2
Devo dire all'Italia perché sono un umano che ama l'Italia.
3
4
韓国人が全羅南道の出身者を差別しているのは全羅南道とは日本人が統治していた地域…倭国の領土だったからなのである…これが私が気がついた事。
5
日本統治時代の約8兆円の資産を韓国に残し、対中ODAは総額3兆円以上―日本はこれまで、韓国や中国にどれだけの恩を売ってきたのでしょうか。
6
半島にも倭国があり、あるいはそれに附随する国があったから、彼らはそう書いているのだ。文字を軽んじると歴史は歪んでくる。
7
また当時の政治の最高指揮官である瓠公(ここう)という人物は「もともと倭人で、むかし瓢(ひさご)を腰にさげ、新羅にきた。それで瓠公と称した」とある
8
民主党政権を作っただけではなく菅直人を首相にしたのが朝日新聞である事は歴然たる事実である。誰もが史上最低の首相であると考えている菅直人は、あろうことか
9
占領下で米軍から脱脂粉乳をもらった時、国会で感謝の議決を行った。しかし、韓国や中国からはこのような感謝の気持ち、倫理観、良心―いわば「人間性」を感じることができません
10
いったい歴史学者たちは新しい造語を使って、どんな教育をしようとしているのだろう。
11
新羅は黄金の国でもあったのだ。『日本書記』にも、黄金があるから神功皇后たちが攻めたとある。だから日本は侵攻を繰り返したのだ。
12
『日本書記』にはそれらの言葉が書き残されているのに、今日、「渡来」や「渡来人」という言葉が主流になり、わたしたちはそこから歴史を見ようとしている。
13
半島から日本に戻ってきた、日本に帰属したという意識で書かれていると考えるのが筋ではないか。
14
それに対して「帰化」は、元来、中華思想により、異民族が君主の徳によって感化されて従うことを意味する。「帰朝」は本国に戻ってくることだ。
15
「帰化」「帰朝」という言葉が使われたのには理由がある。まして上代は現在より「言霊」を人切にしていたはずだ。
16
日本人の精神的バツクホーンになるのが、この「言霊」と「怨霊」だということは多くの人たち知っている。その彼らが「帰化」や「来化」、「帰朝」と頻繁に記しているのだ
17
それを当時の書物に一言も載っていない「渡来人」などという言葉を使って、歴史を探っていこうとするのはどうかしている。
18
本末、「渡来人」という言葉には「海を越えてやってきた人」という以上の意味はないが、迫害を受けて逃げてきた者や、豊かな土地を求めて人植した者もいるだろう
19
そんな「獣」のような国家が没落していくのは当然です。日本はそのような国々には“高みの見物”をして、価値観を共有する国々と友好関係を築いていけばいいのです
20
『宋書』や『南斉書』によれば、倭王は朝鮮全土の統治者として認められている。そんな強国に、半島人が新たな文化とともに渡来してくるとはとうてい思えない
21
その男を脱解が登用して政治を行ったのだが、すると、新羅の国の土台は日本人がつくったということになる。
22
韓国の史料にないからといって、実在しなかったという根拠にはならない。書き換えたり、消し去ったりした者たちの根拠のない反論は、歴史を貶めることになる
23
何世紀にもわたり海を渡って攻めてきたとすれば、それは日本が大国であるということ以外に考えられない。
24
「帰化人」が適切ではないという理由で金達寿氏たちが提唱し、定着したのが「渡来人」という言葉だが、わたしは「記紀」にも載っていないこの言葉に疑問を抱いている。
25
朝鮮半島には痩せた土地が多い。わたしは中国は全州、韓国にも20回以上は行っているが、やはり韓国よりも日本のほうが国土は豊かだ。
26
日本についての記述は中国の書物にはたくさん出てくるし、すでに「倭国」としての存在も書かれている。
27
Cette personne est probablement une personne sous la manœuvre de l'agence de
28
さらに驚いたのが、「大学の電気を消す仕事」を6万4千人も募集したことです。と題して2018-12-13に発信した章が今日アメーバで多数の検索数を集めてベスト5に
29
845年にアラブ人のイブン・クルダドビーが編纂した『王国と道路綜覧』には、「中国の向こう側に、新羅という、山が多く、いろいろな王たちが支配している国があり、金が多く産出
30
少なくともそこには倭国が何度も攻めてきたことが書かれている。そういう国が彼らのいう文化の乏しい国であるはずがない。
31
一方、「三国史記」には「来投」「投亡」「亡人」という文字が見られる。これらの意味は飢餓や貧困、戦禍によってその地を離れることだ。
32
『日本書記』には「帰化」「来帰」「来朝」「帰朝」という文字が多く見られるが、「渡来」という言葉は、わたしには見つけられなかった。
33
彼らの言い分が、あの…1,000年に一度の津波は予測できた、と言って東電の経営陣を罪に問おうとする悪辣さには本当に呆れて物も言えない。
34
韓国人の虚言癖にヘキエキしながらも、古代朝鮮経由で多くの文化が列島に伝わってきたと思い込んでいる日本人はまだ少なくない。「渡来人」などという新造語にユメ惑わされるなかれ
35
『朝鮮紀行』を書いたイギリスの女性紀行作家イザべラ・バード(1831年生まれ)は、「朝鮮はまぎれもなく山岳国であり、平野らしい平野」はないと言っている
36
豊かな国であれば人口も増え、自ずから国力も増す。日本が朝鮮半島を攻め続けていたのは、そういう圧倒的な国力があったからだ。
37
This person is probably a person under the maneuvering of Intelligence agency of anti-Japanese
38
そのことは「記紀」だけでなく『三国史記』にも書かれている。韓国人は自分たちの「正史」すら否定するのだろうか。日本について云々する前に、自国の「正史」を読んだほうがいい。
39
そう言い張るなら、その根拠を提示しなければ、「嘘も百回つけば真実になる」の類だろう。日本の律令も冠位も朝鮮を真似てつくったわけではない
40
Diese Person ist wahrscheinlich eine Person, die sich unter der Führung des Geheimdienstes
41
「任那」は『日本書記』にも多く出てくるし、『肥前風土記』や『新撰姓氏録』にも出てくる。「三国志」「宋書」「梁書』などにも、その存在が記されている。資料がないのは韓国だけなのだ。
42
日本独自の前方後円墳という物的証拠も多くある。それに「好太王碑文」もある。文字と物的証拠が合致しているのに、なにもかも否定する根拠はなんなのか
43
前方後円墳を潰したり、自国に不利な文字を消したり、歪曲した解釈をして、歴史を誤っているのは韓国人のほうではないのか。
44
46
Essa pessoa é provavelmente uma pessoa sob a manobra da Agência de Inteligência da nação
47
「三国史記」や「三国遺事」よりも四百年も古い『日本書記』や『古事記』がすでに存在し、それよりさらに古い中国の歴史書にも、日本がどういう国でどういう存在だったか
48
中国の『隋書』にも「使持節都督新羅仟那加羅秦韓慕韓六国諸軍事安東大将軍倭国王」、倭王が朝鮮半島の支配権を認めたと、似た記述が何度も出てくる。
49
