"O horário da galáxia trem" 2011/6/15

"O horário da galáxia trem" 2011/6/15

"Entra em Cem Anos de Solidão ".
Tamura Satoko
Do Nikkei que lê coluna esta manhã

A viagem que a realidade e a ilusão é adjacente para

Estar familiarizado escoa, que as orações para chamar por "GABO" e o apelido são leves.

A conta de uma viagem tenta ter chamado no Mar caribenho distrito que é a fase do trabalho a base no amigo que iguala pelo trimestre de século com Prêmio de Nobel artista Gabriel Garcia-Marquez na Colômbia excita calorosamente, também.

É um que foi superabundado no recheio na energia do homem literário que continuou uma pesquisa o pondo tudo com a violência como o golpe de estado militar que mergulha na América do Sul furiosa.

A terra da relação de artista que foi, que estes aproximadamente 5 anos eram intensivos é fazer o mundo da mesma maneira que é da literatura que é chamada " o verism " que tem que fazer com " taumaturgia ".

A realidade e a ilusão são adjacentes sobre o testemunho da família e o conhecido, também.

As observações como "a pessoa morta respectivamente viva às vezes fazem uma tosse e só dão um apito e estava fora pressa silenciosa" do pompom.

A cobertura que expõe um corpo ao perigo que é golpeado na ocasião a pelo rebelde poderia ter procedido com cooperação da mesma pessoa adquirindo isto, também.

"Obteve esgotado pessoalmente um livro de pesquisa, fez isto à assinatura e apresentou isto ".
O encontro é 1985.
A impressão que se encontrou na entrevista "Isto é surpreendentemente dirija ".
Se tranqüiliza o artista grande que está surpreso com o som do registrador de fita com a característica inversa automática, enquanto dizendo o "OK " e continuou uma história.

Quando apresentando um registrador depois do fim "Isto estava informando de boa vontade à esposa goste da criança ".

Desde então, a relação para hoje começou.
"Depois do Japão oriental grande terremoto, é convidado a ser dependente na casa no México muitas vezes ".

Agora, pensa sobre.

É o artista, Kenji Nakagami do amigo de infância que sugeriu de fato ao querer conhecer o Garcia-Marquez.
A primeira entrevista foi percebida em vez dele quem a conveniência não estava abaixo.
"A coincidência estranha com GABO pode ser a recordação de inesperadamente Kenji morto cedo ".
Começa a escrever logo sobre o Nakagami.

O elementar, júnior alto e escolas secundárias e gastando, jogou com Kenji, enquanto se tornando, fervendo barrentamente ao arroz de arroz.
Dizendo querendo ter descoberto a face natural dele que era um amime à criança chorona, também, que escarnece.
(2400 iene de Kawade Shobo Shinsha )
A América Latina o homem literário, Teikyo o professor Universitário
Vindo de prefeitura de Wakayama em 1947
É Vargas Llosa a antologia "o mapa fundo ", na tradução ao livro.
"A estrada para o paraíso "e assim por diante

"El programa de la galaxia entrena" 2011/6/15

"El programa de la galaxia entrena" 2011/6/15

"Camina en ciento años de la soledad".
Tamura Satoko
De la columna Nikkei reading esta mañana

El viajar al que la realidad y la ilusión son adyacentes

Ser fangos familiares, que las oraciones para llamar junto a "GABO" y el apodo son leves.

La descripción de un viaje intenta haber visitado el distrito de mar Caribbean que es el escenario del trabajo para el trabajo preliminar en el amigo a quien los iguales en el trimestre de siglo con Nobel valoran a quien artista Gabriel Garcia - Marquez en Colombia excita afectuosamente también.

Uno que fue rebosado en el relleno en la energía del hombre de letras es el que continuó una investigación por el poner todo en South America furioso con la violencia como el golpe militar d' el buceo de état.

La nación de la artista relación que se fue, que estos aproximadamente 5 años era intensivo es hacer el mundo justo como es de la literatura que es llamada "El verism" have to do con "Thaumaturgy".

La realidad y la ilusión son adyacentes sobre el testimonio de la familia y la conocido también.

Los comentarios como "La persona muerta respectivamente viviente hizo una tos a veces y dio un silbato solamente y era silencioso" se apuran afuera del pompon.

La cobertura que expone un cuerpo al peligro que es atacada por el rebelde at the time podía haber seguido con la cooperación de the very persona consiguiéndolo, también.

"Obtuvo un libro de investigación afuera de la letra personalmente, lo hizo a la firma y lo presentó".
El encuentro lo es1985.
La impresión que coincidía en la entrevista "Es asombrosamente directo".
Calma al artista grande quién estar sorprendido ante el sonido del magentófono con la característica contraria automática, diciendo que "Aprobación" y él continuaron una historia.

When presentar una grabadora después del terminar "Estaba informando a la esposa como el niño voluntariamente".

Desde entonces, la relación para hoy comenzó.
"Después del Japón fenomenal sismo oriental, es invitado a que esté en función de la casa en México muchas veces".

Ahora, piensa aproximadamente.

Es el artista, Kenji Nakagami del amigo de infancia a quien sugirió en realidad when querer conocer a Garcia - Marquez.
La primera entrevista ser se dado cuenta de en lugar de él quien la conveniencia no era bajo.
"La coincidencia extraña con GABO podría ser el recuerdo de Kenji muerto inesperadamente temprano".
Empieza a escribir sobre el Nakagami pronto.

El elemental, escuela secundaria elemental y escuelas secundarias y el gasto, jugó con Kenji, sentador, hirviendo embarrado en el arrozal.
Decir queriendo haber revelado la cara natural de él que lo fue uno consentir al llorón, también, él se reír.
(2400 yenes de Kawade Shobo Shinsha )
El hombre de letras de América Latina, catedrático de la universidad de Teikyo
Venir desde prefectura de Wakayama en 1947
Es Vargas Llosa en la antología "El mapa hondo", en la traducción en el libro.
"El camino para el paraíso", etcétera

"L'orario della galassia treno" 2011/6/15

"L'orario della galassia treno" 2011/6/15

"Cammina in Cento anni della Solitudine ".
Tamura Satoko
Dal Nikkei che legge colonna questa mattina

Il viaggio che l'attualità e l'illusione è adiacente a

Essere fanghiglie familiari che le frasi per chiamare da "GABO" ed il nomignolo sono disdegni.

Il conto di una composizione di viaggio per avere chiamato sul Caribbean distretto Marittimo che è il palcoscenico del lavoro a fondamento nell'amico che uguaglia nel trimestre di secolo con Premio Nobel artista Gabriel Garcia-Marquez in Colombia eccita vivamente, anche.

