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Sōseki and the Origin of Modern Japanese Literature 漱石と現代日本文学の起源

2018-02-17 01:30:45 | Academia

身体論を今まで意識していなかった。送られてきた Tsu-Chung Suの「From Xin(心)and Energy unto Mindfulness and Altered Consciousness: The Asian Bodymind in Theory and Practice とRavi Chaturvediの「Metaphysics of Bodies in Classical Indian theatre」を読んだ。ラビーさんは懐かしい。というのも2003年にジャイプールに行った時お世話になった教授で発表をアクセスしてくれた方だ。彼らの論を読んで理解するのはいいが、自らある論を纏めるのは時間がかかる。Tsu-Chung Suさんは日本の伝統芸能(能、歌舞伎など)のエッセンスから中国、インドを含めてアジア的身体論〈演技者〉のための論を展開している。世阿弥の花も論じている。西欧の概念としては80年代に流行っていたグロトフスキーの神秘的な聖なる演劇理論やピーターブルック、アルトーなどを紹介している。Bodymindが新しい。ラビーさんの論の中でThe body is center of visual poetry which is instrumental to explores various perspectives of life as experienced through the human body.とある。身体が見える詩なのである。Classical theatre has explained acting as a vehicle to convey the dramatic material from poet to the audience, rather than an art of imitation, as has been described in western definitions.模倣ではなく詩人の書いた叙事詩なり物語を観客に伝えるのが演技だとの認識である。模倣と伝える媒体の差異は?模倣して観客に伝えるのも事実だ。媒体と模倣したもの(模倣するもの)の違い?

 

 

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[フクシマ」を世界はどう報じたか 日本政府の情報発信と報道を再考する.pdf


 


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