長江ルートと半島ルートの両方があったとしても、日本より朝鮮半島のほうが国力も文化水準も高かったと言うのは間違いだ。
50
その影響かもしれないが、今日でも着物のことを「呉服」という。揚子江近辺から船に乗れば、なにもしなくても九州に着くと土地の人間に聞いた。
June 30, 2024
On New Year's Eve in 2020, I learned that a super-heavyweight genius named Natsuho Murata had appeared on the Japanese violin scene.
I started listening to classical music on YouTube because I felt there was no point in watching the NHK Kohaku Uta Gassen.
As mentioned earlier, when I was a student at Sendai Dai-ni High School, my teacher asked me to stay at Kyoto University and "carry Kyoto University on your shoulders."
After a family misfortune closed the door on my academic career, I spent every day listening to classical music broadcasts on NHK FM.
Every day, no matter what.
I subscribed to a magazine about FM broadcasts and checked and listened to all the programs.
I even spent my last penny on a complete set of the LP recordings of Renata Tebaldi's "La Bohème."
I was the kind of person who was mentioned by the person in charge of editing the graduation collection as "There are three Ks in the arts and humanities. One of them will surely leave a great mark on the Japanese literary world".
I led a life that deviated greatly from the life I had been promised.
I spent time in Tokyo and Kyoto, and eventually, I lived my life as a company manager in Osaka.
In terms of music, I was initially devoted to the piano.
Whenever a pianist who had gained a worldwide reputation came to Japan to perform in Tokyo or Osaka, I would always attend.
However, from a certain point on, I rarely attended performances.
Instead, I spent his days singing songs of various genres to the accompaniment of pianists at his favorite bar in Kitashinchi, Osaka, almost every night.
The cost of this was also not inconsiderable.
There is an international contest where the pianist's performance is filmed from directly above.
When I was watching the footage, I realized something.
The pianist also memorizes the music by fingering.
The same is true for the violin.
My good friend described Naho Murata's hands as "like a baby's."
I thought the same thing.
Two super-class geniuses have appeared in the world of Japanese baseball.
Shohei Ohtani and Roki Sasaki.
Coincidentally, they are both from Iwate Prefecture.
When Roki Sasaki joined the professional ranks, most professional baseball commentators, including Kiyoshi Nakahata, said that it would take him time to pitch on the first team.
I was surprised when I saw him playing catch at camp for the first time.
The way his arm bent was extraordinary.
I had never seen such a great form before.
I had never seen Ohtani play catch, so Sasaki was the first.
He would be a starter in the first team immediately.
The second team is no joke.
No one can hit his ball.
My editorial also reached Kiyoshi Nakahata and the TV Tokyo presenter.
It was because I had also criticized Kiyoshi Nakahata, saying that he was blind as a bat.
Nakahata immediately corrected his previous statement, went to the training camp to verify it, and said, "I want to see him in the first team as soon as possible. I can't wait."
As you know, this is how it happened.
Nakahata is an insider, and I am an outsider.
Outsiders often make significant changes.
Insiders are insiders, and that is why their vision is clouded.