È uno che fu inondato nel ripieno nell'energia dell'uomo letterario che continuò una ricerca il mettere tutto con la violenza come il d'état di colpo di stato militare che si tuffa nella Meridionale America furiosa.

La terra della relazione di artista che andò, che questi approssimativamente 5 anni erano intensivi è fare il mondo nel momento in cui lui è della letteratura che è chiamata " il verism " che deve fare con " il taumaturgia ".

L'attualità e l'illusione sono adiacenti sulla testimonianza della famiglia e la conoscenza, anche.

I commenti come "il rispettivamente la persona morta e vivente fa una tosse qualche volta e dà solamente un fischio ed era giunco silenzioso" fuori del fiocco.

La copertura che mette in mostra un corpo al pericolo che è colpito a dal ribelle alla durata avrebbe potuto procedere con cooperazione della molta persona trovandolo, anche.

"Ottenne personalmente un libro di ricerca fuori di stampa, lo faceva alla firma e lo presentò ".
L'incontro è 1985.
L'impressione che si incontrò nell'intervista "Esso è notevolmente diretta ".
Calma il grande artista che è sorpreso al suono dell'archivista di nastro con la caratteristica inversa ed automatica, dicendo "OK " e continuò una storia.

Quando presentando un archivista dopo la fine "Esso stava riportando volentieri alla moglie piaccia il bambino ".

Da allora poi, la relazione ad oggi cominciò.
"Dopo il Giappone orientale il grande terremoto, è invitato per essere dipendente sulla casa in Messico molte volte ".

Ora, pensa circa.

È l'artista, Kenji Nakagami dell'amico di infanzia che davvero ha suggerito quando volendo incontrare Garcia-Marquez.
Della prima intervista si fu resa conto invece di lui chi la convenienza non era sotto.
"La coincidenza strana con GABO può essere inaspettatamente presto il ricordo di Kenji morto ".
Comincia a scrivere presto sul Nakagami.

L'elementare, massimo minore e licei e spendendo, giocò con Kenji, mentre divenendo, bollendo fangosamente al risone di riso.
Dicendo volendo avere dischiuso la naturale faccia di lui chi era un coccoli al piagnucolone, anche che ride.
(2400 hanno una gran voglia di di Kawade Shobo Shinsha )
L'America Latina uomo letterario, professore di Università di Teikyo
Venendo dalla prefettura di Wakayama nel 1947
È Vargas Llosa ad antologia "la mappa profonda ", nella traduzione al libro.
"La strada al paradiso "e così su

"Der Stundenplan der Galaxie Zug" 2011/6/15

"Der Stundenplan der Galaxie Zug" 2011/6/15

"Es geht in Ein hundert Jahren Einsamkeit ".
Tamura Satoko
Von der Nikkei-Lektüre Säule diesen Morgen

Die Reise, zu der die Wirklichkeit und die Illusion benachbart sind

Um vertraute Schlamme zu sein der die Sätze zu Anruf von "GABO" und der Spitzname ist leicht.

Das Konto eines Reiseaufsatzes, um das Caribbean Sea-Gebiet besucht zu haben, das die Phase der Arbeit zu Erdarbeit im Freund ist, der im Viertel Jahrhundert von Nobelpreiskünstler Gabriel Garcia-Marquez in Kolumbien entspricht, begeistert auch warm.

Es ist einer, der in die Füllung in die Energie vom literarischen Mann gelaufen wurde, der durch das Setzen von allem mit der Gewalt über den militärischen Coup d'état, der in tobendes Südamerika springt, eine Forschung fortsetzte.

Das Land von der Künstlerverbindung, die ging, dass diese ungefähr 5 Jahre intensiv waren, ist, die Welt zu machen, ebenso wie es von der Literatur ist, die gerufen wird, " der verism " das müssend damit machen " Thaumaturgie ".

Die Wirklichkeit und die Illusion sind auch über dem Zeugnis für die Familie und die Bekanntschaft benachbart.

Die Bemerkungen wie "die beziehungsweise lebende tote Person machen manchmal einen Husten und geben nur eine Pfeife und waren schweigsame" Eile aus dem Pompom.

Die Berichterstattung, die einen Körper der Gefahr aussetzt, die bei vom Rebellen zu der Zeit geschlagen wird, konnte mit Zusammenarbeit der genauen Person fortgefahren sein, indem sie es auch bekommt.

"Es erhielt persönlich ein Forschungsbuch vergriffen, es machte es mit der Unterschrift, und es präsentierte es ".
Die Begegnung ist 1985.
Der Eindruck, der sich im Interview traf, "Es ist überraschend direkt ".
Es beruhigt den großen Künstler, der beim Klang vom Kassettenrecorder mit dem automatischen umgekehrten Merkmal überrascht wird und "OK sagt, " und es setzte eine Geschichte fort.

Als "Ihm nach dem Ende einen Kassettenrecorder zu präsentieren, der Frau wie dem Kind bereitwillig berichtete, ".

Inzwischen, die Beziehung zu heute fing an.
"Nach dem östliches Japan großartigen Erdbeben wird es eingeladen, oft im Haus in Mexiko abhängig zu sein ".

Jetzt denkt es ungefähr.

Es ist der Künstler, Kenji Nakagami vom Kindheitsfreund, den es eigentlich vorschlug, als das wollend Garcia-Marquez treffen.
Das erste Interview wurde wen statt ihm erkannt, die Annehmlichkeit war nicht unten.
"Der seltsame Zufall mit GABO ist vielleicht das Andenken an unerwartet frühen toten Kenji ".
Es fängt an, bald über den Nakagami zu schreiben.

Das elementare, juniore Hoch und die Gymnasien und das Ausgeben, es spielte mit Kenji, Werden, der schlammig beim Reisfeld siedet.
Das wollend das natürliche Gesicht von ihm enthüllt haben sagend, wer war, ein verhätscheln Sie bei der Heulsuse auch, es lacht.
(2400 Yens Kawade Shobo Shinsha )
Das Lateinamerika literarischer Mann, Teikyo-Universität Professor
Das Kommen 1947 von Wakayama-Präfektur
Es ist Vargas Llosa bei Anthologie "die tiefe Landkarte ", in der Übersetzung beim Buch.
"Die Straße zum Paradies "und so weiter

"L'horaire de la galaxie train" 2011/6/15

"L'horaire de la galaxie train" 2011/6/15

"Il entre Cent années de Solitude ".
Tamura Satoko
Du Nikkei qui lit la colonne ce matin

Le voyage qui l'actualité et l'illusion est adjacente à

Être des vases familiers que les phrases appeler par "GABO" et le surnom sont légères.

