Below is the continuation of the paper which was submitted to the world titled "There was no one who was not impressed in the starting place, who was a Japanese who saw the second time of Shiba Ryotaro telecast by NHK.
After this thing, Shiba had raised "the decisiveness to the death" as the most prominent thing in the spirit of samurai (what was not in the world of all ages and countries), I was impressed.
What I am never evaluating Shiba Ryotaro 100% is as I wrote irony for him at the time I just appeared like this, but as for the area around this place, I admire Shiba Ryotaro.
My irony was to ridicule him who is not about to write about now as a wimp.
But I think now.
He did not write about now, things that have been writing mainly about the human beings during the Edo period and the Meiji Restoration, the fact that many Japanese people have a big empathy to the living circumstances of the person he wrote, it points to the mistakes of so-called cultural people after the war, represented by Asahi Shimbun who argued that only postwar Japan can be evaluated.
However, I think that Shiba was also one of the so-called cultural people of the Asahi Newspaper, so I think he probably did not notice this my point.
But in his opinion about Japan of the century of war aired on the latter part, I have no impression, nor do I agree at all. That is to say NO.
Because it is no exaggeration to say that the midfield of the 20th century, the century of the war, was militarized in all countries.
The century of war is the result of Western colonial competition.
In the first place it can be said that acquiring Western colonies is the result of military power.
It is understood by defining militarism as the existence of what is called a volunteer activity (including recruitment of students).
Even the turn table of civilization came from the UK and the US who was at the height of one's prosperity turned militaristic as soon as it entered the war, as I wrote a long time ago, since I saw "Love Is a Many - Splendored Thing", Jennifer Jones who was a big fan, was playing the lead role (Since You Went Away) It is evident in the scene working as a volunteer at the factory.
In the movie, where the serif which can be said the subject of this movie, where is the essence of the United States, it is spoken by her.
Korean organizations that used the Asahi Shimbun's lie as their anti-Japanese propaganda and doing a persistent Japanese attack, the Korean organizations who name the volunteer team watched this movie and a number of Japanese recorded images at the time then, they must know their lies and be ashamed of their "evil".
With the one party dictators of the Chinese Communist Party, it goes without saying that Chinese citizens and Westerners who are brainwashed by them are the same.
That is, I do not agree at all about the idea of Shiba explained in the second half part.
Because his thought of that part is strongly influenced by the thought that GHQ planted in the Japanese.
Takayama Masayuki has elucidated the circumstances that GHQ had to plant, at the beginning column of "Justice" this month's issue.
A major character in the second half is a person who has advanced to the University of Tokyo from Sendai Daiichi High School, my rival school, which it criticized intensely recently, for the countries around the world other than Japan, it is quite normal It is also clear that it was one of the leaders of so-called cultural people who opposed the bill.
Yoichi Higuchi, the leading authority of a group of scholars who have said that the Abe cabinet is in violation of the Constitution, saying that a bill that properly defines the collective self-defense rights that the United Nations recognizes as a war bill is taken as a war bill Was the main character of the second part, it was expressing Siba’s mistake.
In addition to that, Ms. Matsui Yayori who was a notorious activist, such as "The Women's International War Crimes Tribunal on Japan's Military Sexual Slavery", this no more quite absurd thing events, among the NHKs that aired happily, still, the fact that Takayama Masayuki told us, through the occupation policy of GHQ, the Koreans in Japan and so on got into the media such as NHK, these guys and those left-winged people like other media proved that they still existed in the main post.
That is, in the latter part, his student and his followers, NHK employees, used Ryotaro Shiba to use as a pretext, it is not an exaggeration to say that it was propaganda broadcasting the thought of Higuchi Yoichi and planting ideas of the anti-Abe government in the Japanese citizens.
Every owner of perceptive among viewers should agree with me.
The protagonist in the latter half of that feature was not Siba but because it was clearly Yoichi Higuchi.
This draft continues.