I present my best photo collection on 4/19/2024 in 4K, with Brahms and Tchaikovsky.
I dedicate my best photo collection, taken in 4K on April 19, 2024, to Natsuho Murata and Yukine Kuroki.
This version of the photo collection, which I slightly modified, features music in the title.
This version of the photo collection, which I slightly modified, features music in the title.
On January 22, Natsuho held a recital at the Musashino Civic Cultural Hall alongside Kaoruko Igarashi.
Unfortunately, I was unaware of this event and could not attend.
I can only imagine how fantastic the performers were and how exceptional the program must have been.
Those who attended the recital experienced an unforgettable moment—a true highlight of the century.
Those who attended the recital experienced an unforgettable moment—a true highlight of the century.
This text consisted of two pieces performed as encores on the day.
What a luxurious and fertile concert it was!
Meanwhile, the concert I managed to secure featured exceptionally talented children from around the world, organized by Keisin.
Natsuho was invited as a guest artist to perform a single piece, Chausson's Poème.
I will rush to Tokyo and Yokohama to hear her play that one piece.
Natsuho was invited as a guest artist to perform a single piece, Chausson's Poème.
I will rush to Tokyo and Yokohama to hear her play that one piece.
Natsuho will perform this piece, played by the greatest violinists of the 20th century, including Heifetz, who was called the "violinist of the century."
Natsuho will be performing this piece as a natural, super-class genius, so I cannot resist the temptation to attend.
Natsuho will be performing this piece as a natural, super-class genius, so I cannot resist the temptation to attend.
In other words, not only has the violinist of the 21st century appeared in Japan, but thanks to her studies here, I have also had the chance to hear her perform in various locations.
For me, witnessing the performance of this remarkable violinist is an unavoidable experience.
As I mentioned earlier, I have been blessed with a genius mindset.
Because of this, I did not engage in the usual cramming for entrance exams, yet I still succeeded in getting into a top high school representing Japan.
Because of this, I did not engage in the usual cramming for entrance exams, yet I still succeeded in getting into a top high school representing Japan.
Rather than studying for exams, I spent my junior high school years in the bliss of a great romance with an outstanding beauty—the embodiment of Anna Karenina, The Lily of the Valley, The Red and the Black, and Paul and Virginie.
I could write the 'Anna Karenina of the 21st century'.
However, after reading the works of Le Clézio—my 'other self' in this world—I fear I might end my life without writing it because my life is rich and full of joy every day.
I am grateful to have a best friend I cannot imagine spending a season without. Although I don't have a cat that jumps between my books, my choice to live in an apartment where pets are not allowed increases the likelihood that I may live in solitude.
I have often stated on my blog that "I am a Nobunaga living in the present."
My good friend once jokingly teased, "If that's the case, then quickly go and make 1,000 concubines."
My good friend once jokingly teased, "If that's the case, then quickly go and make 1,000 concubines."
The only thing I consider my greatest misfortune is that I do not have a fantastic lover.
The central part of this piece features a performance by Ririko Takagi, which can be viewed on YouTube.
Ms. Takagi is also remarkable.
The depth of the Japanese classical music scene is extraordinary, affirming that the level of Japanese culture is among the highest in the world.
From this reality, two super-class geniuses—Natsuho Murata and Himari—emerged in Japan just four years apart.
This phenomenon reflects what I described in a previous article, "The Turntable of Civilization."
Ms. Takagi is also remarkable.
The depth of the Japanese classical music scene is extraordinary, affirming that the level of Japanese culture is among the highest in the world.
From this reality, two super-class geniuses—Natsuho Murata and Himari—emerged in Japan just four years apart.
This phenomenon reflects what I described in a previous article, "The Turntable of Civilization."