Le compte d'un essai du voyage avoir appelé le district de Mer des Caraïbes qui est l'étape du travail à fondement dans l'ami qui égale dans le trimestre de siècle avec Prix Nobel artiste Gabriel Garcia-Marquez en Colombie excite chaudement, aussi.

C'est un qui a été débordé dans le remplissage dans l'énergie de l'homme littéraire qui a continué une recherche en mettant tout avec la violence tel que le d'état du coup militaire qui plonge dans Amérique du Sud furieuse.

La terre de la relation de l'artiste qui est allée, que ceux-ci approximativement 5 années étaient intensives est pour faire le monde seulement comme c'est de la littérature qui est appelée " le verism " qui doit faire avec " thaumaturgie ".

L'actualité et l'illusion sont adjacentes au sujet du témoignage de la famille et la connaissance, aussi.

Les remarques tel que "le respectivement la personne morte vivante fait quelquefois une toux et donne seulement un sifflement et était ruée silencieuse" hors du pompon.

La couverture qui expose un corps au danger qui est frappé à par le rebelle au moment aurait pu continuer avec coopération de la même personne en l'obtenant, aussi.

"Il a obtenu une recherche réserve épuisé personnellement, il l'a fait à la signature et il l'a présenté ".
La rencontre est 1985.
L'impression qui a rencontré dans l'entrevue "Il est étonnamment directe ".
Il calme le grand artiste qui est surpris par le son du magnétophone avec le trait inverse automatique, en disant "OK " et il a continué une histoire.

Quand présenter un enregistreur après la fin "Il rapportait volontiers à la femme aimez l'enfant ".

Depuis lors, le rapport à aujourd'hui a commencé.
"Après le Japon de l'est grand tremblement de terre, il est invité pour être dépendant sur la maison au Mexique beaucoup de fois ".

Maintenant, il pense au sujet de.

C'est l'artiste, Kenji Nakagami de l'ami de l'enfance qu'il a suggéré réellement quand vouloir rencontrer Garcia-Marquez.
De la première entrevue s'est rendue compte au lieu de lui qui la commodité n'était pas sous.
"La coïncidence étrange avec GABO peut être le souvenir de mort matinal de façon inattendue Kenji ".
Il commence à écrire bientôt au sujet du Nakagami.

L'élémentaire, cadet haut et lycées et dépenser, il a joué avec Kenji, en devenant, bouillir de façon boueuse à la rizière.
Dire vouloir avoir divulgué le visage naturel de lui qui était un chouchoutez au pleurnicheur, aussi, qu'il rit.
(2400 yen de Kawade Shobo Shinsha )
L'Amérique latine homme littéraire, professeur d'Université Teikyo
Venir de préfecture Wakayama en 1947
C'est Vargas Llosa à anthologie "la carte profonde ", dans la traduction au livre.
"La route au paradis "et ainsi de suite

"The timetable of the galaxy train" 2011/6/15

"The timetable of the galaxy train" 2011/6/15

“It walks in One Hundred Years of Solitude ".
Tamura Satoko
From the Nikkei reading column this morning

The travel which the actuality and the illusion are adjacent to

To be familiar oozes, that the sentences to call by "GABO" and the nickname are slight.

The account of a trip essay to have called on the Caribbean Sea district which is the stage of the work to groundwork in the friend who equals in the quarter of century with Nobel Prize artist Gabriel Garcia-Marquez in Colombia excites warmly, too.

It is one which was overflowed in the filling in the energy of the literary man who continued a research by the putting everything with the violence such as the military coup d’état diving into raging South America.

The land of the artist relation which went, that these about 5 years were intensive is to do the world just as it is of the literature which is called " the verism " having to do with " thaumaturgy ".

The actuality and the illusion are adjacent about the testimony of the family and the acquaintance, too.

The remarks such as “the respectively living dead person does a cough sometimes and gives a whistle only and was silent” rush out of the pompon.

The coverage which exposes a body to the danger which is struck at by the rebel at the time could have proceeded with cooperation of the very person by getting it, too.

“It obtained a research book out of print personally, it did it to the signature and it presented it ".
The encounter is 1985.
The impression which met in the interview “It is surprisingly direct ".
It calms down the big artist who is surprised at the sound of the tape recorder with the automatic reverse feature, saying “OK " and it continued a story.

When presenting a recorder after the ending “It was reporting willingly to the wife like the child ".

Since then, the relationship to today began.
“After the eastern Japan great earthquake, it is invited to be dependent on the house in Mexico many times ".

Now, it thinks about.

It is the artist, Kenji Nakagami of the childhood friend that it suggested actually when wanting to meet Garcia-Marquez.
The first interview was realized instead of him whom the convenience wasn't under.
“The strange coincidence with GABO may be the remembrance of unexpectedly early dead Kenji ".
It begins writing soon about the Nakagami.

The elementary, junior high and high schools and spending, it played with Kenji, becoming, boiling muddily at the rice paddy.
Saying wanting to have disclosed the natural face of him who was a mollycoddle at the crybaby, too, it laughs.
(2400 yen of Kawade Shobo Shinsha )
The Latin America literary man, Teikyo University professor
Coming from Wakayama Prefecture in 1947
It is Vargas Llosa at anthology “the deep map ", in the translation at the book.
“The road to the paradise “and so on

Gilles Deleuze

Gilles Deleuze

From Wikipedia, the free encyclopedia

Gilles Deleuze (French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1960s until his death, wrote influentially on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered by many scholars to be his magnum opus.[2]

Life[edit]