And so they make the wrong decisions.
It is not an exaggeration to say that becoming an insider is the same as becoming an average person.
From a young age, I have always said to the people around me.
What is a genius?
"A genius is someone whose mind is a blank slate. That's why it can absorb anything."
What is an average person?
"An average person is someone whose mind is a blackboard covered in their own words (and other people's words, too). That's why they can't absorb anything."
Natsuho Murata is an undeniable genius.
She has a vast and boundless understanding of all sounds and all composers.
My good friend is one of the great geniuses.
Through my good friend, Natsuho Murata, I have added another definition to 'genius.'
What is a genius?
The defining characteristic of a genius is Innocence.
As the word suggests, Innocence is a state of mind free from evil.
In other words, and this is obvious, a genius is the polar opposite of an evil person.
Natsuho Murata's hands were distinctive.
My good friend described them as "like a baby's hands."
Unlike Himari, who appeared four years later, Natsuho Murata entered the Tokyo School of Music as a unique scholarship student.
That's why we were able to attend her concert on March 10.
Being able to see her perform live was nothing short of bliss.
We decided to attend all of her concerts in Japan.
On May 26, she performed with the Ibaraki Symphony Orchestra in her hometown of Mito City.
We traveled from Osaka to Mito and back in a single day.
We changed our return train to one later than the original one so that we could relax and enjoy the concert.
We were seated in the middle of the second row.
We couldn't have been happier.
As we left the hall, still basking in the afterglow of our appreciation for her performance and our sense of bliss, to our surprise, she was in the lobby, interacting with her fans.
We joined her immediately.
I told her I was a "turntable of civilization" and shook her hand naturally.
I was surprised because her hand was unbelievably soft.
That may be why the words came out unconsciously.
'I've just come from listening to Perlman, but you were better than Perlman. In other words, you're the best in the world.'
I had come to hear her performance of Saint-Saëns's 3rd Violin Concerto, which he had performed on YouTube, after hearing performances by other famous violinists.
The last time I had heard her play was when Itzhak Perlman had performed.
The reason she is the best is because of the unbelievable softness of her hands.
Intellectual ability is essential for those who are called genius violinists.
It is this innate talent that shapes the world's best.
It is an innate talent given to those blessed with the music gods.
Like Otani and Sasaki, Natsuho Murata also generates unbelievable power.
She also possesses a beauty that is as delicate as it is exquisite.
It is already common knowledge that Otani and Sasaki are super-class geniuses.
They have something in common.
Their shoulder joints are extraordinarily flexible.
Incredibly flexible muscles produce incredible power.
They also produce the most delicate and beautiful sounds imaginable.
When I got home, I examined the images of the illustrious people I had seen.
In the end, there was only one person left! Itzhak Perlman!
I was convinced of the correctness of my discovery.
It was because his hands were also like a baby's palms.
When I wrote this article, two violinists were undisputed masters of their craft, but I had not checked their videos.
I had assumed that the quality of the video was poor, so the sound quality must also be inadequate.
Or YouTube had decided this for me, so they didn't appear.
The two violinists were Isaac Stern and David Oistrakh.
When I checked their videos, I was surprised!
At the same time, I was convinced that my assumption was correct.
It is because they both had the same palm as Natsuho Murata.
There was also a further surprise in the Oistrakh footage.
Incredibly, he and Menuhin were playing Bach together.
When I saw this footage, I thought:
The Japanese government will give the National Honor Award to Natsuho Murata and Himari.
In other words, we will be recognized as "national treasures."
For the first time, we will broadcast her and Himari to the world simultaneously as the current Oistrakh and Menuhin, for a fee, as a country.
If Natsuho wants to play a Stradivarius at that time, we will buy the best Stradivarius and give it to her as an appearance fee.
Even so, they will get a lot of change.
Coincidentally, Himari's palm is Menuhin-type, so even more so.
The government should realize that we have two people in Japan at the same time, like the two people in the video above, Oistrakh and Menuhin, and that it is a miracle that we have two people, Natsuho Murata and Himari, who is four years younger than her.
We should be promoted as a national policy.
South Korea has been selling K-pop to the world under the name of K-pop, which has no musicality whatsoever.
It has even reached number one on the Billboard charts!
Even though two of the world's best, genuine musicians exist, the government is doing nothing.
In this respect, too, it is a genuinely foolish government.
The government's attitude directly opposes the glorious names of Japan's past, such as Prince Shotoku, Murasaki Shikibu, Sei Shonagon, Nobunaga, Hideyoshi, and Ieyasu.
Ah, if only Mr. Abe were here...
My proposal, made by another super-duper genius who made a significant discovery that will go down in world history, would indeed have been delivered promptly.
No, I would have delivered it for sure.
This article continues.
30/6/2024.
There was one violinist I had forgotten to check.
I just checked him on YouTube.
Pinchas Zukerman.
To my surprise, he had the same palm as Natsuho.
David Oistrakh, Isaac Stern, Itzhak Perlman, Pinchas Zukerman, and Natsuho Murata.
It is no exaggeration to say that this is one of the most significant discoveries of the 21st century.