad has shown this cultural memory constantly, forming a kind of colonial concept. In "Lord Jim", the captain called pilgrims from the eastern fringe "cattle", and the other whites called them "pink toads". The white man's nickname for the Oriental Arabs is also extremely vicious, and they call these Arabs "bastards". And for blacks, they are extremely sarcastic and vicious attacks, they're just "fussing fools" a senior who has looked at Jim's fate said: "You still want to sacrifice for them, it's like you sell your dignity, soul and body to an animal." ”

Wallis is one of the few men of color that Conrad has shaped in his Lord Jim, because Wallis knows how to fight like a white man, and it has a sense of European ideology. Nevertheless, in the end he did not resist the attacks of pirates, did not resolve the fight. Despite his admirable Wallis, he could not escape the cold shoulder he had encountered as a colored man.

Therefore, as a novelist, due to the strong influence of imperial consciousness in the thought, Conrad's narration of the works shows an supercilious style of imperialism consciousness. In Conrad's view, without the support of Western civilization, the whole world will be in a desolate situation, without the leadership of Western civilization, the world is like a desert island lost its direction, this colonial concept has greatly affected the creation of its works theme.

Although the world is now completely colonized, but in Western culture, especially in the Western works will not show a little imperialist colonial color. Only through the continuous exchanges between the peoples, to enhance mutual understanding and understanding, so as to truly colonize, dilute and eliminate the imperial consciousness.

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