Deleuze was born into a middle-class family in Paris and lived there for most of his life. His initial schooling was undertaken during World War II, during which time he attended the Lycée Carnot. He also spent a year in khâgne at the Lycée Henri IV. During the Nazi occupation of France, Deleuze's older brother, Georges, was arrested for his participation in the French Resistance, and died while in transit to a concentration camp.[3] In 1944, Deleuze went to study at the Sorbonne. His teachers there included several noted specialists in the history of philosophy, such as Georges Canguilhem, Jean Hyppolite, Ferdinand Alquié, and Maurice de Gandillac, and Deleuze's lifelong interest in the canonical figures of modern philosophy owed much to these teachers. Nonetheless, Deleuze also found the work of non-academic thinkers such as Jean-Paul Sartre strongly attractive.[4] He agrégated in philosophy in 1948.
Deleuze taught at various lycées (Amiens, Orléans, Louis le Grand) until 1957, when he took up a position at the Sorbonne. In 1953, he published his first monograph, Empiricism and Subjectivity, on Hume. He married Denise Paul "Fanny" Grandjouan in 1956. From 1960 to 1964 he held a position at the Centre National de Recherche Scientifique. During this time he published the seminal Nietzsche and Philosophy (1962) and befriended Michel Foucault. From 1964 to 1969 he was a professor at the University of Lyon. In 1968 he published his two dissertations, Difference and Repetition (supervised by Gandillac) and Expressionism in Philosophy: Spinoza (supervised by Alquié).
In 1969 he was appointed to the University of Paris VIII at Vincennes/St. Denis, an experimental school organized to implement educational reform. This new university drew a number of talented scholars, including Foucault (who suggested Deleuze's hiring), and the psychoanalyst Félix Guattari. Deleuze taught at Vincennes until his retirement in 1987.
Deleuze, who had suffered from respiratory ailments from a young age,[5] developed tuberculosis in 1968 and underwent a thoracoplasty (lung removal).[6] He suffered increasingly severe respiratory symptoms for the rest of his life.[7] By the last years of his life, simple tasks such as handwriting required laborious effort. In 1995, he committed suicide, throwing himself from the window of his apartment.[8] At the time of his death, Deleuze had announced his intention to write a book entitled La Grandeur de Marx, and left behind two chapters of an unfinished project entitled Ensembles and Multiplicities (these chapters have been published as the essays "Immanence: A Life" and "The Actual and the Virtual").[9] He is buried in the cemetery of the village of Saint-Léonard-de-Noblat.[10]
Deleuze himself almost entirely demurred from autobiography. When once asked to talk about his life, he replied: "Academics' lives are seldom interesting."[11] When a critic seized upon Deleuze's unusually long, uncut fingernails as a revealing eccentricity, he replied: "I haven't got the normal protective whorls, so that touching anything, especially fabric, causes such irritation that I need long nails to protect them."[12] Deleuze concludes his reply to this critic thus:
"What do you know about me, given that I believe in secrecy? ... If I stick where I am, if I don't travel around, like anyone else I make my inner journeys that I can only measure by my emotions, and express very obliquely and circuitously in what I write. ... Arguments from one's own privileged experience are bad and reactionary arguments."[13]
Philosophy[edit]

Deleuze's works fall into two groups: on one hand, monographs interpreting the work of other philosophers (Spinoza, Leibniz, Hume, Kant, Nietzsche, Bergson, Foucault) and artists (Proust, Kafka, Francis Bacon); on the other, eclectic philosophical tomes organized by concept (e.g., difference, sense, events, schizophrenia, cinema, philosophy). Regardless of topic, however, Deleuze consistently develops variations on similar ideas.
Metaphysics[edit]
Deleuze's main philosophical project in the works he wrote prior to his collaborations with Guattari can be baldly summarized as an inversion of the traditional metaphysical relationship between identity and difference. Traditionally, difference is seen as derivative from identity: e.g., to say that "X is different from Y" assumes some X and Y with at least relatively stable identities (as in Plato's forms). To the contrary, Deleuze claims that all identities are effects of difference. Identities are neither logically nor metaphysically prior to difference, Deleuze argues, "given that there exist differences of nature between things of the same genus."[14] That is, not only are no two things ever the same, the categories we use to identify individuals in the first place derive from differences. Apparent identities such as "X" are composed of endless series of differences, where "X" = "the difference between x and x'", and "x" = "the difference between...", and so forth. Difference, in other words, goes all the way down. To confront reality honestly, Deleuze argues, we must grasp beings exactly as they are, and concepts of identity (forms, categories, resemblances, unities of apperception, predicates, etc.) fail to attain what he calls "difference in itself." "If philosophy has a positive and direct relation to things, it is only insofar as philosophy claims to grasp the thing itself, according to what it is, in its difference from everything it is not, in other words, in its internal difference."[15]
Like Kant and Bergson, Deleuze considers traditional notions of space and time as unifying forms imposed by the subject. He therefore concludes that pure difference is non-spatio-temporal; it is an idea, what Deleuze calls "the virtual". (The coinage refers to Proust's definition of what is constant in both the past and the present: "real without being actual, ideal without being abstract."[16]) While Deleuze's virtual ideas superficially resemble Plato's forms and Kant's ideas of pure reason, they are not originals or models, nor do they transcend possible experience; instead they are the conditions of actual experience, the internal difference in itself. "The concept they [the conditions] form is identical to its object."[17] A Deleuzean idea or concept of difference is therefore not a wraith-like abstraction of an experienced thing, it is a real system of differential relations that creates actual spaces, times, and sensations.[18]
Thus, Deleuze at times refers to his philosophy as a transcendental empiricism, alluding to Kant and Schelling. In Kant's transcendental idealism, experience only makes sense when organized by forms of sensibility (namely, space and time) and intellectual categories (such as causality). Assuming the content of these forms and categories to be qualities of the world as it exists independently of our perceptual access, according to Kant, spawns seductive but senseless metaphysical beliefs (for example, extending the concept of causality beyond possible experience results in unverifiable speculation about a first cause). Deleuze inverts the Kantian arrangement: experience exceeds our concepts by presenting novelty, and this raw experience of difference actualizes an idea, unfettered by our prior categories, forcing us to invent new ways of thinking (see below, Epistemology).
Simultaneously, Deleuze claims that being is univocal, i.e., that all of its senses are affirmed in one voice. Deleuze borrows the doctrine of ontological univocity from the medieval philosopher John Duns Scotus. In medieval disputes over the nature of God, many eminent theologians and philosophers (such as Thomas Aquinas) held that when one says that "God is good", God's goodness is only analogous to human goodness. Scotus argued to the contrary that when one says that "God is good", the goodness in question is exactly the same sort of goodness that is meant when one says "Jane is good". That is, God only differs from us in degree, and properties such as goodness, power, reason, and so forth are univocally applied, regardless of whether one is talking about God, a person, or a flea.
Deleuze adapts the doctrine of univocity to claim that being is, univocally, difference. "With univocity, however, it is not the differences which are and must be: it is being which is Difference, in the sense that it is said of difference. Moreover, it is not we who are univocal in a Being which is not; it is we and our individuality which remains equivocal in and for a univocal Being."[19] Here Deleuze at once echoes and inverts Spinoza, who maintained that everything that exists is a modification of the one substance, God or Nature. For Deleuze, there is no one substance, only an always-differentiating process, an origami cosmos, always folding, unfolding, refolding. Deleuze summarizes this ontology in the paradoxical formula "pluralism = monism".[20]
Difference and Repetition is Deleuze's most sustained and systematic attempt to work out the details of such a metaphysics, but his other works develop similar ideas. In Nietzsche and Philosophy (1962), for example, reality is a play of forces; in Anti-Oedipus (1972), a "body without organs"; in What Is Philosophy? (1991), a "plane of immanence" or "chaosmos".

