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http://search.barnesandnoble.com/Disguise-in-George-Sands-Novels/Francoise-Ghillebaert/e/9780820449326
Disguise in George Sand's Novels
by Francoise Ghillebaert
$63.96 Member price (Save 20%)
Limited Time Offer!
Everyone receives the Member Price on books.
Pub. Date: November 2009
296pp
Product Details
Pub. Date: November 2009
Publisher: Lang, Peter Publishing, Incorporated
Format: Hardcover, 296pp
Series: Literature
ISBN-13: 9780820449326
ISBN: 0820449326
Synopsis
Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand's Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines' true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand's Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor.
http://search.barnesandnoble.com/Disguise-in-George-Sands-Novels/Francoise-Ghillebaert/e/9780820449326
Disguise in George Sand's Novels
by Francoise Ghillebaert
$63.96 Member price (Save 20%)
Limited Time Offer!
Everyone receives the Member Price on books.
Pub. Date: November 2009
296pp
Product Details
Pub. Date: November 2009
Publisher: Lang, Peter Publishing, Incorporated
Format: Hardcover, 296pp
Series: Literature
ISBN-13: 9780820449326
ISBN: 0820449326
Synopsis
Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand's Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines' true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand's Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor.