文明のターンテーブルThe Turntable of Civilization

日本の時間、世界の時間。
The time of Japan, the time of the world

The close relationship between Dentsu and Asahi

2024年12月23日 09時09分19秒 | 全般
The day before yesterday, my best friend, a great reader, told me that Takayama Masayuki's latest book had been released.
So I bought it right away, and after reading the following chapter, I was convinced that, as my best friend had said, "he and I are in tune with each other."
Three parts, including the title, have been revised and added.
The title had been changed from "Partners" to "The Deep Relationship between Dentsu and Asahi."
It was because they had considered that if the original title remained, it would not be conveyed to people worldwide when I translated it into English and other languages and sent it out to the world.
So, I searched for the chapter I sent out on 2022/12/1.
Although that was not the reason, the criminal in question, by chance, interfered with my search, and all chapters in other languages, including Japanese, did not appear in the search results.
Especially this paper.
I have deleted all chapters related to the main paper on 2022/12/1, and I will also resend them anew.

Dentsu had been in charge of these international festivals since then, but then the then president of Dentsu, Yutaka Narita, suggested that the World Cup be held "together with Korea."
December 01, 2022

The following is from Takayama Masayuki's serialized column at the end of today's issue of Weekly Shincho.
This article also proves that he is the one and only journalist in the world after the war.
A long time ago, an elderly professor from the Royal Ballet School in Monaco, highly respected by prima ballerinas worldwide, came to Japan.
At that time, she said the following about the significance of artists.
'Artists are important because they can only shed light on hidden, concealed truths and express them.
No one would argue with her.
Masayuki Takayama is not only the one and only journalist in the post-war world, but it is not an exaggeration to say that he is the one and only artist in the post-war world.
This thesis also proves the correctness of my statement that Masayuki Takayama is the most suitable person for the Nobel Prize for Literature in the world today.
It is a must-read for not only the Japanese people but also people all over the world.

The close relationship between Dentsu and Asahi
Dentsu alumnus Haruyuki Takahashi was caught taking nearly 200 million yen in bribes from contractors on the Tokyo Olympics Organizing Committee.
Many Dentsu employees were seconded to the Organizing Committee.
They were all Takahashi's minions, and together, they were messing around with the Olympics.
The Asahi Shimbun was surprised, as if hearing about it for the first time, and asked, "Was it a festival of corruption?" 
After that, the paper continued to feature the issue in editorials, criticizing the organizing committee, but, for some reason, there was never even a hint of criticism of Dentsu.
Instead, they brought up the question, "What about Prince Takeda?
It seems they are saying that if they go too deep, the prince will be in danger.
But that's not the case.
It's Dentsu that's at fault.
Not just the Olympic reporters, but former reporters like me know that, too.
Writing as if the Asahi learned about it for the first time in its editorial is unnatural.
Besides, former reporters remember that Dentsu's arrogance and the Asahi were always one and the same.
A good example is the 2002 World Cup.
Ten years earlier, Japan had put itself forward and won the bid to be the first Asian country to host the event. 
Dentsu has been in charge of these international festivals since then, but then-Dentsu president Yutaka Narita said that Japan should hold the World Cup "together with South Korea."
What is he saying?
Even Qatar, which is hosting the World Cup this time, has entrusted the construction of the venues to a Chinese company, which is against the rules.
As a result, 6,500 people died, but they managed to hold the first World Cup in the Middle East. 
Narita says that Japan should give up this honor and co-host the event with a country that does not understand the rules or manners.
In fact, he was born in South Korea.
It was this man who, thinking only of the prosperity of Korea, allowed Korean programs to be broadcast on NHK.
To get his point across, Narita asked the Asahi Shimbun for cooperation, silencing public opinion that had no doubt about Japan hosting the games alone.
The Asahi agreed because, like Narita, it has long been pro-North Korea, and when Kim Il-sung was suffering from a shortage of workforce, it ran a campaign to send 90,000 people from Japan to North Korea under the slogan "North Korea is a paradise on earth."
When Sun Myung Moon came out and called Japan Satan and demanded atonement, it responded by getting Takashi Uemura to write an article saying that the comfort women had opened their heavy mouths and wildly fanned the flames of atonement consciousness. 
As a result, many Japanese women bought the spirit-filled urns and offered themselves to poor Korean men.
The same goes for the honor of hosting the World Cup.
The Asahi praised the Narita plan, saying that half of the profits should be given to Korea as atonement.
FIFA, however, was unhappy, saying that Japan had decided to host the event on its own and that they had not agreed to co-host it with such a country. 
It was reported that Takahashi and Chung Mong-joon had rushed around to sort things out.
As a result, the first World Cup of the 21st century was held in an unusual joint Japan-Korea format without the Japanese people even knowing about it.
The result is well-known to everyone.
Korea left a big stain on the history of the World Cup by engaging in unprecedented bribery of referees and playing rough.
Japan was also made an accomplice because of Narita and Asahi.
However, the Asahi Shimbun newspaper praised the Korean team highly, reporting their advancement to the semi-finals as a "great achievement" on the front page of its morning edition.
In a recent Asahi column, 20 years later, Tetsuya Hakoda recounted the excitement of that time.
Perhaps this was at Dentsu's instruction.
But why do they serve Dentsu so well?
Asahi has always written nothing but lies.
Starting with "North Korea is a paradise on earth," it continued with Katsuichi Honda's "Journey to China," "This is a poison gas operation," "The Miyakonojo Regiment commits a massacre in Nanjing," and the lies of Seiji Yoshida's "Comfort Women."
They were all malicious lies, and it would not have been surprising if the management of the Asahi had collapsed due to any one of them, but the Asahi's management continued to be strong. 
It is because Dentsu, which handles newspaper advertising, ignored public opinion and continued prioritizing Asahi and placing its advertisements.
If their methods are exposed and investigated, they will never be able to advertise in Asahi again.
That is why Asahi continues to protect Dentsu and tries to shift the blame to Takeda-no-miya.
I want to see Asahi go under quickly.

I present the world's best autumn leaves in Kyoto with a gem of a performance in 4K high-definition.
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