The omit the last part

Félix Guattari

From Wikipedia, the free encyclopedia

Pierre-Félix Guattari (French: [gwataʁi]  (listen) (help·info); April 30, 1930 – August 29, 1992) was a French militant, an institutional psychotherapist, philosopher, and semiologist; he founded both schizoanalysis and ecosophy. Guattari is best known for his intellectual collaborations with Gilles Deleuze, most notably Anti-Oedipus (1972) and A Thousand Plateaus (1980), the two volumes of Capitalism and Schizophrenia.

Biography

Clinic of La Borde

Guattari was born in Villeneuve-les-Sablons, a working-class suburb of north-west Paris, France.^[1] He trained under (and was analysed by) the psychoanalyst Jacques Lacan in the early 1950s. Subsequently, he worked (until his death from a heart attack in 1992) at the experimental psychiatric clinic of La Borde under the direction of Lacan's pupil, the psychiatrist Jean Oury. La Borde was a venue for conversation among many students of philosophy, psychology, ethnology, and social work.

One particularly novel orientation developed at La Borde consisted of the suspension of the classical analyst/analysand pair in favour of an open confrontation in group therapy. In contrast to the Freudian school's individualistic style ofanalysis, this practice studied the dynamics of several subjects in complex interaction; it led Guattari into a broader philosophical exploration of, and political engagement with, a vast array of intellectual and cultural domains (philosophy,ethnology, linguistics, architecture, etc.).

1960s to 1970s[edit]

From 1955 to 1965, Guattari edited and contributed to La Voie Communiste (Communist Way), a Trotskyist newspaper.^[2] He supported anti-colonialist struggles as well as the Italian Autonomists. Guattari also took part in the G.T.P.S.I., which gathered many psychiatrists at the beginning of the sixties and created the Association of Institutional Psychotherapy in November 1965. It was at the same time that he founded, along with other militants, the F.G.E.R.I. (Federation of Groups for Institutional Study & Research) and its review Recherche (Research), working on philosophy, mathematics, psychoanalysis, education, architecture, ethnology, etc. The F.G.E.R.I. came to represent aspects of the multiple political and cultural engagements of Guattari: the Group for Young Hispanics, the Franco-Chinese Friendships (in the times of the popular communes), the opposition activities with the wars in Algeria and Vietnam, the participation in the M.N.E.F., with the U.N.E.F., the policy of the offices of psychological academic aid (B.A.P.U.), the organisation of the University Working Groups (G.T.U.), but also the reorganizations of the training courses with the Centers of Training to the Methods of Education Activities (C.E.M.E.A.) for psychiatric male nurses, as well as the formation of Friendly Male Nurses (Amicales d'infirmiers) (in 1958), the studies on architecture and the projects of construction of a day hospital of for "students and young workers".

In 1967, he appeared as one of the founders of OSARLA (Organization of solidarity and Aid to the Latin-American Revolution). In 1968, Guattari met Daniel Cohn-Bendit, Jean-Jacques Lebel, and Julian Beck. He was involved in the large-scale French protests of 1968, starting from the Movement of March 22. It was in the aftermath of 1968 that Guattari met Gilles Deleuze at the University of Vincennes and began to lay the ground-work for the soon to be infamous Anti-Oedipus (1972), which Michel Foucault described as "an introduction to the non-fascist life" in his preface to the book. In 1970, he created fr:CERFI (Center for the Study and Research of Institutional Formation), which developed the approach explored in the Recherches journal. In 1973, Guattari was tried and fined for committing an "outrage to public decency" for publishing an issue of Recherches on homosexuality.^[3] In 1977, he created the CINEL for "new spaces of freedom" before joining in the 1980s the ecological movement with his "ecosophy".

1980s to 1990s[edit]

In his last book, Chaosmosis (1992), Guattari returned to the question of subjectivity: "How to produce it, collect it, enrich it, reinvent it permanently in order to make it compatible with mutant Universes of value?" This concern runs through all of his works, from Psychoanalysis and Transversality (a collection of articles from 1957 to 1972), through Years of Winter (1980–1986) and Schizoanalytic Cartographies (1989), to his collaboration with Deleuze, What is Philosophy? (1991). In Chaosmosis, Guattari proposes an analysis of subjectivity in terms of four dimensions: (1) material, energetic, and semiotic fluxes; (2) concrete and abstract machinic phylums; (3) virtual universes of value; and (4) finite existential territories.^[4] This scheme attempts to grasp the heterogeneity of components involved in the production of subjectivity, as Guattari understands it, which include both signifying semiotic components as well as "a-signifying semiological dimensions" (which work "in parallel or independently of" any signifiying function that they may have).^[5]

In 1995, the posthumous release Chaosophy published essays and interviews concerning Guattari's work as director of the experimental La Borde clinic and his collaborations with Deleuze. The collection includes essays such as "Balance-Sheet Program for Desiring Machines," cosigned by Deleuze (with whom he coauthored Anti-Oedipus and A Thousand Plateaus), and "Everybody Wants To Be a Fascist." It provides an introduction to Guattari's theories on "schizoanalysis", a process that develops Sigmund Freud's psychoanalysis but which pursues a more experimental and collective approach towards analysis.

In 1996 another collection of Guattari's essays, lectures, and interviews, Soft Subversions, was published, which traces the development of his thought and activity throughout the 1980s ("the winter years"). His analyses of art, cinema, youth culture, economics, and power formations, develop concepts such as "micropolitics," "schizoanalysis," and "becoming-woman," which aim to liberate subjectivity and open up new horizons for political and creative resistance to the standardizing and homogenizing processes of global capitalism (which he calls "Integrated World Capitalism") in the "postmedia era."

Works[edit]

Works translated into English[edit]

• Molecular Revolution: Psychiatry and Politics (1984). Selected essays from Psychanalyse et transversalité (1972) and La révolution moléculaire (1977).
• Schizoanalytic Cartographies (1989).
• The Three Ecologies (1989).
• Chaosmosis: an Ethico-Aesthetic Paradigm (1992).
• Chaosophy (1995). Collected essays and interviews.
• Soft Subversions (1996). Collected essays and interviews.
• The Guattari Reader (1996). Collected essays and interviews.
• The Anti-Oedipus Papers (2004). Collection of texts written between 1969 and 1972.
• The Machinic Unconscious (2011)

In collaboration with Gilles Deleuze:

• Anti-Oedipus (1972).
• Kafka: Towards a Minor Literature (1975).
• A Thousand Plateaus (1980).
• On the Line (1983). Contains translation of "Rhizome" (1976).
• Nomadology: The War Machine. (1986). Translation of chapter 12 of A Thousand Plateaus.
• What Is Philosophy? (1991).

Other collaborations:

• Communists Like Us (1985). With Antonio Negri.
• Molecular Revolution in Brazil (1986). With Suely Rolnik.
• The Party without Bosses (2003), by Gary Genosko. Features a 1982 conversation between Guattari and Luiz Inácio Lula da Silva, the former President of Brazil.

"THE FIERY TRIAL"

Comme pour la colonne de la lecture du journal au Japon dimanche, le monde est éminent.
De la colonne de la lecture du Nikkei 2013/7/28

"LE PROCÈS ARDENT"

Écrit par Eric Foner

Les nombreuses torsions et tours et l'augmentation du chef

Si faire le régulier emballer de la théorie de la décision au sujet de la politique internationale pour être la Crise cubaine, le meilleur cas au sujet de la politique domestique peut être l'émancipation de l'esclavage de Lincoln.

Ce manuel par l'historien américain qui est de premier ordre quand le contemporain est le chef-d'oeuvre de qui il devrait dire l'exploit monumental de la recherche du dulosis pour faire Pulitzer Prize, Bancroft Prize et Lincoln Prize en les bouillant dans la dégustation totale, et ainsi de suite.

Le Parti républicain auquel Lincoln a appartenu alors a déclaré "l'opposition du dulosis " mais au parti interne, l'abolitionnisme immédiat, la théorie de la phase-sortie, la théorie de la prévention de l'expansion et ainsi de suite a rivalisé avec.

C'est dans Lincoln lui-même, en premier comme transfert d'Afrique d'examen par l'homme libéré sérieusement.

Comment a fait le plus grand président et même maintenant a respecté Lincoln rassemble une opinion et une politique au problème avec la mégatonne classe qui a été faite que c'est impossible de s'en rendre compte approximativement d'avec les yeux, "l'émancipation de l'esclavage?"

La caractéristique maximale de ce manuel est le point qui met son coeur et âme quand il de façon neutre et équitablement les nombreuses torsions et tours y compris le défaut de Lincoln et erreur dans le jugement.

Il fait une dimension clarifiant une différence avec le genre de "la légende du héros" qui est débordée dans la rue.

Il sent réellement qui le, politique d'Amérique ne peut pas être expliquée suffisamment seulement dans les idéologies conventionnelles tel que "le conservateur " et " la libéralité "encore une fois.

La politique du corps vivant était plus riche en exactitude et la lettre du caractère ordinaire a frémi quelquefois approximativement seulement le coeur de Lincoln et esprit, aussi.

Individuellement, Lincoln a respecté le jus de Johnny Reb qui a dépendu du dulosis comme l'U.S. président et a été impressionné au chiffre pour essayer avec persistance à estime une procédure démocratique.

Cependant, hauteur avec la capacité qui écoute la critique, aussi, sélectionner son propre rival de l'adversaire politique, aussi, et ainsi de suite, est su si être avec être capable si dire Lincoln.

Il fait le contraste avec " la personne devant avoir été intimidée (par l'omission) à l'occasion de la crise pour "comme Johnson qui a fait des remarques que l'auteur était le chef "qui a été fait grand avec "Lincoln" qui grandit" et a pris sur un travail du président après assassinat.

Grâce à ce manuel, nous pouvons sentir qu'il comme le chef grandit comme si voir un juste aimez le haut documentaire de la qualité.

Sûrement, c'est on comme le modèle de la politique biographie critique.

Aussi, la traduction est merveilleuse.

Le critique Keio University professeur Watanabe Yasushi

( Morimoto Nari traduction, Hakusuisha 4800 yen )

. L'auteur naît dans 43.

U.S. professeur d'Université Columbia

"THE FIERY TRIAL"

As for the reading column of the newspaper in Japan on Sunday, the world is eminent.
From the reading column of the Nikkei　2013/7/28

"THE FIERY TRIAL"

Written by Eric Foner

The many twists and turns and the growth of the leader

If making the regular case of the decision theory about the international politics to be the Cuban Crisis, the best case about the domestic politics may be Lincoln's slavery emancipation.

This manual by the American historian who is first-class when contemporary is the masterpiece of which it should say the monumental achievement of the dulosis research to do Pulitzer Prize, Bancroft Prize, and Lincoln Prize by boiling them in total tasting, and so on.

The Republican Party which Lincoln belonged to then declared “the dulosis opposition " but at the internal party, the immediate abolitionism, the phase-out theory, the expansion prevention theory and so on rivaled.

It is in Lincoln himself, at first as examining Africa transfer by the freedman seriously.

How did the greatest president and even now respected Lincoln gather an opinion and a policy to the problem with the megaton class which was made that it is impossible to be approximately realized it with the eyes, “the slavery emancipation "?

The maximum characteristic of this manual is the point which is putting one's heart and soul when it let's describe the many twists and turns neutrally and fairly including Lincoln's defect and error in judgment.

It makes a clarifying dimension a difference with the kind of “the hero legend” which is overflowed in the street.

It actually feels that the, America politics cannot be sufficiently explained only in the conventional ideologies such as “the conservative " and " the liberality “once more.

The politics of the living body was wealthier in the nicety and the ordinariness letter sometimes quivered Lincoln's heart and mind roughly only, too.

Individually, Lincoln respected the jus of Johnny Reb who depended on the dulosis as the U.S. president and got impressed to the figure to try to esteem a democratic procedure persistently.

However, height with the capacity which listens to the criticism, too, to select its own political opponent rival, too, and so on, is known if being with being able if saying Lincoln.

It is making contrast with " the person to have been daunted (by the omission) on the occasion of the crisis for “like Johnson who commented that the author was the leader “who was made great with “Lincoln” growing” and took over a president job after assassination.

Thanks to this manual, we can sense that he as the leader grows as if to be seeing a just like high quality documentary.

Surely, it is one like the model of the politics critical biography.

The translation, too, is wonderful.

The critic　Keio University professor　Watanabe　Yasushi

( Morimoto Nari translation, Hakusuisha 4800 yen )

▼ The author is born in 43.

U.S. Columbia University professor

Today Last Year 2012/7/28

It is... as far as the good self writes; it writes and continues to write.

Because, you continue to write that our country is the country which stands up in the intellect

As for the Olympics, too, the relation is in nothing about the how much money it made a profit on, too.

Only the earnest depth of the intellect, the depth of the love which depends on the thing

Because the greatness of the country and the greatness of the human being are only in there

Of having no greatness by the country which continues to work in the evil to do moneymaking restlessly

As for declaring in the at most boiling for the world, it puts "The Turntable of Civilization" of the good self and it is not in the others.

It will not making dementia as much as the understanding of such a thing, too, in everybody's.

If being, right now, it subscribes to Akutagawa's "The Turntable of Civilization".

There will be many, too, persons who don't know but they are subscribing to the highest peak in our country in turn.

It comes tightly to Akutagawa's article.

 

 

 

2013/7/8 Heian Jingu Kyoto(C)Akutagawa Kenji

 

 

 

 

 

 

Luis Buñuel

В Воскресенье газеты в Японии, читающая колонна видный в мире.

Из Nikkei, 2013/7/28

"Luis Bunuel"

Написанный Yomota Inuhiko

Это картины картина в изобилующем мире фильма.

Это - мастер surrealism (surrealism) фильм если говоря Luis Bunuel.

"Un Chien Andalou" чтобы иметь спаренный с Dali живописца знаменитый.

Влияние места действия разрезать глаза женщины открывается только возле в фильме начало!

Однако, Bunuel завершил изобилующий мир фильма (37 работ в количестве) приблизительно в течение половины век после чего.

Это трудное быть да когда картина известная.

Этот справочник книга быть рядом страница 700 который делала первое время Bunuel картина громадная в Японии и привлекла детально.

Это что и 30 после автора решают почерк Bunuel теорию.

Это сделало молитву делая автора для кого серьезная болезнь была больная в 2009 полной Bunuel теории если операция имела успех.

Это походит шедевр на cenotaph который разливается в encyclopedism и интеллекте который подходящий достигнуть серьезного желания.

Если изготовление Bunuel чтобы быть surrealist, это зависит от изготовления мечты путь фильма и изготовления maniac любят предмет.

"L'AGE d'or" "el" а затем хранение reliquiae "Что Неясный Объект Желания" и так далее в начале "Un Chien Andalou" делаются в этом genealogy.

Однако, чтобы видеть перед с Католиком поверхности веры как большой предмет в шедевре который проходил в Мексику из Испании и был взят там.

Святой "Nazarin" может заставить к коллапсу и святому "Viridiana" водится в ordeal.

Это не просто Католик критика.

Это закрывает глаза к пространству мульти-dimensionality и Bunuel отвечает все догматы который пытаются объяснить мир в единственном принципе что это не делает.

Последний 10, Bunuel как директор пленки двигают основу деятельности в Францию.

Тогда, это берет colorful drummer что буржуазия играет климат который отличный от Испании в motherland и Мексике места exile в вкусе на этапе.

"LE FANTOME DE LA LIBERTE" "Le Charme discret de la буржуазия", "Красота Дня" который регистрировал Catherine Deneuve высота красоты, avant-garde фильм narration crystallized как открыто и квадратно достаточно овладевают-рукой об имени, также, и так далее

Те работы делают нелепую иллюзию забавную при постоянную neoteric что упали, расстраиваются то время как растучи как желание, кажусьчи раздумывают и становилось cruel зеркало.

Bunuel который Inuhiko Yomota картины не мастер ранее и современный нас который все еще странные.

Gakushuin профессор Университета Shouhei Chuujou

( 4800 иены 作品社) ▼yomotainuhiko Носил в 53

Это разрабатывает деятельность обзора в области языкового представления и картины и так далее.

"Соль видящей "при книге и так далее

Перевод Akutagawa.

Luis Buñuel

Em domingo do jornal no Japão, está a coluna de leitura um eminente no mundo.

Do Nikkei, 2013/7/28

"Luis Bunuel"

Escrito por Yomota Inuhiko

Imagina o quadro no mundo de filme abundante.

É o mestre do filme de surrealismo (o surrealismo) se dizendo Luis Bunuel.

"Un Chien Andalou" ter se juntado com Dali do pintor é famoso.

O impacto da cena para cortar os olhos da mulher só abre ao lado do filme começando!

Porém, Bunuel completou o mundo de filme abundante (37 trabalhos em quantia) para sobre metade um século depois disso.

É difícil ser sim quando o quadro for bem conhecido.

O este manual é o livro para estar próximo a página 700 que feito na primeira vez o quadro de Bunuel enorme no Japão e puxou em detalhes por.

É isso que e 30 depois do autor decidem a escritura de teoria de Bunuel.

Fez uma oração quando fazendo o autor para quem a doença séria estava doente em 2009 teoria de Bunuel completa se a operação tivesse sucesso.

É uma obra-prima como o cenotáfio que é superabundado no encyclopedism e o intelecto que são satisfatório para alcançar o desejo sério.

Se fazendo Bunuel para ser um surrealista, depende de abrir um sonho o espaço do filme e fazer maníaco ame um assunto.

""D'Or de L'Age "EL" e então a armazenagem de reliquiae "Que Obscurece Objeto de Desejo" e assim por diante no começo de "Un Chien Andalou" é terminado nesta genealogia.

Porém, ser confrontado com as superfícies de convicção Católicas como o assunto grande na obra-prima que passou para o México da Espanha e foi levada lá.

O santo de "Nazarin" pode forçar a se desmoronar e o santo de "Viridiana" é acumulado na provação.

Esta não é nenhuma crítica meramente Católica.

Fecha olhos à multi-dimensionalidade espacial e Bunuel responde todas as doutrinas que tentam explicar o mundo no único princípio que faz nenhum.

Último 10, Bunuel como o movimento de diretor de filme uma base de atividade para a França.

Então, leva o baterista colorido que a burguesia joga o clima que é diferente da Espanha no motherland e lugar o México de exílio no gosto na fase.

"LE FANTOME DE LA LIBERTE" de "Le Charme discret de "burguesia de la, "Beleza do Dia" que registrou Catherine Deneuve altura de beleza, o ser de narração de filme vanguardista cristalizou como o abertamente e em cheio bastante mestre-mão sobre o nome, também, e assim por diante

Esses trabalhos fazem ilusão absurda engraçado ao neoteric constante que caiu, enquanto sendo frustrado enquanto crescendo como o desejo, parecendo refletir e se tornar espelho cruel.

Bunuel quem quadros de Inuhiko Yomota não são um mestre no passado e são o contemporâneo de nós que ainda são estranhos.

Gakushuin professor Shouhei Chuujou Universitário

( 4800 iene de...) .YomotaInuhiko Born em 53

Desenvolve uma atividade de revisão na área da representação de idioma e o quadro e assim por diante.

"Sal de ver "ao livro e assim por diante

A tradução é Akutagawa.

Luis Buñuel

En el domingo del periódico en Japón, la columna de lectura lo es uno eminente en el mundo entero.

Del Nikkei, 2013/7/28

"Luis Bunuel"

Escribir por Yomota Inuhiko

Describe la fotografía en el mundo de película abundante.

Es el amo de la película de surrealismo (el surrealismo) si diciendo a Luis Bunuel.

"Un Chien Andalou" haber apareado con Dali del pintor es famoso.

¡El impacto del lugar justo al lado del que se cortar los ojos de los campeonatos abiertos de mujer en el principio de película!

Sin embargo, Bunuel terminó el mundo de película abundante (37 obras en la cantidad) por alrededor de medio siglo después de eso.

Es difícil ser sí cuando la fotografía es conocida.

El tan manual ser el libro de estar cerca del page 700 que logró the first time que Bunuel's describía inmenso en Japón y dibujó en el detalle by.

Es qué y 30 después del escritor determina el escribir de teoría de Bunuel.

Hizo una oración when hacía el escritor para el que la enfermedad seria estaba mala en 2009 terminar teoría de Bunuel si la operación diera resultado.

Es una obra maestra como el cenotafio que es rebosado en el encyclopedism y el intelecto que es apropriado para conseguir el deseo serio.

Si haciendo Bunuel para ser un surrealista, depende de hacer un sueño la manera de la película y hacer el amor maníaco un tema.

"L 'Or de d de 'Age" "EL" y luego el guardar de reliquiae "Ese centro obscuro de Desire", etcétera al principio de "Un Chien Andalou" son hecho en esta genealogía.

Sin embargo, ser confrontado con la creencia católica surge como el tema grande en la obra maestra que pasó de España a México y fue tomada allí.

El santo de la fuerza de lata de "Nazarin" de desplomarse y el santo de "Viridiana" son conducido en la experiencia terrible.

Ésta no es la crítica simplemente católica.

Cierra ojos al multi- dimensionality de espacio y Bunuel responde a todos dogmas que tratan de explicar el mundo en el principio solo de que hace no.

Último 10, Bunuel como el director de cine cambian de lugar una base de actividad a Francia.

Entonces/luego, lleva al tamborilero pintoresco que las burguesía juegan al clima que es diferente de España en la patria y ponga México del exilio en el sabor en el escenario.

"Le FANTOME de la LIBERTE" de "Le Charme discret de la burguesía", la "Belleza del día" que grabó la Catherine Deneuve altura de belleza la narración's ser cristalizada como el abiertamente y directa y suficientemente maestro - obrero sobre el nombre, también, etcétera de película de vanguardia

Esas obras hacen la ilusión absurda extraña en el neoteric continuo que cayó, estar frustrado mientras crecen como el deseo, seem reflejar y se hacer el espejo cruel.

Bunuel a quien Inuhiko Yomota describe no es un amo en el pasado y es el contemporáneo de nosotros que todavía es extraño.

Gakushuin catedrático Shouhei de la universidad Chuujou

( 4800 yenes de???)? YomotaInuhiko nacido en 53

Desarrolla una actividad de evaluación en la área de la representación de lengua y la fotografía, etcétera.

"Sal de ver" en el libro, etcétera

La traducción es Akutagawa.

Luis Buñuel

Domenica del giornale in Giappone la colonna di lettura è, un eminente nel mondo.

Dal Nikkei, 2013/7/28

"Luis Bunuel"

Scritto da Yomota Inuhiko

Dipinge il ritratto nel mondo di film abbondante.

È il padrone del film di surrealismo (il surrealismo) se dicendo Luis Bunuel.

"Non Chien Andalou" per avere appaiato con Dalí del pittore è famoso.

L'impatto della scena per tagliare gli occhi della donna apre solo accanto a nell'il film cominciare!

Comunque, Bunuel completò il mondo di film abbondante (37 lavori in ammontare) per su metà un secolo dopo ciò.

È difficile essere sì quando il ritratto è conosciuto bene.

Il questo manuale è il libro per essere vicino la pagina 700 quale creò il ritratto di Bunuel la prima volta enorme in Giappone e disegnò in dettaglio da.

È quello che e 30 dopo l'autore decidono la scrittura della teoria di Bunuel.

Fece una preghiera quando facendo l'autore per che la malattia seria era malata in 2009 teoria di Bunuel completa se l'operazione riuscisse.

È un capolavoro come il cenotafio che è inondato nell'encyclopedism e l'intelletto che sono appropriati per realizzare l'augurio serio.

Se facendo Bunuel per essere un surrealista, dipende da creando il modo del film un sogno e fare maniaco ami un soggetto.

"D'Or" di L'Age "El" e poi il magazzinaggio di reliquiae "Che Oscura Oggetto di Desiderio" e così su all'inizio di "Non Chien Andalou" sono fatti in questa genealogia.

Comunque, essere confrontato con le superfici di credenza cattoliche come il grande soggetto nel capolavoro che passò a Messico dalla Spagna e fu preso là.

Il santo di "Nazarin" può costringere a crollare ed il santo di "Viridiana" è guidato nella prova.

Questa non è la critica soltanto cattolica.

Chiude occhi alla multi-dimensionalità spaziale e Bunuel risponde a tutti i dogmi che tentano di spiegare il mondo nel solo principio che fa nessuno.

Ultimo 10, Bunuel come la mossa di direttore cinematografica una base di attività a Francia.

Poi, prende il tamburino colorito che la borghesia gioca il clima che è diverso della Spagna nel motherland e luogo Messico di esilio nel gusto al palcoscenico.

"LE FANTOME DE LA LIBERTE" di "Le Charme la "borghesia della di de di discret, "Bellezza del giorno" che registrò Catherine Deneuve altezza di bellezza l'essere di narrazione di film di avanguardia cristallizzò come l'apertamente ed ad angolo retto abbastanza padrone-mano sul nome, anche e così su

Quelli lavori fanno illusione assurda divertente al neoteric continuo che è caduto, essendo frustrato mentre crescendo come il desiderio, sembrando riflettere e divenire specchio crudele.

Bunuel che ritratti dell'Inuhiko Yomota non sono un padrone di passato e sono il contemporaneo di noi chi ancora sono strani.

Università di Gakushuin professore Shouhei Chuujou

( 4800 hanno una gran voglia di di...) .YomotaInuhiko Born nel 53

Sviluppa un'attività di revisione nell'area della rappresentazione di lingua ed il ritratto e così su.

"Sale di vedere "al libro e così su

La traduzione è Akutagawa.